Techniques and Materials of Tonal Music
Techniques and Materials of Tonal Music

Author: Thomas Benjamin

Publisher: Schirmer

Published: 1998

Total Pages: 0

ISBN-13: 9780534526238

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This book is designed to be the primary text for the first two years of college music theory. It covers all the basics of composition including harmony, melody, and musical form.

Concise Introduction to Tonal Harmony and Student Workbook
Concise Introduction to Tonal Harmony and Student Workbook

Author: L. Poundie Burstein

Publisher:

Published: 2015-10-26

Total Pages: 432

ISBN-13: 9780393572315

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Authors Burstein and Straus combine decades of teaching experience with concise prose, carefully curated musical examples, and a robust, skill-sharpening media program to illuminate the essential concepts of music theory. The workbook includes hundreds of exercises--more than enough for any one course--allowing instructors the flexibility to construct assignments that meet their students' needs. Every workbook chapter follows a similar organization and features questions for review, chord spelling exercises, Roman numeral and figured bass realizations, composition activities, and music for analysis.

Introduction to Post-Tonal Theory
Introduction to Post-Tonal Theory

Author: Joseph N. Straus

Publisher: W. W. Norton & Company

Published: 2016-01-29

Total Pages: 8

ISBN-13: 0393938832

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Now published by Norton, Introduction to Post-Tonal Theory has been thoroughly updated to reflect the latest developments in the field, with additional coverage of transformational theory and voice leading. The Fourth Edition helps students identify key theoretical points and guides them through the process of analysis, while also offering new recently composed musical examples—all at an exceptional value.

Form in Tonal Music
Form in Tonal Music

Author: Douglass Marshall Green

Publisher: Cengage Learning

Published: 1979

Total Pages: 344

ISBN-13:

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Like many texts on musical analysis, FORMS IN TONAL MUSIC equips students to critically examine a wide range of compositions and forms. However, Green's text takes students a step further by enabling them to approach musical works unencumbered by preconceived notions of what characteristics the text should or should not have. Providing specific help on every aspect of musical analysis, this text uses many of the compositions found in Charles Burkhart's ANTHOLOGY FOR MUSICAL ANALYSIS, but it allows students the freedom to explore works that they already own.