Analysis of Three Works for Solo Flute
Author: Nellie J. LaBerge
Publisher:
Published: 1995
Total Pages: 178
ISBN-13:
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Author: Nellie J. LaBerge
Publisher:
Published: 1995
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOKAuthor: Rita Ann Linard
Publisher:
Published: 1997
Total Pages: 308
ISBN-13:
DOWNLOAD EBOOKAuthor: Candice Behrmann
Publisher:
Published: 2010
Total Pages:
ISBN-13: 9781124353999
DOWNLOAD EBOOKAuthor: Marc André Bernier
Publisher:
Published: 1984
Total Pages: 234
ISBN-13:
DOWNLOAD EBOOKAuthor: David Carson Berry
Publisher: Pendragon Press
Published: 2004
Total Pages: 610
ISBN-13: 9781576470954
DOWNLOAD EBOOKTo the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Author: Pierre-Octave Ferroud
Publisher:
Published: 1998
Total Pages: 14
ISBN-13:
DOWNLOAD EBOOKAuthor: Ann Palik
Publisher:
Published: 1980
Total Pages: 60
ISBN-13:
DOWNLOAD EBOOKAuthor: Carol Gertrud Isaac
Publisher:
Published: 1991
Total Pages: 480
ISBN-13:
DOWNLOAD EBOOKAuthor: George K. Mellott
Publisher:
Published: 1964
Total Pages: 802
ISBN-13:
DOWNLOAD EBOOKAuthor: Joseph N. Straus
Publisher: Oxford University Press
Published: 2022-04-05
Total Pages: 241
ISBN-13: 0197543979
DOWNLOAD EBOOK"This book consists of analyses of thirty-three musical passages or entire short works in a variety of post-tonal styles. The works under study are taken from throughout the long twentieth century, from 1909 to the present. Within the atonal wing of modern classical music, the composers discussed here, some canonical and some not, represent a diversity of musical style, chronology, geography, gender, and race/ethnicity. Composers studied include Schoenberg, Webern, Berg, Bartok, Stravinsky, Copland, Crawford-Seeger, Babbitt, Dallapiccola, Carter, Louise Talma, Hale Smith, Elisabeth Lutyens, Ursula Mamlok, Tania León, Tan Dun, Shulamit Ran, Kaija Saariaho, Joan Tower, John Adams, Sofia Gubaidulina, Thomas Adès, Caroline Shaw, Chen Yi, and Suzanne Farrin. The approach is pedagogical, in the somewhat informal style of a classroom. Musical examples and analytical videos carry the burden of the analytical argument, with relatively little prose. For each piece, the book suggests ways of making sense of the music, using basic concepts of post-tonal theory to tease out rich networks of musical relationships and reveal something of the fascination and beauty of this challenging music"--