This monumental two-volume work updates Murray's Index of Old Kingdom Titles published in 1908. In addition to Old Kingdom titles and phrases, there are a large number from the Archaic Period and several from the First Intermediate Period. The clearly presented entries, arranged alphabetically, provide the most common orthnography with a transliteration and translation, with a date and textual references. An invaluable reference tool.
This publication discusses the pottery that was discovered by Zahi Hawass’s excavations at Giza, including the Cemetery of the Pyramid Builders, the Western Cemetery, and the settlement beneath the modern suburb of Nazlet el-Samman. It is a comprehensive study of Old Kingdom pottery that includes a typology for these recent finds, as well as discussing the interrelationship between pottery from cemetery and settlement contexts.
In this volume, a pleiade of Egyptologists, Archaeologists, Archaeoastronomers, Archaeoanthropologists, Historians and other scholars from fifteen countries have combined their efforts in order to honour Alicia Maravelia.
The Pyramid Age represents the first of several highpoints in ancient Egypt’s long history. But critical questions remain about the period, its social structure and economic organization, and the long-term implications of its artistic achievements. On the occasion of the fifth anniversary of the Journal of Egyptian History, The University of British Columbia, Harvard University, and Brill Academic Publishers, Boston, held a conference at Harvard University on April 26, 2012. A distinguished group of Egyptological scholars from around the world gathered to consider new perspectives on the Pyramid Age; the results are presented here.
What is presented here is a preliminary crystallization of thinking about questions, problems, and aspects that presented themselves during research into the iconography of Old Kingdom elite tombs in the so-called Leiden Mastaba Project (LMP), started in 1980 for teaching advanced students. Since the Egyptian culture has been given shape mainly in connection with the residences of the kings, the elite tombs of the Memphite area only were incorporated into the database. The original paper database consists of individual files on each tomb, giving a plan, wall scheme, a concise description of each sub-theme and its accompanying texts (if present). For details on the set-up, the original questions, the intention and some preliminary results on the partially collected material in 1985, see Van Walsem, Mastaba project. The core of this essay is a combination of and an elaboration of two former lectures by the author entitled: "Some un(der)exposed aspects in the study and interpretation of mastaba scenes" and "Religious iconography of Ancient Egypt: methodological and theoretical problems".
This book examines a group of twelve ancient Egyptian tombs (c.2300 BCE) in the elite Old Kingdom cemetery of Elephantine at Qubbet el-Hawa in modern Aswan. It develops an interdisciplinary approach to the material - drawing on methods from art history, archaeology, anthropology, and sociology, including agency theory, the role of style, the reflexive relationship between people and landscape, and the nature of locality and community identity. A careful examination of the architecture, setting, and unique text and image programs of these tombs in context provides a foundation for considering how ancient Egyptian provincial communities bonded to each other, developed shared identities within the broader Egyptian world, and expressed these identities through their personal forms of visual and material culture.
The Oxford Handbook of Egyptology offers a comprehensive survey of the entire study of ancient Egypt from prehistory through to the end of the Roman period. It seeks to place Egyptology within its theoretical, methodological, and historical contexts, indicating how the subject has evolved and discussing its distinctive contemporary problems, issues, and potential. Transcending conventional boundaries between archaeological and ancient textual analysis, the volume brings together 63 chapters that range widely across archaeological, philological, and cultural sub-disciplines, highlighting the extent to which Egyptology as a subject has diversified and stressing the need for it to seek multidisciplinary methods and broader collaborations if it is to remain contemporary and relevant. Organized into ten parts, it offers a comprehensive synthesis of the various sub-topics and specializations that make up the field as a whole, from the historical and geographical perspectives that have influenced its development and current characteristics, to aspects of museology and conservation, and from materials and technology - as evidenced in domestic architecture and religious and funerary items - to textual and iconographic approaches to Egyptian culture. Authoritative yet accessible, it serves not only as an invaluable reference work for scholars and students working within the discipline, but also as a gateway into Egyptology for classicists, archaeologists, anthropologists, sociologists, and linguists.
Throughout her career, Ann Macy Roth has regularly returned to well-known ancient Egyptian material and visual culture and shed new light on it by employing different approaches and methodologies. In this way, her research has led to new interpretations and readings of ancient Egyptian beliefs and practices while illustrating the importance of and need for continual questioning and re-examination within Egyptology. This volume brings together papers from around the world that follow her tradition of rethinking, reassessing, and innovating. It is intended to honour Roth’s significant career as a scholar, mentor, and teacher and to celebrate and continue her dedication to analyzing ancient Egypt from novel perspectives.
Doors are more than a physical means to close off an entrance or an exit; they can also indicate a boundary between two worlds. This volume considers the Memphite Necropoleis during the Old Kingdom, and proposes that porticos, false doors, niches and mastaba chapel entrances are interconnected in their function as a barrier between two worlds.
