The allure of Egypt is not exclusive to the modern world. Egypt also held a fascination and attraction for people of the past. In this book, academics from a wide range of disciplines assess the significance of Egypt within the settings of its past. The chronological span is from later prehistory, through to the earliest literate eras of interaction with Mesopotamia and the Levant, the Aegean, Greece and Rome. Ancient Perspectives on Egypt includes both archaeological and documented evidence, which ranges from the earliest writing attested in Egypt and Mesopotamia in the late fourth millennium BC, to graffiti from Abydos that demonstrate pilgrimages from all over the Mediterranean world, to the views of Roman poets on the nature of Egypt. This book presents, for the first time in a single volume, a multi-faceted but coherent collection of images of Egypt from, and of, the past.
Ancient Perspectives encompasses a vast arc of space and time—Western Asia to North Africa and Europe from the third millennium BCE to the fifth century CE—to explore mapmaking and worldviews in the ancient civilizations of Mesopotamia, Egypt, Greece, and Rome. In each society, maps served as critical economic, political, and personal tools, but there was little consistency in how and why they were made. Much like today, maps in antiquity meant very different things to different people. Ancient Perspectives presents an ambitious, fresh overview of cartography and its uses. The seven chapters range from broad-based analyses of mapping in Mesopotamia and Egypt to a close focus on Ptolemy’s ideas for drawing a world map based on the theories of his Greek predecessors at Alexandria. The remarkable accuracy of Mesopotamian city-plans is revealed, as is the creation of maps by Romans to support the proud claim that their emperor’s rule was global in its reach. By probing the instruments and techniques of both Greek and Roman surveyors, one chapter seeks to uncover how their extraordinary planning of roads, aqueducts, and tunnels was achieved. Even though none of these civilizations devised the means to measure time or distance with precision, they still conceptualized their surroundings, natural and man-made, near and far, and felt the urge to record them by inventive means that this absorbing volume reinterprets and compares.
Religion in the ancient world, and ancient Egyptian religion in particular, is often perceived as static, hierarchically organised, and centred on priests, tombs, and temples. Engagement with archaeological and textual evidence dispels these beguiling if superficial narratives, however. Individuals and groups continuously shaped their environments, and were shaped by them in turn. This volume explores the ways in which this adaptation, negotiation, and reconstruction of religious understandings took place. The material results of these processes are termed 'cultural geography'. The volume examines this 'cultural geography' through the study of three vectors of religious agency: religious practices, the transmission of texts and images, and the study of religious landscapes.Bringing together papers by experts in a variety of Egyptological disciplines and other fields of study, this volume presents the results of an interdisciplinary workshop held at the University of Leiden, 7-9 November 2018, kindly funded by the Netherlands Organisation for Scientific Research (NWO) Vidi Talent Scheme. The 16 papers presented here discuss the archaeology of religion and religious practices, landscape archaeology and 'cultural geography', and the transmission and adaptation of texts and images, across not only the history of Egypt from the Early Dynastic to the Christian periods, but also in ancient Sudanese archaeology, the Arabian peninsula, early and medieval south-eastern Asia, and contemporary China.
Chronicles the rise and fall of ancient Egypt, describing geographic factors in the civilization's development; each of the dynasties; and the late empire and post-empire period. Includes a chronology.
Have you ever wondered what it was like to live and work in Egypt, the most powerful kingdom of the ancient world? Spend a day with 24 Egyptians to see Egypt through their eyes - the sights, the smells, the struggles and the conflicts.
Mysterious Lands covers two kinds of encounters. First, encounters which actually occurred between Egypt and specific foreign lands, and second, those the Egyptians created by inventing imaginary lands. Some of the actual foreign lands are mysterious, in that we know of them only through Egyptian sources, both written and pictorial, and the actual locations of such lands remain unknown. These encounters led to reciprocal influences of varying intensity. The Egyptians also created imaginary lands (pseudo-geographic entities with distinctive inhabitants and cultures) in order to meet religious, intellectual and emotional needs. Scholars disagree, sometimes vehemently, about the locations and cultures of some important but geographically disputed actual lands. As for imaginary lands, they continually need to be re-explored as our understanding of Egyptian religion and literature deepens. Mysterious Lands provides a clear account of this subject and will be a stimulating read for scholars, students or the interested public.
The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.
This book presents the latest archaeological evidence that makes a case for Egypt as an early urban society. It traces the emergence of urban features during the Predynastic Period up to the disintegration of the powerful Middle Kingdom state (ca. 3500-1650 BC).
