Annual Report of the Philadelphia Museum of Art for the Year Ended ... with the List of Members
Author: Philadelphia Museum of Art
Publisher:
Published: 1911
Total Pages: 98
ISBN-13:
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Author: Philadelphia Museum of Art
Publisher:
Published: 1911
Total Pages: 98
ISBN-13:
DOWNLOAD EBOOKAuthor: National Endowment for the Arts
Publisher:
Published: 1995
Total Pages: 220
ISBN-13:
DOWNLOAD EBOOKReports for 1980-19 also include the Annual report of the National Council on the Arts.
Author: Philadelphia Museum of Art
Publisher:
Published: 1892
Total Pages: 876
ISBN-13:
DOWNLOAD EBOOKAuthor: Cincinnati Museum Association
Publisher:
Published: 1902
Total Pages: 854
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1916
Total Pages: 566
ISBN-13:
DOWNLOAD EBOOKAuthor: Carnegie Institute
Publisher:
Published: 1917
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKIncludes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author: Steven Conn
Publisher: University of Chicago Press
Published: 1998
Total Pages: 318
ISBN-13: 9780226114934
DOWNLOAD EBOOKConn's study includes familiar places like the Metropolitan Museum of Art and the Academy of Natural Sciences, but he also draws attention to forgotten ones, like the Philadelphia Commercial Museum, once the repository for objects from many turn-of-the-century world's fairs. What emerges from Conn's analysis is that museums of all kinds shared a belief that knowledge resided in the objects themselves. Using what Conn has termed "object-based epistemology," museums of the late nineteenth century were on the cutting edge of American intellectual life. By the first quarter of the twentieth century, however, museums had largely been replaced by research-oriented universities as places where new knowledge was produced. According to Conn, not only did this mean a change in the way knowledge was conceived, but also, and perhaps more importantly, who would have access to it.
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
Published: 2015-06-28
Total Pages: 329
ISBN-13: 1472471326
DOWNLOAD EBOOKIn The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Author: Catherine Dossin
Publisher: Routledge
Published: 2016-03-03
Total Pages: 325
ISBN-13: 1317017684
DOWNLOAD EBOOKIn The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Author: Susan Weber
Publisher: Yale University Press
Published: 2021-01-12
Total Pages: 250
ISBN-13: 0300251041
DOWNLOAD EBOOKThe first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.