Andreas Gursky 2007
Author: Andreas Gursky
Publisher:
Published: 2007
Total Pages: 0
ISBN-13: 9783775720199
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Author: Andreas Gursky
Publisher:
Published: 2007
Total Pages: 0
ISBN-13: 9783775720199
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2001
Total Pages: 196
ISBN-13: 9780810962156
DOWNLOAD EBOOKAuthor: ANDREAS GURSKY
Publisher:
Published: 2009-03-31
Total Pages: 224
ISBN-13: 9783775723381
DOWNLOAD EBOOKAuthor: Stefan Gronert
Publisher:
Published: 2009
Total Pages: 320
ISBN-13: 9780500543566
DOWNLOAD EBOOKThe Dusseldorf School is renowned around the world, and is today synonymous with high artistic standards and a highly diverse and new approach to the medium of photography. There has been no other art movement since the Bauhaus to possess such a worldwide appeal. This volume traces its ascendancy from the mid-1970s.
Author:
Publisher: Princeton Architectural Press
Published: 2007-07-05
Total Pages: 124
ISBN-13: 9781568987040
DOWNLOAD EBOOKThis title chronicles the life of Albert Hastings, an octogenarian living alone in a small flat in Wales. Bert's writing is paired with Deveney's photographs and together they tell a story of fulfilment, lonliness, hope and beauty.
Author: Andreas Gursky
Publisher: Hatje Cantz Verlag
Published: 2008
Total Pages: 0
ISBN-13: 9783775721776
DOWNLOAD EBOOKArchitectural Lighting Design, Third Edition is the one source for all the technical skills, aesthetic fundamentals, and practical knowledge you need to design efficient, sustainable interior and exterior lighting for every type of building. p> Expanding on the depth and breadth of previous editions, this edition boasts more than one-quarter new material, including new discussions about sustainability, lighting details, and the assessment of manufacturers' product data.
Author: Emma Dexter
Publisher: Tate
Published: 2003-08
Total Pages: 292
ISBN-13:
DOWNLOAD EBOOKPublished to accompany the exhibition held at Tate Modern, London, 5 June - 7 September, and Museum Ludwig, Cologne, 29 November 2003 - 18 February 2004.
Author: George W. S. Trow
Publisher: Atlantic Monthly Press
Published: 1997
Total Pages: 132
ISBN-13: 9780871136749
DOWNLOAD EBOOKWritten originally for a special issue of The New Yorker and reissued here with a new forward by the author, Within the Context of No Context is George W. S. Trow's brilliant exposition on the state of American culture and twentieth-century life. Published to widespread acclaim, Within the Context of No Context became an immediate classic and is, to this day, a favorite work of writers and critics alike. Both a chilling commentary on the times in which it was written and an eerie premonition of the future, Trow's work locates and traces, describes and analyzes the components of change in contemporary America -- a culture increasingly determined by the shallow worlds of consumer products, daytime television, and celebrity heroes. "This elegant little book is essential reading for anyone interested in the demise, the terminal silliness, of our culture." -- John Irving, The New York Times Book Review; "In this elegant, poignant essay, written with the grace of a master stylist, George Trow articulates the accelerated impermanence of American culture with a precision that is both flaunting and devastating." -- Rudy Wurlitrer; "Within the Context of No Context is a masterpiece of the century that belongs on a shelf next to Theodore Adorno's Minima Moralia and Guy Debord's The Society of the Spectacle." -- Michael Tolkin; "Within the Context of No Context may appear to be a book of the mind, for it is suffused with such a keen intelligence, but it is actually a book of the heart -- passionate, brave, and stirring." -- Sue Halpern.
Author: Michael Ondaatje
Publisher: Vintage
Published: 2011-03-23
Total Pages: 160
ISBN-13: 0307776611
DOWNLOAD EBOOKBringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
Author: Michael Fried
Publisher:
Published: 2008
Total Pages: 409
ISBN-13: 9780300136845
DOWNLOAD EBOOKFrom the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting. Fried further demonstrates that certain philosophically deep problems—associated with notions of theatricality, literalness, and objecthood, and touching on the role of original intention in artistic production, first discussed in his controversial essay “Art and Objecthood” (1967)—have come to the fore once again in recent photography. This means that the photographic “ghetto” no longer exists; instead photography is at the cutting edge of contemporary art as never before. Among the photographers and video-makers whose work receives serious attention in this powerfully argued book are Jeff Wall, Hiroshi Sugimoto, Cindy Sherman, Thomas Struth, Thomas Ruff, Andreas Gursky, Luc Delahaye, Rineke Dijkstra, Patrick Faigenbaum, Roland Fischer, Thomas Demand, Candida Höfer, Beat Streuli, Philip-Lorca diCorcia, Douglas Gordon and Philippe Parreno, James Welling, and Bernd and Hilla Becher. Future discussions of the new art photography will have no choice but to take a stand for or against Fried’s conclusions.