Anne Finch and Her Poetry

Anne Finch and Her Poetry

Author: Barbara McGovern

Publisher: University of Georgia Press

Published: 1992

Total Pages: 302

ISBN-13: 9780820314105

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Anne Finch and Her Poetry is the first major critical examination of the life and works of the foremost English woman poet of the eighteenth century. This biography places Anne Finch (1661-1720) in her social and literary milieu and includes discussion of such topics as love and marriage, female friendships, melancholy, and nature as they relate both to Finch's life and to her poetry. Barbara McGovern gives considerable attention to the methods by which Finch developed her artistry and molded a largely masculine literary tradition to her own designs through a variety of rhetorical and stylistic devices. She examines the entire body of Finch's work, including two verse plays and a number of previously unpublished poems and letters, and corrects numerous misconceptions about the poet and her work. Though recognized in her lifetime as a talented poet, for nearly two hundred years Finch has been overlooked or, when anthologized, misrepresented. McGovern focuses on the historical place and displacement of Finch in Restoration and early eighteenth-century England in terms of her involvement with Britain's most critical religious and political controversies. An Anglican and Royalist who along with her husband was attached to the Stuart court at the time of the Glorious Revolution, Finch was an outsider because of her politics and religion as well as her gender. Despite her marginal status in society, Anne Finch was able to develop her poetic identity in part by defining her relationships with other early women writers, including Katherine Philips and Aphra Behn. Her female friendships, as well as aristocratic family ties and titled position, gave her access to a number of the most famous literary figures of her age, including Alexander Pope and Jonathan Swift. A thoroughly researched, well-written, and compelling work, Anne Finch and Her Poetry will no doubt become the standard biography of the finest woman poet in England before the nineteenth century.


The Poetry of Anne Finch

The Poetry of Anne Finch

Author: Charles H. Hinnant

Publisher: University of Delaware Press

Published: 1994

Total Pages: 300

ISBN-13: 9780874134698

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At the same time her stance as a feminist led her not only to articulate issues in terms of gender but also to define her poetry in opposition to the dominant literary form of the age, satire."--BOOK JACKET.


The Spleen,

The Spleen,

Author: Anne Kingsmill Finch Countess of Winchilsea

Publisher:

Published: 1709

Total Pages: 26

ISBN-13:

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An Exaltation of Forms

An Exaltation of Forms

Author: Annie Finch

Publisher: University of Michigan Press

Published: 2002

Total Pages: 460

ISBN-13: 9780472067251

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Fifty poets examine the architecture of poems--from the haiku to rap music--and trace their history


The Anne Finch Wellesley Manuscript Poems

The Anne Finch Wellesley Manuscript Poems

Author: Anne Kingsmill Finch Countess of Winchilsea

Publisher: University of Georgia Press

Published: 1998

Total Pages: 264

ISBN-13: 9780820319957

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The publication of the Wellesley manuscript marks the first complete edition of fifty-three poems by the most talented and significant woman poet of the Restoration and eighteenth century. Anne Finch (1661-1720) wrote most of these poems in the last decade of her life, and they are essential to a complete evaluation of her work. This authoritative edition, edited by Barbara McGovern and Charles H. Hinnant, is useful for scholars as well as general readers of eighteenth-century poetry and women's literature. It contains textual notes, commentary, and an introduction that examines many of the issues relevant to Finch's poetry, including political climate, literary milieu, personal circumstances, and gender awareness. The editors also discuss Finch's devotional verse and her poetry in praise of female friendship, offering new insight into her attitudes toward these themes. These poems were not published during Finch's lifetime nor in a posthumous collection and subsequently fell into obscurity until the manuscript resurfaced in the twentieth century. McGovern and Hinnant suggest that this had to do with the dangerous political environment in England, particularly following the Jacobite rebellion of 1715. Not only do these poems help to define Finch's stature as a poet, they also provide a valuable perspective on the politics of the early woman writer.


Eighteenth-Century Women Poets and Their Poetry

Eighteenth-Century Women Poets and Their Poetry

Author: Paula R. Backscheider

Publisher: JHU Press

Published: 2005-12-31

Total Pages: 866

ISBN-13: 0801895901

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“Our sense of eighteenth-century poetic territory is immeasurably expanded by [this] excellent historical and cultural” study of UK women poets of the era (Cynthia Wall, Studies in English Literature). This major work offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women’s poetry is necessary for an accurate and nuanced literary history. Within chapters on important verse forms, she sheds light on such topics as women’s use of religious poetry to express ideas about patriarchy and rape; the important role of friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet. Co-Winner, James Russell Lowell Prize, Modern Language Association


Miscellany Poems

Miscellany Poems

Author: Anne Kingsmill Finch

Publisher:

Published: 2008-11

Total Pages: 276

ISBN-13: 9781409951568

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Anne Finch (nee Kingsmill), Countess of Winchilsea (1661-1720), was one of the first female English poets to be published. She was well educated as her family believed in good education for girls as well as for boys. Today, some consider her to be Englandas best female poet prior to the nineteenth century. While Finch also authored fables and plays, today she is best known for her poetry: lyric poetry, odes, love poetry and prose poetry. Later literary critics recognized the diversity of her poetic output as well as its personal and intimate style. Her works include: Miscellany Poems: On Several Occasions (1713) and Aristomenes; or, The Royal Shepherd (1713).


The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea: Volume 2, Later Collections, Print and Manuscript

The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea: Volume 2, Later Collections, Print and Manuscript

Author: Anne Finch

Publisher: Cambridge University Press

Published: 2021-05-06

Total Pages: 796

ISBN-13: 1108578454

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This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This second volume provides established texts of Finch's later collections in print and manuscript form, Miscellany Poems, on Several Occasions (1713) and The Wellesley Manuscript, as well as uncollected poems and letters.


The Aesthetics of Power

The Aesthetics of Power

Author: Claire Keyes

Publisher: University of Georgia Press

Published: 2008

Total Pages: 234

ISBN-13: 0820333514

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When still a senior at Radcliffe, Adrienne Rich was selected as a Yale Younger Poet. The judge, W.H. Auden, wrote the introduction to her first book of poems. Thus Rich's career was launched by one of the most distinguished poets of the twentieth century, someone Rich herself admired and emulated. Adrienne Rich's early mentors were men, and her early poetry consequently adopted a strong male persona. In her development as artist, woman, and activist, however, Rich emerged as a leading voice of modern feminism--a voice which rejects a male-dominated world, forcing new definitions of power, new possibilities for women, and profound repercussions for society. In The Aesthetics of Power, Claire Keyes examines the shape and scope of Rich's poetry as it applies to Rich's female aesthetic. Keyes uncovers the process by which Rich embraces, then rejects, accepted uses of power, achieving a vision of beneficent female power. In her early poems, Adrienne Rich accepts certain traditions associated with the divisions of power according to sex. Later, Rich continually defines and redefines power until she can reject power-as-force (patriarchal power) for the power-to-transform, which, for her, is the truly significant and essential power. Surveying Rich's poetry and prose from 1951 to the present, this book traces the development of Adrienne Rich's new understanding of the power of the poet and the power of woman. Sharing Rich's feminist sensibilities, yet at times critical of her more radical positions, Claire Keyes draws a portrait of an artist who was molded by the complex political and social climate of post-World War II America. It is a portrait that reveals the creative growth of an artist, and the personal growth of a powerful and controversial woman.


Memoirs of Laetitia Pilkington

Memoirs of Laetitia Pilkington

Author: Laetitia Pilkington

Publisher: University of Georgia Press

Published: 1997

Total Pages: 932

ISBN-13: 9780820317199

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This is the first scholarly edition of the Memoirs of Laetitia Van Lewen Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift's first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist's private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington's own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions. Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary. Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs--and what she may be suppressing in the process. They can now approach Pilkington's Swift with confidence at each step, and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics. More than any other early-eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington's Memoirs are a classic of her era.