Antonello Da Messina

Antonello Da Messina

Author: Gioacchino Barbera

Publisher: Metropolitan Museum of Art

Published: 2005

Total Pages: 58

ISBN-13: 0300116489

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This book on one of the most influential painters of the 15th century early Italian Renaissance comprises of an informative essay by the author plus entries on seven works that will be seen for the first time in the United States as part of a focus exhibition at The Metropolitan Museum of Art, New York.


Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas

Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas

Author:

Publisher: BRILL

Published: 2018-01-03

Total Pages: 462

ISBN-13: 9004360689

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Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.


Portraits of the Renaissance

Portraits of the Renaissance

Author: Nathalie Mandel

Publisher:

Published: 2007-10

Total Pages: 0

ISBN-13: 9782759402052

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Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement. Now their work is reproduced in this spectacular, luxury volume printed on cotton paper and exquisitely presented in a brown and turquoise linen case. Whether Italian, Flemish, or German, all were masters of the portrait, a style that was popular and much appreciated during the fifteenth and sixteenth centuries. The genius of these artists allowed them to overcome the limits of the genre and inscribe the art of portraiture into the universal history of mankind. Sharply focused and featuring meticulously researched illustrations, this beautiful book is the first of its kind to shed light on some of the most familiar images in art history. 70 illustrations


The Renaissance Portrait

The Renaissance Portrait

Author: Patricia Lee Rubin

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 434

ISBN-13: 1588394255

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Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.


Italian Paintings of the Fifteenth Century

Italian Paintings of the Fifteenth Century

Author: National Gallery of Art (U.S.)

Publisher: Oxford University Press, USA

Published: 2003

Total Pages: 0

ISBN-13: 9780894683053

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The National Gallery of Art collection of Italian fifteenth-century paintings, the finest in any American museum, has not been published in its entirety since the 1979 Catalogue of Italian Paintings by Fern Rusk Shapley. Among the altarpieces, devotional works, portraits, and allegorical scenes are many world-famous masterpieces. In addition to Leonardo's Ginevra de' Benci and the Adoration of the Magi by Fra Angelico and Fra Filippo Lippi, paintings by Domenico Veneziano, Castagno, Sassetta, Mantegna, Giovanni Bellini, Perugino, Botticelli, and Ghirlandaio make this a book of major masters of the Renaissance.


Portraits

Portraits

Author: John Berger

Publisher: Verso Books

Published: 2015-10-05

Total Pages: 676

ISBN-13: 1784781789

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John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.


Giovanni Bellini: An Introduction

Giovanni Bellini: An Introduction

Author:

Publisher: Marsilio Editori

Published: 2021-05-25

Total Pages: 288

ISBN-13: 9788829709434

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An accessible guide to the foremost figure in Venetian Renaissance painting, tracing Bellini's personal artistic development within historical context Italian Renaissance artist Giovanni Bellini (c. 1435/40-1516) is considered the most important practitioner of Venetian painting in the latter half of the 15th century. Born into a family of painters, Bellini began studying art at a young age, painting primarily in the prevailing Gothic style of the early Renaissance. As time passed and he evolved as an artist, Bellini's wide-reaching influence came to inform the maniera modernainherited by Giorgione and Titian. His unparalleled ability to both harness the expressive power of light and recreate the poetry of natural landscapes became the foundational tenets of the Venetian school of painting for centuries to come. This volume provides an accessible guide to Bellini's work and the lasting influence of his career on Western European painting. Organized chronologically, the book maps the development of Bellini's own craft alongside the greater technical experimentation of the Quattrocento, detailing the artist's abandonment of traditional egg tempera technique for oil on canvas and taking into account the influence of contemporaries Andrea Mantegna and Antonello da Messina. Concise and up-to-date, this publication effectively conveys the magnitude of Bellini's contributions to Western European painting in the wider context of the era.