This book is a general introduction to the structures of the different medieval Romance vernaculars most commonly known as Old or Medieval Spanish. It describes the orthography, phonetics and phonology, morphology, syntax, and vocabulary of medieval Hispano-Romance, and exemplifies these features in an anthology of texts with commentary.
This book offers an original account of the dynamics of syntactic change and the evolving structure of Old Spanish that combines rigorous manuscript-based investigation, quantitative analysis and a syntactic approach grounded in Minimalist thinking. Its analysis of both successful and failed changes demonstrates the degree of unpredictability caused by the interaction of competing factors and will shed fresh light on the assumed unidirectionality of linguistic change. Importantly, it reveals that Old Spanish and modern Spanish are more similar to one another than is usually supposed and demonstrates that many of the differences between the two varieties are quantitative rather than qualitative. This theoretically sophisticated examination of historical corpora will provide an invaluable resource for students and scholars of Old and modern Spanish, historical linguistics, sociolinguistics and syntax.
Here is a manual for scholars of Old Spanish that departs from tradition in that it guides the reader through a minimal (and painless) course in the fundamentals of linguistics and Latin before discussing the evolution of Latin to Spanish. It also includes an excellent selection of early and medieval texts that clearly demonstrate the process of change that took place as the language of Caesar became Spanish.
This title explores the rich literary history of Spain which resonates with contemporary debates on transnationalism and cultural diversity. It introduces readers to the ways in which Spanish literature has been read in and outside Spain explaining misconceptions, outlining insights of scholarship and suggesting new readings.
An upper-level introduction to the Old Testament that offers students a thorough understanding of three key issues: historical background, literary analysis, and theological message. This second edition of An Introduction to the Old Testament integrates recent developments in Old Testament scholarship. It has many distinctive features that set it apart from other introductions to the Old Testament: It's committed to a theologically evangelical perspective. Emphasizes "special introduction"—the study of individual books. Interacts in an irenic spirit with the historical-critical method. Features points of research history and representative scholars rather than an exhaustive treatment of past scholarship. Deals with the meaning of each book, not in isolation but in a canonical context. Probes the meaning of each book in the setting of its culture. Including callouts, charts, and graphs, An Introduction to the Old Testament is written with an eye to understanding the nature of Old Testament historiography. Perfect for seminary students, professors, and Bible teachers and ministry leaders, as well as anyone looking for an in-depth and balanced approach to Old Testament study.
El Estudiante avanzado del Antiguo Testamento podrá encontrar en esta introducción un análisis sobrio del estado actual de la disciplina, y los pastores y pastoras, al igual que los maestros y maestras de escuela bíblica—descubrirán en sus paginas buenas ideas para elaborar estudios que ayuden a las congregaciones a entender y disfrutar la importante literatura bíblica veterostestamentaria.
In this book, Tatiana Fotitch compiles some of the most fascinating Spanish-language texts from the late-ninth or early tenth century through to the fifteenth century. The selections are specifically aimed to garner the interests of students as they begin the study of Old Spanish, and hence covers a wide variety of different types of material. The anthology includes examples of Mozarabic poetry; the twelfth century Auto de los Reyes Magos and Cantar de Mio Çid; as well as the thirteenth century Roncesvalles, which tells of how Charlemagne, after the battle, mourns his chieftains. Fotitch also includes Gonzalo de Berceo’s Milagros de Nuestra Señora and several works by Alfonso the Wise, including his Libro de las partidas. Fotitch also includes the famous poem El Libro de Buen Amor as well as the playful set of fables known as El Libro de los Gatos.