This text describes Ojibway, Sauk, and Winnebago (Ho Chunk) Creation Legends, Indian Mounds, and artifacts to describe an east-west trade theory that reflects the development of the Sauk Tribe in America, China, and India. It also describes the use of Indian Mounds as astronomical clocks that physically describe their legends.
his text describes Ojibway, Sauk, and Winnebago (Ho Chunk) Creation Legends, Indian Mounds, and artifacts to describe an east-west trade theory that reflects the development of the Sauk Tribe in America, China, and India. It also describes the use of Indian Mounds as astronomical clocks that physically describe their legends.
The purpose of this study is to establish an ancient historical Native American trade system within the midwestern United States and beyond. The theory presented herewithin is presented as a hypothesis to serve as a basis from which an exchange of ideas can occur to justify the existence of ancient artifacts found in the United States.
In 1988, a side-scan sonar reading of Rock Lake, Wisconsin's underwater structures was recorded by drivers, under the direction of University of Wisconsin Professor of Civil Engineering Dr. James Scherz. After viewing the image, the author worked with Sac and Fox Nation elders in Wisconsin and Stroud, Oklahoma, to obtain the translations of the Medewigan, or Medicine Lodge. Similar legends are described in Ashinaubig, Menominee, Ojibway, and Winnebago (Ho Chunk) traditions and in an 1890 Ojibway text. However, the oldest written record of the Sauk Tribe is found in an 1100 B.C. Chinese Imperial record that describes the Emperor's notation of similarity in the warriors' archery skills and red-plumed Mohawks, which recalled their own Red Phoenix creation legends.
The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples. Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.
Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC). This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.
List of place-names, primarily those names after American Indian tribes or individuals, including some historical information about each person or tribe.
The teachings of the Native Americans provide a connection with the land, the environment, and the simple beauties of life. This collection of writings from revered Native Americans offers timeless, meaningful lessons on living and learning. Taken from writings, orations, and recorded observations of life, this book selects the best of Native American wisdom and distills it to its essence in short, digestible quotes — perhaps even more timely now than when they were first written. In addition to the short passages, this edition includes the complete Soul of an Indian, as well as other writings by Ohiyesa (Charles Alexander Eastman), one of the great interpreters of American Indian thought, and three great speeches by Chiefs Joseph, Seattle, and Red Jacket.
