The Düsseldorf School of Photography

The Düsseldorf School of Photography

Author: Stefan Gronert

Publisher:

Published: 2009

Total Pages: 320

ISBN-13: 9780500543566

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The Dusseldorf School is renowned around the world, and is today synonymous with high artistic standards and a highly diverse and new approach to the medium of photography. There has been no other art movement since the Bauhaus to possess such a worldwide appeal. This volume traces its ascendancy from the mid-1970s.


The Day-to-Day Life of Albert Hastings

The Day-to-Day Life of Albert Hastings

Author:

Publisher: Princeton Architectural Press

Published: 2007-07-05

Total Pages: 124

ISBN-13: 9781568987040

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This title chronicles the life of Albert Hastings, an octogenarian living alone in a small flat in Wales. Bert's writing is paired with Deveney's photographs and together they tell a story of fulfilment, lonliness, hope and beauty.


Andreas Gursky

Andreas Gursky

Author: Andreas Gursky

Publisher: Hatje Cantz Verlag

Published: 2008

Total Pages: 0

ISBN-13: 9783775721776

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Architectural Lighting Design, Third Edition is the one source for all the technical skills, aesthetic fundamentals, and practical knowledge you need to design efficient, sustainable interior and exterior lighting for every type of building. p> Expanding on the depth and breadth of previous editions, this edition boasts more than one-quarter new material, including new discussions about sustainability, lighting details, and the assessment of manufacturers' product data.


Cruel and Tender

Cruel and Tender

Author: Emma Dexter

Publisher: Tate

Published: 2003-08

Total Pages: 292

ISBN-13:

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Published to accompany the exhibition held at Tate Modern, London, 5 June - 7 September, and Museum Ludwig, Cologne, 29 November 2003 - 18 February 2004.


Within the Context of No Context

Within the Context of No Context

Author: George W. S. Trow

Publisher: Atlantic Monthly Press

Published: 1997

Total Pages: 132

ISBN-13: 9780871136749

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Written originally for a special issue of The New Yorker and reissued here with a new forward by the author, Within the Context of No Context is George W. S. Trow's brilliant exposition on the state of American culture and twentieth-century life. Published to widespread acclaim, Within the Context of No Context became an immediate classic and is, to this day, a favorite work of writers and critics alike. Both a chilling commentary on the times in which it was written and an eerie premonition of the future, Trow's work locates and traces, describes and analyzes the components of change in contemporary America -- a culture increasingly determined by the shallow worlds of consumer products, daytime television, and celebrity heroes. "This elegant little book is essential reading for anyone interested in the demise, the terminal silliness, of our culture." -- John Irving, The New York Times Book Review; "In this elegant, poignant essay, written with the grace of a master stylist, George Trow articulates the accelerated impermanence of American culture with a precision that is both flaunting and devastating." -- Rudy Wurlitrer; "Within the Context of No Context is a masterpiece of the century that belongs on a shelf next to Theodore Adorno's Minima Moralia and Guy Debord's The Society of the Spectacle." -- Michael Tolkin; "Within the Context of No Context may appear to be a book of the mind, for it is suffused with such a keen intelligence, but it is actually a book of the heart -- passionate, brave, and stirring." -- Sue Halpern.


Coming Through Slaughter

Coming Through Slaughter

Author: Michael Ondaatje

Publisher: Vintage

Published: 2011-03-23

Total Pages: 160

ISBN-13: 0307776611

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Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.


Why Photography Matters as Art as Never Before

Why Photography Matters as Art as Never Before

Author: Michael Fried

Publisher:

Published: 2008

Total Pages: 409

ISBN-13: 9780300136845

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From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting. Fried further demonstrates that certain philosophically deep problems—associated with notions of theatricality, literalness, and objecthood, and touching on the role of original intention in artistic production, first discussed in his contro­versial essay “Art and Objecthood” (1967)—have come to the fore once again in recent photography. This means that the photo­graphic “ghetto” no longer exists; instead photography is at the cutting edge of contemporary art as never before. Among the photographers and video-makers whose work receives serious attention in this powerfully argued book are Jeff Wall, Hiroshi Sugimoto, Cindy Sherman, Thomas Struth, Thomas Ruff, Andreas Gursky, Luc Delahaye, Rineke Dijkstra, Patrick Faigenbaum, Roland Fischer, Thomas Demand, Candida Höfer, Beat Streuli, Philip-Lorca diCorcia, Douglas Gordon and Philippe Parreno, James Welling, and Bernd and Hilla Becher. Future discussions of the new art photography will have no choice but to take a stand for or against Fried’s conclusions.