Antonio and Mellida & Antonio's Revenge
Antonio and Mellida & Antonio's Revenge

Author: John Marston

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781018578347

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Selected Plays of John Marston
The Selected Plays of John Marston

Author: Macdonald Pearman Jackson

Publisher: Cambridge University Press

Published: 1986-08-29

Total Pages: 580

ISBN-13: 9780521217460

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This edition brings five of Marston's most interesting plays together in a readable and helpful form. They are collected with modern spelling, full commentaries, textual notes and introductions, in texts newly edited from the original quartos. A survey of criticism of Marston is included. The edition of Sophonisba (a play highly praised by T. S. Eliot) is the first modernised text to appear in one hundred years. Another textual innovation is the relegation to an appendix of Webster's obtrusive additions to The Malcontent. Marston's plays have enjoyed popular revivals in English theatres over the last decade, and the authors' commentary is designed to alert readers to theatrical effects. The playwright's language is elucidated here far more fully than in any other collection.

The Malcontent
The Malcontent

Author: John Marston

Publisher: A&C Black

Published: 2014-04-25

Total Pages: 156

ISBN-13: 1408149184

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A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.

Antonio's Revenge
Antonio's Revenge

Author: John Marston

Publisher: Manchester University Press

Published: 1999-09-11

Total Pages: 196

ISBN-13: 9780719057038

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This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.

John Marston's Drama
John Marston's Drama

Author: George L. Geckle

Publisher: Fairleigh Dickinson Univ Press

Published: 1980

Total Pages: 238

ISBN-13: 9780838621578

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A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays.

Shakespeare and the Poets' War
Shakespeare and the Poets' War

Author: James Bednarz

Publisher: Columbia University Press

Published: 2001-05-07

Total Pages: 358

ISBN-13: 9780231504263

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In a remarkable piece of detective work, Shakespeare scholar James Bednarz traces the Bard's legendary wit-combats with Ben Jonson to their source during the Poets' War. Bednarz offers the most thorough reevaluation of this "War of the Theaters" since Harbage's Shakespeare and the Rival Traditions, revealing a new vision of Shakespeare as a playwright intimately concerned with the production of his plays, the opinions of his rivals, and the impact his works had on their original audiences. Rather than viewing Shakespeare as an anonymous creator, Shakespeare and the Poets' War re-creates the contentious entertainment industry that fostered his genius when he first began to write at the Globe in 1599. Bednarz redraws the Poets' War as a debate on the social function of drama and the status of the dramatist that involved not only Shakespeare and Jonson but also the lesser known John Marston and Thomas Dekker. He shows how this controversy, triggered by Jonson's bold new dramatic experiments, directly influenced the writing of As You Like It, Twelfth Night, Troilus and Cressida, and Hamlet, gave rise to the first modern drama criticism in English, and shaped the way we still perceive Shakespeare today.