An Essay on Comedy and the Uses of the Comic Spirit

An Essay on Comedy and the Uses of the Comic Spirit

Author: George Meredith

Publisher: Good Press

Published: 2019-11-20

Total Pages: 52

ISBN-13:

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In "An Essay on Comedy and the Uses of the Comic Spirit," George Meredith offers a profound analysis of the nature of comedy and its role in literature and society. Delving deep into the essence of humor, Meredith examines the ways in which comedy reflects human nature, societal norms, and the intricacies of relationships. This classic essay remains a must-read for anyone interested in the art of comedic writing and its broader implications.


George Meredith's Essay On Comedy and Other New Quarterly Magazine Publications

George Meredith's Essay On Comedy and Other New Quarterly Magazine Publications

Author: George Meredith

Publisher: Bucknell University Press

Published: 1998

Total Pages: 382

ISBN-13: 9780838753491

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In this book, Meredith's prose is presented for the first time in a critical edition. Its goal is to present Meredith's words as he intended them to be read, without the errors of his publishers, and with a complete scholarly apparatus that allows readers to re-create the history of each work's transmission. Each text, originally published in the New Quarterly Magazine between 1877 and 1879, is accompanied by a textual history, a list of editorial emendations, a historical collation (showing how Meredith's texts changed over time), and additional lists and tables as determined by the special circumstances of each text.


The Comic Mode in English Literature

The Comic Mode in English Literature

Author: Murray Roston

Publisher: Bloomsbury Publishing

Published: 2011-10-27

Total Pages: 287

ISBN-13: 1441109900

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An introductory guide to comedy in English literature that systematically applies comic theory to a wide range of texts from Chaucer to Bridget Jones's Diary.


The Egoist

The Egoist

Author: George Meredith

Publisher: Penguin UK

Published: 2007-04-26

Total Pages: 628

ISBN-13: 0141958766

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Virginia Woolf said of The Egoist: 'Meredith pays us a supreme compliment to which as novel-readers we are little accustomed ... He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.


Aristophanes in Performance, 421 BC-AD 2007

Aristophanes in Performance, 421 BC-AD 2007

Author: Edith Hall

Publisher: MHRA

Published: 2007

Total Pages: 411

ISBN-13: 1904350615

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Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.