The Irish Tradition in Old English Literature
The Irish Tradition in Old English Literature

Author: Charles D. Wright

Publisher: Cambridge University Press

Published: 1993-07

Total Pages: 337

ISBN-13: 0521419093

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Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.

The Wiley Blackwell Companion to Contemporary British and Irish Literature
The Wiley Blackwell Companion to Contemporary British and Irish Literature

Author: Richard Bradford

Publisher: John Wiley & Sons

Published: 2020-09-03

Total Pages: 912

ISBN-13: 1119652642

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THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

Finding Ireland
Finding Ireland

Author: Richard Tillinghast

Publisher:

Published: 2008

Total Pages: 304

ISBN-13:

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Richard Tillinghast writes vividly and evocatively about the land and people of his adopted home, its culture, its literature, and its long, complex history.

Anglo-Irish
Anglo-Irish

Author: Julian Moynahan

Publisher:

Published: 2017-03-21

Total Pages: 0

ISBN-13: 9780691604497

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Moynahan begins in 1800 with the Act of Union and the dissolution of the Dublin Parliament, at which point the Anglo-Irish become Irish. Just as the fortunes of this community begin to wane, its literary power unfolds. The Anglo-Irish produce a haunting, memorable body of writings that explore a unique yet always Irish identity and destiny. Moynahan's exploration of the literature reveals women writers - Maria Edgeworth, Edith Somerville, Martin Ross, and Elizabeth Bowen - as a generative and major force in the development of this literary imagination. Along the way, he attends closely to the Gothic and to the mystery writing of C.R. Maturin and J.S. Le Fanu, and provides in-depth revaluations of William Carleton and Charles Lever.

The "tinkers" in Irish Literature
The

Author: José Lanters

Publisher:

Published: 2008

Total Pages: 270

ISBN-13:

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Irish travellers or 'tinkers' have appeared as characters in Irish literature since the early nineteenth century. Representations of this semi-nomadic cultural and ethnic minority in works by non-traveller authors almost invariably function in some way within the context of Irish identity politics, whereby the 'tinker' often serves as a 'primitive' Other to a modern, civilized Irish Self. This study considers the 'tinker' character in a large body of serious and popular literary texts, some well known, others rarely if ever discussed, and traces how the literary construct of the 'tinker' figure as domestic or foreign Other evolves over time. Three chapters concentrate on specific historical contexts, as the 'tinker' shifts from being a relatively straightforward scapegoat in the literature of the early nineteenth century, to being a more complex and ambiguous embodiment of both the aspirations and anxieties of the Anglo-Irish writers of the Revival, to being a barometer of aspects of modernity and regression in the mid-twentieth-century Irish Republic. Three further chapters focus on thematic contexts that have particular relevance for the development of the 'tinker' figure: children's literature from and about Ireland; fabulist narratives, particularly those with plot configurations derived from Celtic mythology; and crime and detective fiction set in Ireland. Finally the way in which individual travellers represent themselves in autobiographical narratives of the late twentieth century is considered, often in response to the fictional 'tinker' stereotype that has persisted in sedentary society and its cultural expressions for centuries.

Joyce and the Anglo-Irish
Joyce and the Anglo-Irish

Author: Len Platt

Publisher: Rodopi

Published: 1998

Total Pages: 260

ISBN-13: 9789042006249

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Joyce and the Anglo-Irish is a controversial new reading of the pre-Wake fictions. Joining ranks with a number of recent studies that insist on the importance of historical contexts for understanding James Joyce, Len Platt's account has a particular focus on issues of class and culture. The Joyce that emerges from this radical reappraisal is a Catholic writer who assaults the Protestant makers of Ireland's traditional literary landscape. Far from being indifferent to the Irish Literary Revival, the James Joyce of Platt's book attacks and ridicules these revivalist writers and intellectuals who were claiming to construct the Irisih nation. Examining the aesthetics and politics of revivalist culture, Len Platt's research produces a James Joyce who makes a crucial intervention in the cultural politics of nationalism. The Joyce enterprise thus becomes centrally concerned both with a disposal of the essentialist culture produced by the tradition of Samuel Ferguson, Standish O'Grady and W.B. Yeats, and a redefining of the 'uncreated conscience' of the race.

British and Irish Women Writers and the Women's Movement
British and Irish Women Writers and the Women's Movement

Author: Jill Franks

Publisher: McFarland

Published: 2013-02-07

Total Pages: 231

ISBN-13: 1476602689

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This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.