'A hugely reassuring, common-sense guide no parent of teenage boys should be without.' - Sunday Times In his bestselling An Intelligent Person's Guide to Education, Tony Little, former Head Master of Eton College, asks the fundamental questions about how we should make our schools and schoolchildren fit for the modern world. This book will enlighten teachers, students and anxious parents alike, providing advice from the author's many years as a teacher, headmaster and governor in both independent schools and academies, in answer to the key issues concerning education. Tony Little explains the research behind how teenagers' brains function and how they act accordingly, discusses how to deal with sex, drugs and poor discipline, reassesses the meaning of 'character' in a child's education, and provides his own list of books every bright 16-year-old should read. In addition, he offers tips for parents on dealing with adolescents and communicating with their child's school. Drawing on a lifetime's work in schools, An Intelligent Person's Guide to Education is a refreshing, rational and original take on the most important stage in a child's development. An entertaining and essential book for teachers, parents and students interested in how education should serve our young people, now and in future.
This book presents a provocatively, outrageously assertive exposure of fools in their not infrequently bizarre manifestations, the object being to leave no halfwits behind. It explores the world of the fool from many perspectives, including Engines of Limited Cognition: Dumb Bells, Dumb Clucks and Dumb Waiters; Imprudence and Its Imbecilic Implications; Fools, Eccentrics & Sons of Momus; and Idiotic Opportunities: Putting Fools to Work. This is not to infer (or even hint) that either the author or his readership is in any demonstrable sense of the word foolish, now or at any other time. After all, no fool would write a book like this, and no fool would read it. Precisely who does read it is a discretely personal decision we leave to those gifted with more than ordinarily inquiring minds. Indeed, those who elect to come along for the ride are likely to find their minds piqued, tickled and enriched by this tour de farce. True to form, Reed illustrates Ambrose Bierce's definition of educational -- 'that which discloses to the wise and disguises from the fools their lack of understanding.' Abundantly documented, endlessly subtle, hopelessly eccentric and deadly funny, the book blends history, sociology, literature, philosophy, etymology and even theology, all with a good laugh.
A Companion to Charles Dickens concentrates on the historical, ideological, and social forces that defined Dickens’s world. Puts Dickens’s work into its literary, historical, and social contexts Traces the development of Dickens’s career as a journalist and novelist Includes original essays by leading Dickensian scholars on each of Dickens’s fifteen novels Explores a broad range of topics, including criticisms of his novels, the use of history and law in his fiction, language, and the effect of political and social reform Examines Dickens's legacy and surveys the mass of secondary materials that has been generated in response and reverence to his writing
Charles Dickens is without doubt a literary giant. The most widely read author of his own generation, his works remain incredibly popular and important today. Often seen as the quintessential Victorian novelist, his texts convey perhaps better than any others the drive for wealth and progress and the social contrasts that characterised the Victorian era. His works are widely studied throughout the world both as literary masterpieces and as classic examples of the nineteenth century novel. Combining a biographical approach with close reading of the novels, Donald Hawes offers an illuminating portrait of Dickens as a writer and insight into his life and times. This book will provide a short, lively but sophisticated introduction to Dickens's work and the personal and social context in which it was written.
London 1849: the city is filthy, plagued, criminal and filling up with refugees from the Irish Famine and the revolutionary wars on the continent...but it is on the brink of reform as stations are built, rioters pardoned and the Great Exhibition planned. The heaving city is the backdrop for the most sensational crime and trial of the decade: the Manning murder case. Throughout the sticky summer the people of London obsessed over the fate of a dominant mysterious woman and her weak husband as the full detail of their slaughter of her lover unfolded. London 1849 follows the murder, trial and execution of the couple, interweaving the scene that was London at the time: crime, noise, cholera, overpacked slums, prostitution, law and order, prisons, fashion, shopping, finance, transport, Marx and Dickens.
The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerves delivered sensations to the brain), physicists (who claimed that light, heat, electricity and other forms of energy were vibratory), spiritualists (who figured that spiritual energies also existed in vibratory form), and poets and novelists from Coleridge to Dickens and Wells. Senses of Vibration is a work of scholarship that cuts through a range of disciplines and will reverberate for many years to come. Cover photograph courtesy of Andrew Davidhazy.
This book offers a radically new reading of Dickens. It argues that, rather than representing a largely conventional, conservative view of sexuality and gender, his corpus is distinctly queer, displaying a fascination with the diversity of gender roles, the expandability of notions of the family, and the multiplicity of sexual desire.
Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, he was resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theorists who fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
Dickens's England was a time of unprecedented energy and change which laid the foundations of our own modern society. There was a new world coming into being: new towns, new machines, new and revolutionary ideas, new songs and dances, music-halls and popular novels, as well as new wealth for the smug middle classes. For others, however, there was poverty, struggle and hard labour. Dickens's characters with whom we are so familiar - orphan Oliver and cunning Fagin, snobbish Pip, spendthrift Mr Micawber, pompous Podsnap and humourless Gradgrind - grow out of his own observation. Here, Dickens and his great contemporaries - John Ruskin, Henry Mayhew, Charles Darwin, Thomas Hardy - take us into the heart of what Elizabeth Barrett Browning called 'this live, throbbing age, that brawls, cheats, maddens, calculates, aspires'. This is the perfect book for anyone wanting to understand more about the world of our great novelist Charles Dickens.