Angie Brown is determined to succeed despite the obstacles she faces in the Jim Crow world she inhabits. All she needs is to meet the right people in the right places and find true love, and the rest will be history. Will she succeed?
Born in the 1880s in Jefferson, Texas, Lillian B. Jones Horace grew up in Fort Worth and dreamed of being a college-educated teacher, a goal she achieved. But life was hard for her and other blacks living and working in the Jim Crow South. Her struggles convinced her that education, particularly that involving the printed word, was the key to black liberation. In 1916, before Marcus Garvey gained fame for advocating black economic empowerment and a repatriation movement, Horace wrote a back-to-Africa novel, Five Generations Hence, the earliest published novel on record by a black woman from Texas and the earliest known utopian novel by any African American woman. She also wrote a biography of Lacey Kirk Williams, a renowned president of the National Baptist Convention; another novel, Angie Brown, that was never published; and a host of plays that her students at I. M. Terrell High School performed. Five Generations Hence languished after its initial publication. Along with Horace’s diary, the unpublished novel, and the Williams biography, the book was consigned to a collection owned by the Tarrant County Black Historical and Genealogical Society and housed at the Fort Worth Public Library. There, scholar and author Karen Kossie-Chernyshev rediscovered Horace’s work in the course of her efforts to track down and document a literary tradition that has been largely ignored by both the scholarly community and general readers. In this book, the full text of Horace’s Five Generations Hence, annotated and contextualized by Kossie-Chernyshev, is once again presented for examination by scholars and interested readers.In 2009 Kossie-Chernyshev invited nine scholars to a conference at Texas Southern University to give Horace’s works a comprehensive interdisciplinary examination. Subsequent work on those papers resulted in the studies that form the second half of this book.
The face of the pedestrian safety crisis looks a lot like Ignacio Duarte-Rodriguez. The 77-year old grandfather was struck in a hit-and-run crash while trying to cross a high-speed, six-lane road without crosswalks near his son’s home in Phoenix, Arizona. He was one of the more than 6,000 people killed while walking in America in 2018. In the last ten years, there has been a 50 percent increase in pedestrian deaths. The tragedy of traffic violence has barely registered with the media and wider culture. Disproportionately the victims are like Duarte-Rodriguez—immigrants, the poor, and people of color. They have largely been blamed and forgotten. In Right of Way, journalist Angie Schmitt shows us that deaths like Duarte-Rodriguez’s are not unavoidable “accidents.” They don’t happen because of jaywalking or distracted walking. They are predictable, occurring in stark geographic patterns that tell a story about systemic inequality. These deaths are the forgotten faces of an increasingly urgent public-health crisis that we have the tools, but not the will, to solve. Schmitt examines the possible causes of the increase in pedestrian deaths as well as programs and movements that are beginning to respond to the epidemic. Her investigation unveils why pedestrians are dying—and she demands action. Right of Way is a call to reframe the problem, acknowledge the role of racism and classism in the public response to these deaths, and energize advocacy around road safety. Ultimately, Schmitt argues that we need improvements in infrastructure and changes to policy to save lives. Right of Way unveils a crisis that is rooted in both inequality and the undeterred reign of the automobile in our cities. It challenges us to imagine and demand safer and more equitable cities, where no one is expendable.
Now in paperback—Angie Martinez, the “Voice of New York,” candidly recounts the story of her rise to become an internationally celebrated hip hop radio icon. In her current reign at Power 105.1 and for nearly two decades at New York’s Hot 97, Angie Martinez has had one of the highest rated radio shows in the country. After working her way up as an intern, she burst on the scene as a young female jock whose on-air “Battle of the Beats” segment broke records and became a platform for emerging artists like a young Jay Z. Angie quickly became known for intimate, high-profile interviews, mediating feuds between artists, and taking on the most controversial issues in hip hop. At age twenty-five, at the height of the East Coast/West Coast rap war, Angie was summoned by Tupac Shakur for what would be his last no-holds-barred interview—which has never aired in its entirety and which she’s never discussed in detail—until now. Angie shares stories from behind-the-scenes of her most controversial conversations, from onetime presidential hopeful Barack Obama to superstars like Mary J. Blige and Chris Brown, and describes her emotional, bittersweet final days at Hot 97 and the highly publicized move to Power 105.1. She also opens up about her personal life—from her roots in Washington Heights and her formative years being raised by a single mom in Brooklyn to exploring the lessons that shaped her into the woman she is today. From the Puerto Rican Day Parade to the White House—Angie is universally recognized as a powerful voice in the Latino and hip hop communities. My Voice gives an inside look at New York City’s one-of-a-kind urban radio culture, the changing faces of hip hop music, and Angie’s rise to become the Voice of New York.
New York Times bestselling author Jen Hatmaker believes that life can be fun, fulfilling, exciting, and beautiful. There's just one thing getting in the way: people. So many of our joys, struggles, thrills, and heartbreaks are connected to others, starting with ourselves and the people we came from. As we grow, our community does too. Before we know it, our lives are full of people: people we became friends with, married, birthed, live by, go to church with, don't like, don't understand, fear, and endlessly compare ourselves to. It's easy to lose our love for ourselves and for others, but what if we let people off the hook instead? What if we let go of the need to criticize ourselves and our neighbors? Jen shares the lessons she’s learned about how important it is to love people by teaching you how to: Break free of guilt and shame by dismantling the unattainable Pinterest life Learn to engage our culture's controversial issues with grace Release the burden of always being right and be liberated to love Identify the tools you already have, to develop real-life, all-in, know-my-junk-but-love-me-anyway friendships Escape our impossible standards for parenting and marriage by accepting the standard of "mostly good" Laugh until you cry In this raucous ride to freedom for modern women, Jen bares the refreshing wisdom, wry humor, no-nonsense faith, liberating insight, and fearless honesty that have made her beloved by women worldwide. Join Jen as she reminds you how amazing you are, how shockingly gracious God is, and how free we are to love others well and live the beautiful, wholehearted lives we were created to live.
This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos
The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history. They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash. Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, A Light That Never Goes Out is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.
The interlocking lives of five Hollywood leading ladies spawn “tragedies, dark doings, jealousies, murder, passion on the grand scale” (Chicago Tribune). Charlie Caine has been to too many Hollywood funerals. The studio system is long gone, and its stars—some forgotten, some preserved for display on a late-night show—are beginning to pass on, as well. Only a few turn out for the final performance of Babe Austrian, a peroxide-blond beauty whose red-hot talkies changed the way America thought about sex. As he gazes into her coffin, Caine remembers Babe as she was: a dynamite beauty with secrets that could have burned Hollywood to the ground. In Babe and four other interlocking novellas, Caine recalls the leading ladies of long-lost Hollywood: Belinda, whose daughter was as cruel as she was lovely; Claire, who would do anything to stay in the public eye; April, fragile, beautiful, and mad; and Maude, Hollywood’s most respected matron, whose happy marriage had a lie at its heart. Charlie Caine knows where cinema’s bodies are buried, and he’s anxious to start digging.