"It is possible that this heliotype production was to serve also as a special book for the Centennial. It contains illustrations from many different sources related to the building as well as exterior and interior views of how the halls were laid out for exhibition." -- Hanson Collection Catalog, p. 55.
Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.
Independence Hall and the Liberty Bell, two of America's most revered symbols of freedom, date back to the British rule of the American colonies. The main structure of Independence Hall was completed in 1732, and the final casting of the Liberty Bell was completed in 1753. Visited by over two million people yearly, these historic icons have been used as backdrops for many political and social demonstrations and speeches. Filled with images from the archives of Independence National Historical Park, Philadelphia Department of Records, and collections from around the country, Independence Hall and the Liberty Bell illustrates how these two historic relics generate a sense of pride and patriotism set forth by the signing of the Declaration of Independence on July 4, 1776.
This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR
"This is the first-ever biography of Thomas Barclay, the first American consul to serve the United States abroad and the man who, in 1786, successfully negotiated our first treaty with an Arab, African, or Muslim nation. It is the story of an Ulster-born immigrant building his fortune as a Philadelphia merchant in international trade, then losing it as he gives priority to his adopted country's fight to gain and build on independence. It tells how, after emigrating to Philadelphia in the 1760s, Barclay became a leading member of the Irish community, a successful merchant/ship owner, and political activist. This biography follows his move to France with his wife and three small children when the Continental Congress named him consul in 1781. There, before an American consular service existed, before Congress knew a consul from a consul general, Thomas Barclay did whatever was needed, wherever it was needed. To shipping, naval, and other tasks, Congress added an audit of American public expenditures in Europe since 1776. Then Jefferson and Adams added diplomacy in Barbary, where Barclay negotiated a rare tribute-free treaty of commerce and amity with the Sultan of Morocco. His personal relationships with Benjamin Franklin, John Adams, and Thomas Jefferson reveal as much about them as about him. On assignment for President Washington in 1793, he became the first American diplomat to die in a foreign country in the service of the United States."--BOOK JACKET.