Colloquies

Colloquies

Author: Desiderius Erasmus

Publisher: University of Toronto Press

Published: 1997-01-01

Total Pages: 1320

ISBN-13: 9780802058195

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Erasmus' Familiar Colloquies grew from a small collection of phrases, sentences, and snatches of dialogue written in Paris about 1497 to help his private pupils improve their command of Latin. Twenty years later the material was published by Johann Froben (Basel 1518). It was an immediate success and was reprinted thirty times in the next four years. For the edition of March 1522 Erasmus began to add fully developed dialogues, and a book designed to improve boys' use of Latin (and their deportment) soon became a work of literature for adults, although it retained traces of its original purposes. The final Froben edition (March, 1533) had about sixty parts, most of them dialogues. It was in the last form that the Colloquies were read and enjoyed for four centuries. For modern readers it is one of the best introductions to European society of the Renaissance and Reformation periods, with lively descriptions of daily life and provocative discussions of political, religious, social, and literary topics, presented with Erasmus's characteristic wit and verve. Each colloquy has its own introduction and full explanatory, historical, and biographical notes. Volumes 39 and 40 of the Collected Works of Erasmus series - Two-volume set.


The Cause of Humanity and Other Stories

The Cause of Humanity and Other Stories

Author: Rudyard Kipling

Publisher: Cambridge University Press

Published: 2018-11-22

Total Pages: 464

ISBN-13: 110875015X

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Rudyard Kipling's (1865–1936) work is known and loved the world over by children and adults alike; it has been translated into many languages, and onto the cinema screen. This volume brings together for the first time some 86 uncollected short fictions. Almost all of them will be unfamiliar to readers; some are unrecorded in any bibliography; some are here published for the first time. Most of them come from Kipling's Indian years and show him experimenting with a great variety of forms and tones. We see the young Kipling enjoying the exercise of his craft; yet the voice that emerges throughout is always unmistakably his own, changing the scene every time the curtain is raised.