If you are ever fortunate enough to see a crab strolling through your neighborhood, please follow its lead. By slowing down to a crab's pace and looking around and about in this world, you too may discover life's many mysteries that are hidden in plain sight.
If one is a snail, and two is a person... we must be counting by feet! Children will love this hilariously illustrated introduction to simple counting and multiplication with big feet and small - on people and spiders, dogs and insects, snails and crabs - from one to one hundred!
During the 1970s and early 80s, dozens - perhaps hundreds - of Japanese civilians were kidnapped by North Korean commandos and forced to live in 'Invitation Only Zones', high-security detention-centres masked as exclusive areas, on the outskirts of Pyongyang. The objective? To brainwash the abductees with the regime's ideology, and train them to spy on the state's behalf. But the project faltered; when indoctrination failed, the captives were forced to teach North Korean operatives how to pass as Japanese, to help them infiltrate hostile neighbouring nations. For years, the Japanese and North Korean authorities brushed off these disappearances, but in 2002 Kim Jong Il admitted to kidnapping thirteen citizens, returning five of them - the remaining eight were declared dead. In The Invitation Only Zone, Boynton, an investigative journalist, speaks with the abductees, nationalists and diplomats, and crab fishermen, to try and untangle both the kidnappings and the intensely complicated relations between North Korea and Japan. The result is a fierce and fascinating exploration of North Korea's mysterious machinations, and the vexed politics of Northeast Asia.
This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore.... In telling these stories in English I have followed my fancy in adding such touches of local color or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority...
An illustrated guide to celebrating alternative futures today! Second Edition. Cardboard sculpting how-to, karaoke songbook, naturedrag theorization, 450-million-year-long love letter to horseshoe crabs, field guide to a different future--BLOODTIDE proposes exactly what we need in a form we never imagined: a new kind of holiday in homage to the ancient Horseshoe Crab. BLOODTIDE is drawn from the author's own need for new cultural practices and extended as an offering for anybody to use with hopes of contributing to collective liberation. It attempts queer futurity, without mythologies of settler innocence and with sustained recognition that time extends through our ancestors: recent ones and ancient. BLOODTIDE promotes horizontalist structure-building practices through pageantry, crabaoke, cardboard sculpting, feasting and other hands-on, locally oriented, commemorative & survivalist practices. BLOODTIDE posits that homage and attention to horseshoe crabs might further all repair efforts and other insufficient necessities for our collective and individual healing/transformation. "It is radical, it is wise, it is alive."--Agnes Borinsky "BLOODTIDE gifts us a river to wander down where we can drift away from the bullshit through the fugitivity of fun, fellowship and inter/trans species abolition."--bront" velez "Brimming with irreverence, delight and full-throated urgency on every page...there has never been a more compelling case to radically re-imagine our relationships to more-than-human animals and our environment. My family and I are plotting our BLOODTIDE activations already!"--Sarah Benson Literary Nonfiction. Essay. Hybrid. Poetics. Environmental Studies. LGBTQIA Studies. Art.
Poetry. Asian & Asian American Studies. Women's Studies. Translated by Fiona Sze-Lorrain. In this remarkable English debut, award-winning Chinese contemporary poet Ye Lijun offers readers a lyrical diorama of nature and the inner world. By turns intimate and profound, Ye's poems in Fiona Sze-Lorrain's masterful translations make music of everyday silences, and illuminate the invisible openings in our lives. In this vital collection by one of China's essential literary voices, each encounter is an invitation, wherein a village, a nest, a telescope, or a book proves to be a transient guide to the unknown. "Fiona Sze-Lorrain brings her sense of immediacy, and her lucid control of tone, to these inspired translations of Ye Lijun which capture, with unerring musicality, the rhythms of the original Chinese."--Martha Kapos "Ye Lijun's quiet, powerful poems accrete from places, memories, affect, and ideas unique to the poet. The distinctiveness of Ye's diction, metaphors, and associations make her imagination and intelligence anchor in ours. We come away from Ye's mountain, her house, her books, her loves, and return to those of our own with our senses made more acute. Translator Fiona Sze-Lorrain, a gifted poet herself, creates an English-language voice for Ye Lijun that has all the grace and surprise of the original."--Thomas Moran "[T]he joys revealed in MY MOUNTAIN COUNTRY, which bring together a selection of poems from her three books, elegantly translated by Fiona Sze-Lorrain, suggest that for an acute observer of the natural world every hour, secret or not, may become an occasion for opening, 'in clarity,' to the beloved, to nature, to the invisible--leaves and roses and flowering trees that at a moment's notice may awaken in her soul, alerting her once again to the mysterious bounty of life on earth."--Christopher Merrill