Understanding Post-Tonal Music

Understanding Post-Tonal Music

Author: Miguel A. Roig-Francolí

Publisher: Routledge

Published: 2021-02-25

Total Pages: 432

ISBN-13: 1000332632

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Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.


Anthology of Post-Tonal Music

Anthology of Post-Tonal Music

Author: Miguel A. Roig-Francolí

Publisher: Routledge

Published: 2021-03-29

Total Pages: 250

ISBN-13: 1000332586

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This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first century, from pieces by Debussy, Stravinsky, and Bartok to works by Arvo Pärt, Thomas Adès, and Kaija Saariaho. Showcasing the vast range of compositional styles encompassed in the post-tonal era, this volume offers a convenient compendium including hard-to-find scores. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francolí, which includes extensive analyses of the scores provided here, this anthology can also stand alone for study and analysis in other courses on the history and analysis of post-tonal music.


Materials and Techniques of Post-Tonal Music

Materials and Techniques of Post-Tonal Music

Author: Stefan Kostka

Publisher: Routledge

Published: 2018-03-13

Total Pages: 355

ISBN-13: 1351859226

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Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.


Harmonic Practice in Tonal Music

Harmonic Practice in Tonal Music

Author: Robert Gauldin

Publisher: W W Norton & Company Incorporated

Published: 2004

Total Pages: 895

ISBN-13: 9780393976663

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Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.


The Musician's Guide to Theory and Analysis

The Musician's Guide to Theory and Analysis

Author: Jane Piper Clendinning

Publisher: W. W. Norton & Company

Published: 2016-06-01

Total Pages: 16

ISBN-13: 0393600483

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The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.


The Complete Musician

The Complete Musician

Author: Steven Geoffrey Laitz

Publisher: Oxford University Press, USA

Published: 2016

Total Pages: 0

ISBN-13: 9780199347094

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Beginning with music fundamentals, The Complete Musician covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. Rather than rote learning of concepts and terms, this text emphasizes that understanding how theory intersectswith composition and performance is key to seeing its relevance to students' wider musical lives.


Concise History of Western Music

Concise History of Western Music

Author: Barbara Russano Hanning

Publisher: W. W. Norton

Published: 1998

Total Pages: 585

ISBN-13: 9780393971682

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Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; "Etudes," excursions that explore the material more deeply than the main text; and "Windows," boxed discussions of special topics.


Historical Anthology of Music by Women

Historical Anthology of Music by Women

Author: James R. Briscoe

Publisher: Indiana University Press

Published: 1987

Total Pages: 428

ISBN-13: 9780253212962

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Works by women composers, including Francesca Caccini, Fanny Mendelssohn, Ethel Smyth, [et al]


Twentieth-century Music Theory and Practice

Twentieth-century Music Theory and Practice

Author: Edward Pearsall

Publisher: Routledge

Published: 2012

Total Pages: 314

ISBN-13: 0415888956

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Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening. Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.