"In trans illustrator Bishakh Som's debut work of fiction, questions of gender, the body, and existential conformity are explored over the course of eight speculative and graphic short stories"--
Washington Post • 10 Best Graphic Novels of 2022 A vibrant and informative debut with “great documentary power” (Alison Bechdel), Fine is an elegantly illustrated celebration of the transgender community. As graphic artist Rhea Ewing neared college graduation in 2012, they became consumed by the question: What is gender? This obsession sparked a quest in which they eagerly approached both friends and strangers in their quiet Midwest town for interviews to turn into comics. A decade later, this project exploded into a sweeping portrait of the intricacies of gender expression with interviewees from all over the country. Questions such as “How do you Identify” produced fiercely honest stories of dealing with adolescence, taking hormones, changing pronouns—and how these experiences can differ, often drastically, depending on culture, race, and religion. Amidst beautifully rendered scenes emerges Ewing’s own story of growing up in rural Kentucky, grappling with their identity as a teenager, and ultimately finding themself through art—and by creating something this very fine. Tender and wise, inclusive and inviting, Fine is an indispensable account for anyone eager to define gender in their own terms.
“In this bold new book, Tovar eviscerates diet culture, proclaims the joyous possibilities of fatness, and shows us that liberation is possible.” —Sarai Walker, author of Dietland Growing up as a fat girl, Virgie Tovar believed that her body was something to be fixed. But after two decades of dieting and constant guilt, she was over it—and gave herself the freedom to trust her own body again. Ever since, she’s been helping others to do the same. Tovar is hungry for a world where bodies are valued equally, food is free from moral judgment, and you can jiggle through life with respect. In concise and candid language, she delves into unlearning fatphobia, dismantling sexist notions of fashion, and how to reject diet culture’s greatest lie: that fat people need to wait before beginning their best lives. “This book feels like spending a margarita-soaked day at the beach with your smartest friend. Virgie Tovar shares juicy secrets and makes revolutionary ideas viscerally accessible. You’ll be left enlightened, inspired, happier, and possibly angrier than when you started.” —Joy Nash, actress “Tovar is a vital voice in contemporary activism, media, and feminism. The joy she takes in her own body and life, combined with the righteous anger she expresses at an oppressive world is a truly radical act. She is deeply thoughtful, but does not equivocate. She confronts bigotry, but does not engage with bullshit.” —Kelsey Miller, author of Big Girl “Long-time body positive writer, speaker and activist Virgie Tovar is gifting brown round girls the book we’ve been hungry for.” —Mitú
“One of Thailand’s preeminent female writers . . . Each of her stories poses its own moral challenge, pleasurable and unsettling at once . . . phenomenal.” —NPR.org In thirteen stories that investigate ordinary and working-class Thailand, characters aspire for more but remain suspended in routine. They bide their time, waiting for an extraordinary event to end their stasis. A politician’s wife imagines her life had her husband’s accident been fatal, a man on death row requests that a friend clear up a misunderstanding with a sex worker, and an elevator attendant feels himself wasting away while trapped, immobile, at his station all day. With curious wit, this collection offers revelatory insight and subtle critique, exploring class, gender, and disenchantment in a changing country. “Arid Dreams is stark, sly, and unsparingly brilliant. Here is a writer unafraid to pick up the scalpel of her prose and use it to cut to the bone. Each story is more compelling than the last, each combines dark humor with deeper truths about human desire and depravity. I couldn’t look away.” —Preti Taneja, author of We That Are Young “Pimwana’s characters, whether they are truck drivers or farmers, doctors or prisoners, are realized with depth, affection, and a good degree of humor. The petty concerns of their daily lives—frustrated careers, infidelity, reconnecting with distant family—are hypnotically rendered in Pimwana’s telling. This is an exciting debut.” —Publishers Weekly “A deep and thoughtful exploration of human psyches and the dreams of ordinary Thais in an ever-changing socio-economic environment.” —Bangkok Post “An exacting look at the moments of joy and tragedy, of hope and desire.” —Independent Book Review
The award–winning author of Shadow Child embarks on a simple journey to record history that changes her life as a wife and mother. In June 2001, Rahna Reiko Rizzuto went to Hiroshima, Japan, in search of a deeper understanding of her war-torn heritage. She planned to spend six months there, interviewing the few remaining survivors of the atomic bomb. A mother of two young boys, she was encouraged to go by her husband, who quickly became disenchanted by her absence. It is her first solo life adventure, immediately exhilarating for her, but her research starts off badly. Interviews with the hibakusha feel rehearsed, and the survivors reveal little beyond published accounts. Then the attacks on September 11 change everything. The survivors' carefully constructed memories are shattered, causing them to relive their agonizing experiences and to open up to Rizzuto in astonishing ways. Separated from family and country while the world seems to fall apart, Rizzuto's marriage begins to crumble as she wrestles with her ambivalence about being a wife and mother. Woven into the story of her own awakening are the stories of Hiroshima in the survivors' own words. The parallel narratives explore the role of memory in our lives and show how memory is not history but a story we tell ourselves to explain who we are. 2010 FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “A brave compassionate, and heart-wrenching memoir, of one woman’s quest to redeem the past while learning to live fully in the present.”—Kate Moses, author of Wintering "This searing and redemptive memoir is an explosive account of motherhood reconstructed.”—Ayelet Waldman, author of Red Hook Road
Visionary artist and New York Times bestselling author of The Wild Unknown Kim Krans returns with a decadently illustrated and incredibly raw graphic memoir that chronicles her multi-layered search for truth and recovery from an eating disorder and infertility in the throes of a health and wellness-obsessed culture, touching on the healing potentials of creativity and spirituality. With pen and paper as her trusted allies, revered visionary artist, spiritual seeker, and bestselling author of The Wild Unknown, Kim Krans chronicles her deeply personal journey of recovery through drawing. After cancelling her flight home to wellness-obsessed Los Angeles, where Krans had been secretly experiencing a debilitating eating disorder, she finds her way to an ashram and seeks spiritual and creative refuge. For forty days she relies on “drawing the feeling” as a way to realign her relationship to food, addiction, fertility, perfectionism, and the endless messaging of “never enough” echoing throughout current culture. She makes the ashram her home and embarks on the healing process through intricately hand-drawn narration of both her inner and outer worlds, cancelling forthcoming high-profile teaching obligations and international travel. Radical simplification, meditation, community, and creativity bring her through the darkest chapter of her life. What emerges from Krans’ deeply personal undertaking is a raw and beautiful never-before-seen artists’ document that explores what it means to prioritize truth and self-discovery in a world of relentless expectations and distractions. A memoir at its heart, Blossoms and Bones is a lifeline of light and beauty, a call to embrace our creative power, and a courageous example of realigning with one’s destiny.
“Excellent and peculiar… Ausubel’s imagination…wants to offer consolation for how ghastly things can get, a type of healing that only reading can provide. All 11 of these stories are deeply involving.” –New York Times Book Review “Funny, endearing short stories…Each tale looks to the future in its own particular, touching way.” –Harper’s Bazaar An inventive story collection that spans the globe as it explores love, childhood, and parenthood with an electric mix of humor and emotion. Acclaimed for the grace, wit, and magic of her novels, Ramona Ausubel introduces us to a geography both fantastic and familiar in eleven new stories, some of them previously published in The New Yorker and The Paris Review. Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing. Crisscrossing the pages of Awayland are travelers and expats, shadows and ghosts. A girl watches as her homesick mother slowly dissolves into literal mist. The mayor of a small Midwestern town offers a strange prize, for stranger reasons, to the parents of any baby born on Lenin's birthday. A chef bound for Mars begins an even more treacherous journey much closer to home. And a lonely heart searches for love online--never mind that he's a Cyclops. With her signature tenderness, Ramona Ausubel applies a mapmaker's eye to landscapes both real and imagined, all the while providing a keen guide to the wild, uncharted terrain of the human heart.
An intrepid, galvanizing meditation on illness, disability, feminism, and what it means to be alive. In 1995 Alice’s mother collapsed with pneumonia. She never fully recovered and was eventually diagnosed with ME, or Chronic Fatigue Syndrome. Then Alice got ill. Their symptoms mirrored their mother’s and appeared to have no physical cause; they received the same diagnosis a few years later. Ill Feelings blends memoir, medical history, biography and literary nonfiction to uncover both of their case histories, and branches out into the records of ill health that women have written about in diaries and letters. Their cast of characters includes Virginia Woolf and Alice James, the poets Elizabeth Barrett Browning and Emily Dickinson, John Ruskin’s lost love Rose la Touche, the artist Louise Bourgeois and the nurse Florence Nightingale. Suffused with a generative, transcendent rage, Alice Hattrick’s genre-bending debut is a moving and defiant exploration of life with a medically unexplained illness.
"Angkor, the temple and palace complex of the ancient Khmer capital in Cambodiais one of the world's most famous monuments. Hundreds of thousands oftourists from all over the globe visit Angkor Park, one of the finest UNESCO WorldHeritage Sites, every year. Since its UNESCO listing in 1992, the Angkor regionhas experienced an overwhelming mushrooming of hotels and restaurants; theinfrastructure has been hardly able to cope with the rapid growth of mass tourismand its needs. This applies to the access and use of monument sites as well. The authors of this book critically describe and analyse the heritage nominationprocesses in Cambodia, especially in the case of Angkor and the temple ofPreah Vihear on the Cambodian/Thai border. They examine the implications theUNESCO listings have had with regard to the management of Angkor Park andits inhabitants on the one hand, and to the Cambodian/Thai relationships on theother. Furthermore, they address issues of development through tourism thatUNESCO has recognised as a welcome side-effect of heritage listings. They raisethe question whether development through tourism deepens already existinginequalities rather than contributing to the promotion of the poor"--Publisher's description.