An independent kingdom of runaway slaves founded in the late 16th century, Angola Janga was a beacon of freedom in a land plagued with oppression. In stark black ink and chiaroscuro panel compositions, D’Salete brings history to life; the painful stories of fugitive slaves on the run, the brutal raids by Portuguese colonists, and the tense power struggles within this precarious kingdom. At turns heartbreaking and empowering, Angola Janga sheds light on a long-overlooked moment of resistance against oppression.
“The fascinating story of arguably the greatest queen in sub-Saharan African history, who surely deserves a place in the pantheon of revolutionary world leaders.” —Henry Louis Gates, Jr. Though largely unknown in the West, the seventeenth-century African queen Njinga was one of the most multifaceted rulers in history, a woman who rivaled Queen Elizabeth I in political cunning and military prowess. In this landmark book, based on nine years of research and drawing from missionary accounts, letters, and colonial records, Linda Heywood reveals how this legendary queen skillfully navigated—and ultimately transcended—the ruthless, male-dominated power struggles of her time. “Queen Njinga of Angola has long been among the many heroes whom black diasporians have used to construct a pantheon and a usable past. Linda Heywood gives us a different Njinga—one brimming with all the qualities that made her the stuff of legend but also full of all the interests and inclinations that made her human. A thorough, serious, and long overdue study of a fascinating ruler, Njinga of Angola is an essential addition to the study of the black Atlantic world.” —Ta-Nehisi Coates “This fine biography attempts to reconcile her political acumen with the human sacrifices, infanticide, and slave trading by which she consolidated and projected power.” —New Yorker “Queen Njinga was by far the most successful of African rulers in resisting Portuguese colonialism...Tactically pious and unhesitatingly murderous...a commanding figure in velvet slippers and elephant hair ripe for big-screen treatment; and surely, as our social media age puts it, one badass woman.” —Karen Shook, Times Higher Education
Run For It ― a stunning graphic novel by internationally acclaimed illustrator Marcelo d’Salete ― is one of the first literary and artistic efforts to face up to Brazil’s hidden history of slavery. Originally published in Brazil ― where it was nominated for three of the country’s most prestigious comics awards ― Run For It has received rave reviews worldwide, including, in the U.S., The Huffington Post. These intense tales offer a tragic and gripping portrait of one of history’s darkest corners. It’s hard to look away.
Luanda, Angola, 1990. Ndalu is a normal twelve-year old boy in an extraordinary time and place. Like his friends, he enjoys laughing at his teachers, avoiding homework and telling tall tales. But Ndalu's teachers are Cuban, his homework assignments include writing essays on the role of the workers and peasants, and the tall tales he and his friends tell are about a criminal gang called Empty Crate which specializes in attacking schools. Ndalu is mystified by the family servant, Comrade Antonio, who thinks that Angola worked better when it was a colony of Portugal, and by his Aunt Dada, who lives in Portugal and doesn't know what a ration card is. In a charming voice that is completely original, Good Morning Comrades tells the story of a group of friends who create a perfect childhood in a revolutionary socialist country fighting a bitter war. But the world is changing around these children, and like all childhood's Ndalu's cannot last. An internationally acclaimed novel, already published in half a dozen countries, Good Morning Comrades is an unforgettable work of fiction by one of Africa's most exciting young writers.
"In time for Brazil's hosting of the 2014 World Cup, this book uses the stories of star players and other key figures (based on over 40 interviews) to create a contemporary history of Brazilian soccer from the 1950s to the present. It also explores race and class tensions in Brazil and shows how soccer is central to the country's dramatic trajectory toward modernity and economic power"--
2019 Foreword INDIES Book of the Year Award-GOLD Winner for Graphic Novels & Comics Based on a true story, Once Upon a Time in France follows the life of Joseph Joanovici, a Romanian Jew who immigrated to France in the 1920s and became one of the richest men in Europe as a scrap-metal magnate. For some, he was a villain. For others, a hero. As Germany occupies France, Mr. Joseph thinks his influence can keep his family safe, but he soon finds that the only way to stay one step ahead of the Nazis is to keep his friends close and his enemies closer. Though he plays both sides of the fence as a Nazi collaborator and French resistant, a tangled web of interests forms around him that proves it will take a lot more than money to pay for the survival of his family. An international bestseller with over 1 million copies sold, the French series Once Upon a Time in France, collected here in one omnibus edition, has won the BDGest'Arts Best Scenario Award, BDGest'Arts Album of the Year, and Angoulême International Comics Festival Best Series Award, among many others.
Colonial Latin America: A Documentary History is a sourcebook of primary texts and images intended for students and teachers as well as for scholars and general readers. The book centers upon people-people from different parts of the world who came together to form societies by chance and by design in the years after 1492. This text is designed to encourage a detailed exploration of the cultural development of colonial Latin America through a wide variety of documents and visual materials, most of which have been translated and presented originally for this collection. Colonial Latin America: A Documentary History is a revision of SR Books' popular Colonial Spanish America. The new edition welcomes a third co-editor and, most significantly, embraces Portuguese and Brazilian materials. Other fundamental changes include new documents from Spanish South America, the addition of some key color images, plus six reference maps, and a decision to concentrate entirely upon primary sources. The book is meant to enrich, not repeat, the work of existing texts on this period, and its use of primary sources to focus upon people makes it stand out from other books that have concentrated on the political and economic aspects. The book's illustrations and documents are accompanied by introductions which provide context and invite discussion. These sources feature social changes, puzzling developments, and the experience of living in Spanish and Portuguese American colonial societies. Religion and society are the integral themes of Colonial Latin America. Religion becomes the nexus for much of what has been treated as political, social, economic, and cultural history during this period. Society is just as inclusive, allowing students to meet a variety of individuals-not faceless social groups. While some familiar names and voices are included-conquerors, chroniclers, sculptors, and preachers-other, far less familiar points of view complement and complicate the better-known narratives of this history. In treating Iberia and America, before as well as after their meeting, apparent contradictions emerge as opportunities for understanding; different perspectives become prompts for wider discussion. Other themes include exploration and contact; religious and cultural change; slavery and society, miscegenation, and the formation, consolidation, reform, and collapse of colonial institutions of government and the Church, as well as accompanying changes in economies and labor. This sourcebook allows students and teachers to consider the thoughts and actions of a wide range of people who were making choices and decisions, pursuing ideals, misperceiving each other, experiencing disenchantment, absorbing new pressures, breaking rules as well as following them, and employing strategies of survival which might involve both reconciliation and opposition. Colonial Latin America: A Documentary History has been assembled with teaching and class discussion in mind. The book will be an excellent tool for Latin American history survey courses and for seminars on the colonial period.
Substantial increases in agricultural investments in developing countries are needed to combat poverty and realize food security and nutrition goals. There is evidence that agricultural investments can generate a wide range of developmental benefits, but these benefits cannot be expected to arise automatically and some forms of large-scale investment carry risks for host countries. Although there has been much debate about the potential benefits and risks of international investment, there is no systematic evidence on the actual impacts on the host country and their determinants. In order to acquire an in-depth understanding of potential benefits, constraints and costs of foreign investment in agriculture and of the business models that are more conducive to development, FAO has undertaken research in developing countries.This publication summarizes the results of this research, in particular through the presentation of the main findings of case studies in nine developing countries. It presents case studies on policies to attract foreign investment in agriculture and their impacts on national economic development in selected countries in Africa, Asian and Latin America.
This book is the follow-up to Thierry Groensteen's groundbreaking The System of Comics, in which the leading French-language comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics and shojo manga, and offers insightful reflections on these innovations. In addition, he includes lengthy chapters on three areas not covered in the first book. First, he explores the role of the narrator, both verbal and visual, and the particular issues that arise out of narration in autobiographical comics. Second, Groensteen tackles the question of rhythm in comics, and the skill demonstrated by virtuoso artists in intertwining different rhythms over and above the basic beat provided by the discontinuity of the panels. And third he resets the relationship of comics to contemporary art, conditioned by cultural history and aesthetic traditions but evolving recently as comics artists move onto avant-garde terrain.
