The book presents a new study of the visual arts and poetry in the work of three well-known French writers and artists from the mid-twentieth century—Georges Bataille, Pierre Klossowski, and Henri Michaux. Each was fiercely independent, belonging to no school, academy, or political persuasion. What do they have in common? While the book's three central essays do not initially set out to establish comparisons between these writers, common ground emerges: a shared combat against culture, a shared non-representational artistic practice. Their writing, poetry, and painting offer not a portrayal of things or ideas but rather an emanation or apparition of the unknown and the infinite, one charged with deepening art's relation to life.
A richly illustrated tapestry of interwoven studies spanning some six thousand years of history, Dæmons Are Forever is at once a record of archaic contacts and transactions between humans and protean spirit beings—dæmons—and an account of exchanges, among human populations, of the science of spirit beings: dæmonology. Since the time of the Indo-European migrations, and especially following the opening of the Silk Road, a common dæmonological vernacular has been shared among populations ranging from East and South Asia to Northern Europe. In this virtuoso work of historical sleuthing, David Gordon White recovers the trajectories of both the “inner demons” cohabiting the bodies of their human hosts and the “outer dæmons” that those same humans recognized each time they encountered them in their enchanted haunts: sylvan pools, sites of geothermal eruptions, and dark forest groves. Along the way, he invites his readers to reconsider the potential and promise of the historical method in religious studies, suggesting that a “connected histories” approach to Eurasian dæmonology may serve as a model for restoring history to its proper place at the heart of the discipline of the history of religions.
Despite our tendency to think of the demonic as evil and the angelic as good, our own legends don't always bear this out. Angels can be the incarnation of light and salvation, but they can also fall - Satan himself is a fallen angel. Demons can be truly demonic, but these unearthly creatures can also, on occasion, lend humankind a hand. Temptation can lead to revelation, supernatural messengers who bring true justice may not be welcomed, and beings seeking redemption can be blind to mortal needs. Stories from world-renowned authors of science fiction and fantasy - including Neil Gaiman, George R. R. Martin and Joyce Carol Oates - and rising stars portray angels in all their glory, demons at their most dreadful, and a surprising variety of modern interpretations of ancient myth.
Some people believe that a battle of cosmic proportions is raging as Satan and his demons seek to destroy Christians and undermine God's plans. Others believe that all talk of demons in the Bible and theology only reflects pre-modern superstitions that should be re-interpreted in philosophical and psychological terms. Despite their contrasts, both believe that the Bible directly or indirectly intends to teach readers about reality. Another path is possible. What if references to demons in the Bible are similar to references about the shape and structure of the cosmos representing the beliefs familiar to the ancient audience but used only as a framework for teaching about the plans and purposes of God? This approach is here worked out through detailed examination of hermeneutical method, the ancient Near Eastern and Greco-Roman contexts, each of the biblical terms and passages, and the essentials of biblical and systematic theology. Unlike many scholarly treatments of demons, readers will not find an assessment of the metaphysical realities. Instead they will be introduced to a hermeneutical, exegetical, and theological feast regarding what the Bible, understood in its ancient context, teaches.
Merezhkovsky's bold claim that "all Russian literature is, to a certain degree, a struggle with the temptation of demonism" is undoubtedly justified. And yet, despite its evident centrality to Russian culture, the unique and fascinating phenomenon of Russian literary demonism has so far received little critical attention. This substantial collection fills the gap. A comprehensive analytical introduction by the editor is follwed by a series of fourteen essays, written by eminent scholars in their fields. The first part explores the main shaping contexts of literary demonism: the Russian Orthodox and folk tradition, the demonization of historical figures, and views of art as intrinsically demonic. The second part traces the development of a literary tradition of demonism in the works of authors ranging from Pushkin and Lermontov, Gogol and Dostoevsky, through to the poets and prose writers of modernism (including Blok, Akhmatova, Bely, Sologub, Rozanov, Zamiatin), and through to the end of the 20th century.
Discover how the hidden messages in your dreams can change your life. A renowned expert on the subject of dreams, Jeremy Taylor has studied dreams and has worked with thousands of people both individually and in dream groups for more than forty years. His discoveries show us how dreams can be the keys to gaining insight into our past and our conflicts, as well as excursions into the fantastic realm of creative inspiration. An expanded and updated edition of his classic guide to understanding your dreams—Where People Fly and Water Runs Uphill—The Wisdom of Your Dreams provides readers with specific, hands-on techniques to help them remember and interpret their dreams, establish a dream group, and learn the universal symbolism of dreaming. Full of case histories and featuring a revised introduction by the author and a new chapter about dreams as clues to the evolution of consciousness, this is a life- changing and potentially world-changing work.
Stories about devils and demons were literary staples long before the modern horror field came into existence. Our earliest story in this volume, by Washington Irving, was published in 1824...and the fact that these tales span almost 200 years shows how enduring the theme remains. Here, then, are 25 great modern and classic tales of devils, demons, and the macabre. Enjoy! THE CONTRACT OF CARSON CARRUTHERS, by William P. McGivern BURNT TOAST, by Mack Reynolds CRIME CLEAN-UP IN CENTER CITY, by Robert Moore Williams THE CRACKS OF TIME, by Dorothy Quick THE DEVIL AND TOM WALKER, by Washington Irving HIDEAWAY, by Everil Worrell THE STRANGER FROM KURDISTAN, by E. Hoffmann Price HEREAFTER, INC., by Lester del Rey NIGHTMARE ON THE NOSE, by Evelyn E. Smith THE MYSTERIOUS STRANGER, by Mark Twain AUT DIABOLUS AUT NIHIL: THE TRUE STORY OF A HALLUCINATION, by X.L. (Julian Osgood Field) CAN SUCH BEAUTY BE? by Jerome Bixby MARKHEIM, by Robert Louis Stevenson MONSIEUR BLUEBEARD, by Emil Petaja YOUNG GOODMAN BROWN, by Nathaniel Hawthorne ROOM WITHOUT WINDOWS, by Manly Banister THE BARGAIN OF RUPERT ORANGE, by Vincent O’Sullivan THE BOTTLE IMP, by Dwight V. Swain THE CASE OF MR. LUCRAFT, Walter Besant and James Rice WHO SUPS WITH THE DEVIL, by S.M. Tenneshaw THE SHOEMAKER AND THE DEVIL, by Anton Chekhov SPAWN OF HELL, by William P. McGivern YOUR SOUL COMES C.O.D., by Mack Reynolds ST. JOHN'S EVE, by Nikolai Gogol WOLFIE, by Theodore R. Cogwell If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 260+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
