Over the last 25 years, archaeologists and historians have been increasingly aware of the importance of woodland in the developing British landscape. No one has devoted more research to this subject then Richard Muir. In this magisterial study, matched by numerous informative and evocative illustrations, the author begins by disposing of the myth that in prehistoric times Britain was swathed in a virtually impenetrable wildwood. In fact, from the earliest times woodland has been manipulated and transformed. The author looks at landmark trees, then examines ancient trees and hedgerows before charting the early development of trees in the park, and then later parkland and forestry.
Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands. Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning. This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.
England has more ancient native oak trees than the rest of Europe combined. How did that come about? The reasons are all historical, and nothing to do with climate or soil factors. This story goes back to the Norman conquest of England in 1066. They created Royal Forests, chases and deer parks, where only the nobility could hunt or keep deer and it was forbidden to cut the trees. This was, if you like, an early form of nature conservation, but for the sake of privileged hunting. Preservation of these oaks further continued through a combination of private ownership of thousands of parks, conservatism of the landowners, overseas timber availability and the absence of ruining wars on the English landscape; the majority of which had been confined to the continent. Modernisation of forestry in England only took hold after 1920, and by that stage too late to destroy all of the old and worthless hollow trees. In contrast, modern forestry was introduced on the continent at least 200 years earlier, with devastating results for ancient trees. We owe the ancient oaks to all these circumstances which created a unique 'population' of ancient oaks, highly important for biodiversity and an asset unique to England. In this book Aljos Farjon combines history with science and tells the story of how ancient oaks have shaped the English landscape over the past 1000 years. The two native species of oak, pedunculate oak (Quercus robur) and sessile oak (Q. petraea) are among the longest living trees in England. And using data made available by 'citizen science' (data gathered by volunteers across the country) Aljos explains this remarkable situation by giving detailed evidence, enhanced with beautiful images of these stunning oaks as well as graphs and maps.
Describes how the first settlers in California changed the brown landscape there by creating groves, wooded suburbs and landscaped cities through planting eucalypts in the lowlands, citrus colonies in the south and palms in Los Angeles.
The epic story of the planet’s oldest trees and the making of the modern world Humans have always revered long-lived trees. But as historian Jared Farmer reveals in Elderflora, our veneration took a modern turn in the eighteenth century, when naturalists embarked on a quest to locate and precisely date the oldest living things on earth. The new science of tree time prompted travelers to visit ancient specimens and conservationists to protect sacred groves. Exploitation accompanied sanctification, as old-growth forests succumbed to imperial expansion and the industrial revolution. Taking us from Lebanon to New Zealand to California, Farmer surveys the complex history of the world’s oldest trees, including voices of Indigenous peoples, religious figures, and contemporary scientists who study elderflora in crisis. In a changing climate, a long future is still possible, Farmer shows, but only if we give care to young things that might grow old.
Leading landscape photographers Diane Cook and Len Jenshel present Wise Trees—a stunning photography book containing more than 50 historical trees with remarkable stories from around the world. Supported by grants from the Expedition Council of the National Geographic Society, Cook and Jenshel spent two years traveling to fifty-nine sites across five continents to photograph some of the world’s most historic and inspirational trees. Trees, they tell us, can live without us, but we cannot live without them. Not only do trees provide us with the oxygen we breathe, food gathered from their branches, and wood for both fuel and shelter, but they have been essential to the spiritual and cultural life of civilizations around the world. From Luna, the Coastal Redwood in California that became an international symbol when activist Julia Butterfly Hill sat for 738 days on a platform nestled in its branches to save it from logging, to the Bodhi Tree, the sacred fig in India that is a direct descendent of the tree under which Buddha attained enlightenment, Cook and Jenshel reveal trees that have impacted and shaped our lives, our traditions, and our feelings about nature. There are also survivor trees, including a camphor tree in Nagasaki that endured the atomic bomb, an American elm in Oklahoma City, and the 9/11 Survivor Tree, a Callery pear at the 9/11 Memorial. All of the trees were carefully selected for their role in human dramas. This project both reflects and inspires awareness of the enduring role of trees in nurturing and sheltering humanity. Photographers, environmentalists, history buffs, and nature-lovers alike will appreciate the extraordinary stories found within the pages of Wise Trees!
Captivating black-and-white photographs of the world’s most majestic ancient trees. Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.
Take some of the mystery out of a walk in the woods with this new field guide from the author of Reading the Forested Landscape. Thousands of readers have had their experience of being in a forest changed forever by reading Tom Wessels's Reading the Forested Landscape. Was this forest once farmland? Was it logged in the past? Was there ever a major catastrophe like a fire or a wind storm that brought trees down? Now Wessels takes that wonderful ability to discern much of the history of the forest from visual clues and boils it all down to a manageable field guide that you can take out to the woods and use to start playing forest detective yourself. Wessels has created a key—a fascinating series of either/or questions—to guide you through the process of analyzing what you see. You’ll feel like a woodland Sherlock Holmes. No walk in the woods will ever be the same.
There is currently much concern about our trees and woodlands. The terrible toll taken by Dutch elm disease has been followed by a string of further epidemics, most worryingly ash chalara – and there are more threats on the horizon. There is also a widely shared belief that our woods have been steadily disappearing over recent decades, either replanted with alien conifers or destroyed entirely in order to make way for farmland or development. But the present state of our trees needs to be examined critically, and from a historical as much as from a scientific perspective. For English tree populations have long been highly unnatural in character, shaped by economic and social as much as by environmental factors. In reality, the recent history of trees and woods in England is more complex and less negative than we often assume and any narrative of decline and loss is overly simplistic. The numbers of trees and the extent and character of woodland have been in a state of flux for centuries. Research leaves no doubt, moreover, that arboreal ill health is nothing new. Levels of disease are certainly increasing but this is as much a consequence of changes in the way we treat trees – especially the decline in intensive management which has occurred over the last century and a half – as it is of the arrival of new diseases. And man, not nature, has shaped the essential character of rural tree populations, ensuring their dominance by just a few indigenous species and thus rendering them peculiarly vulnerable to invasive pests and diseases. The messages from history are clear: we can and should plant our landscape with a wider palette, providing greater resilience in the face of future pathogens; and the most 'unnatural' and rigorously managed tree populations are also the healthiest. The results of an ambitious research project are here shaped into a richly detailed survey of English arboriculture over the last four centuries. Trees in England will be essential reading not only for landscape historians but also for natural scientists, foresters and all those interested in the future of the countryside. Only by understanding the essentially human history of our trees and woods can we hope to protect and enhance them.
