Aum loves his big sister, Anu Didi, and the two of them do everything together. But Aum is very puzzled by the way his sister feels unwell once every month, and is unable to go to school or play badminton with him. What Aum does not know is that his sister has a monthly visitor: menstruation! Join Aum as he learns more about his sister’s monthly visitor, and see him grow into an understanding and supportive younger brother as his sister goes through the changes faced by young women all over the world. This book is written in an effort to increase awareness around menstruation and to reduce the stigma around it. We hope that these pages have helped the reader understand and articulate the body’s natural processes and to realize that ‘menstruation’ is not just a women’s issue - conversations around it need to be normalized across diverse demographic groups if we hope to live in a world where people are not embarrassed by their bodies—a world where we feel free and uninhibited, and are able to be both, proud and compassionate toward ourselves and others!
"Keepsakes from my Kitchen", is a culinary wonderland created by the talented 17-year-old Anaiya Naroola! This cookbook is a treasure trove of scrumptious recipes that will tantalize your tastebuds and leave you craving for more. Whether you have a sweet tooth or prefer healthier options, this book has something for everyone. Get ready to explore a world of flavors, where every dish is a masterpiece that will transport you to foodie heaven. But that's not all! As you whip up these delectable creations, you'll discover the magic of mixing and matching ingredients and learn how to strike the perfect balance of flavors. And the best part? You get to share these yummy treats with your loved ones and bask in the joy of creating something special together. So put on your apron, roll up your sleeves, and let's cook up some magic!
~Shortlisted for the ALA’s 2015 Reading List for Best Romance A whirlwind wedding leads to love in this New York Times bestseller from the award-winning Julie James. After a humiliating end to her engagement, investment banker Sidney Sinclair is done with commitment-phobic men. But when her sister winds up engaged after a brief courtship, Sidney is thrown into close contact with exactly the kind of sexy playboy she wants to avoid—the gorgeous best man. She’s stuck with him, for better or worse, until her sister walks down the aisle, but that doesn’t mean she has to give in to his smooth advances, no matter how tempting they are . . .
The definitive saga, at once riveting and revelatory – studded with rare nuggets of information and fascinating anecdotes – that sparkingly brings out the life and times of an internationally acclaimed incredibly versatile singer. Asha Bhosle – a Guinness world record holder plus recipient of the Padma Vibhushan and the Dadasaheb Phalke Award – has held one and all spellbound for six decades now. Her voice, both fluid and flexible, has infused neo life into a variety of genres – from the melancholy melody to the rollicking rock-’n’-roll; from the soulful creation to the vibrant disco; from the romantic rhapsody to the rambunctious folk song; from the dainty ghazal to the boisterous qawwali; and from the pathos-filled rendition to the naughty-naugthy seductive number. The author – on the strength of his vast and varied exposure and experience – turns the focus on enthralling behind-the-scenes happenings that shaped the advance of this artiste with a remarkable range and a noteworthy body of work. ‘The world has no time for losers’ has remained Asha’s performing credo. This volume captures Asha Bhosle in her numberless shades. It is about how – in her silken rivalry with elder sister Lata Mangeshkar – she moved with panache from O. P. Nayyar to S. D. Burman to R. D. Burman. It is about how she served a galaxy of composers; about how, in the end, she reached the pinnacle all by herself. Against odds that would have driven any other woman into quitting. No quitter ever, Asha Bhosle, as the supernova supreme, just went on to underline the adage: ‘No power like woman power’. No more can you stay away from this marvel of a musical biography than you can stay away from the matchless musicality of Asha Bhosle. If she is one of a kind, so is this musical masterpiece capturing all the resonances and nuances going with her piquant persona. Here is a long-awaited career study shedding light on the twists and turns marking the starry-eyed world of Hindustani film music.
A serial killer is terrorizing Dilli and Mughal nobleman and detective Muzaffar Jang might have finally met his match. In the spring of 1657, the Mughal armies have reached the Deccan, besieging the Fort of Bidar. Back home in Dilli, there is unrest: the empire seethes and stirs, and its capital reflects this turbulence. Muzaffar Jang, newly married to his beloved Shireen and trying to adjust to life as a husband, stumbles into the investigation of a merchant's murder. Even as another crime – the kidnapping of a wealthy moneylender's infant son – occurs, Muzaffar finds himself at odds with his brother-in-law, Khan Sahib, the Kotwal of Dilli. Things get increasingly puzzling as one murder follows another and, soon, it is clear that the streets of Dilli have a serial killer on the loose. Muzaffar, who soon finds himself at odds with the system as well as those closest to him, must follow his gut to unmask this audacious murderer, while trying to obey Khan Sahib's warning: do not get in the way of the law. But has he finally bitten off more than he can chew?
"About the book In 2014 Karishma Mehta started Humans of Bombay to capture the untold stories of the millions of people living in the maximum city. This book entails a handpicked collection of some of the best stories on the Humans of Bombay Facebook blog as well as several unseen stories. Funny insightful quirky and intimate these stories are sure to make your heart melt."--Provided by publisher.
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
