Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones.
Andre Gide, renowned French essayist, novelist, and playwright, was also a homosexual apologist whose sexuality was central to the whole of his literary and political discourse. This book by Patrick Pollard--the first serious study of homosexuality in Gide's theater and fiction--analyzes his ideas and traces the philosophical, anthropological, scientific, and literary movements that influenced his thought. Pollard begins by discussing Corydon, a defense of pederasty that Gide felt was his most important book. He then provided a historical and analytical survey of books that contributed to Gide's perception of homosexuality, including works on philosophy, social theory, natural history, and medicolegal questions. Pollard goes on to investigate works of fiction--ancient and modern, European and Oriental--in which Gide saw homosexual elements. He concludes by considering the homosexual themes in Gide's own works, analyzing the ways that Gide constantly tried to resolve conflicts between nature and culture, hypocrisy and honesty, corruption and sound moral judgment, anomaly and conformity, and sexual freedom and religious constraint. The book provides a new perspective on Gide's work, a reconstruction of the moral and intellectual climate in Europe at the beginning of the twentieth century, and a substantial contribution to the cultural history of homosexuality.
A travelling hedonist attempts to transcend the limitations of conventional morality by surrendering to his appetites in this well-known work by a master of modern French literature. Much acclaimed for his perception and purity of style, André Gide (1869-1951) received the Nobel Prize for Literature in 1947. In The Immoralist, his classic examination of individual freedom and identity, he fuses autobiographical elements with both biblical and classical symbolism. Stanley Appelbaum skillfully preserves the passion and intensity of the original in his new English translation.
First published in 1902 and immediately assailed for its themes of omnisexual abandon and perverse aestheticism, The Immoralist is the novel that launced André Gide's reputation as one of France's most audacious literary stylists, a groundbreaking work that opens the door onto a universe of unfettered impulse whose possibilities still seem exhilarating and shocking. Gide's protagonist is the frail, scholarly Michel, who shortly after his wedding nearly dies of tuberculosis. He recovers only through the ministrations of his wife, Marceline, and his sudden, ruthless determination to live a life unencumbered by God or values. What ensues is a wild flight into the realm of the senses that culminates in a reomote outpost in the Sahara--where Michel's hunger for new experiences at any cost bears lethal consequences. The Immoralist is a book with the power of an erotic fever dream--lush, prophetic, and eerily seductive.
In 1907 Andre Gide began work on a series of Socratic dialogues on the subject of homosexuality and its place in society. These were published piecemeal, without the author's name, in private editions of twelve copies (1911) and twenty-one copies (1920) before a signed, commercial edition finally appeared in France in 1924. In his preface to the first American edition--published in 1950, the year before his death--Gide says: "Corydon remains in my opinion the most important of my books."
DIVAn inspiring discourse on the power of music from one of the twentieth century’s most important figures, André Gide/divDIV /divDIVAndré Gide, one of the great intellectuals of the twentieth century and a devoted pianist, invites readers to reevaluate Frédéric Chopin as a composer “betrayed . . . deeply, intimately, totally violated” by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin’s “promenade of discoveries,” Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide’s own poetic expression for the music he so loved./divDIV /divDIVThis edition includes rare pages and fragments from Gide’s journals, which relate to Chopin and music./div
This collection of reflective essays forms a "spiritual autobiography" of Andr Gide, a key figure of French letters Andr Gide, a literary and intellectual giant of twentieth-century France, mines his memories and personal observations in this collection of essays. Gide's reflections and commentary masterfully showcase his delicate writing style and evocative sensibility, yielding new insights on writers such as Goethe and contemporaries Joseph Conrad, Nicolas Poussin, Arthur Rimbaud, and Paul-Marie Verlaine. Through it all, Gide skillfully investigates humanity's contradictory nature and struggles to resolve the moral, political, and religious conflicts inherent in daily life.