An Encyclopedia of Quotations About Music

An Encyclopedia of Quotations About Music

Author: Nat Shapiro

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 428

ISBN-13: 1461596270

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Writing about music-about what it is and what it means-is akin to describing the act of love. Somehow, the reduction of the experience to an unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im agery that is banal, vulgar, inane, obscure, pretentious, and almost always insufferably romantic. To achieve good and accurate writing about music is as rare an accomplishment as expert wine-tasting, lion-taming, diamond-cut ting, truffie-finding and (if one just happens to be an unconverted Mohican brave) deer-tracking. Only the intuitive, the pure, the sensual, and the intrepid need apply. Professional musicians often evidence a fixed tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the particular vanity of a conductor, or the wage scales for overtime recording sessions are judged worthy only of contempt or-at the most-patronizing tolerance. "Music means itself," insists one of the contributors to the collection that follows, and many practitioners of the art of organ ized sound would prefer to leave it at that.


Basic Music Reference

Basic Music Reference

Author: Alan Green

Publisher: A-R Editions, Inc.

Published: 2012-11-01

Total Pages: 141

ISBN-13: 0895797453

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Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formats—on paper and other materials—as well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users’ questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions


Women and Music in America Since 1900 [2 Volumes]

Women and Music in America Since 1900 [2 Volumes]

Author: Kristine H. Burns

Publisher: Greenwood

Published: 2002-12-30

Total Pages: 400

ISBN-13:

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This two-volume reference describes the role of women in all types of music in the U.S. since 1900. The alphabetically-arranged entries cover important individuals (chosen for the significance of their contributions rather than for their popularity), biographical overviews, gender issues, education, music genres, honors and awards, organizations and professions. Entries (ranging from half a page to several pages in length) conclude with a short list of further readings, and about 100 are accompanied by a b & w photograph. A historical overview and a chronology are also included. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


The Quote Sleuth

The Quote Sleuth

Author: Anthony W. Shipps

Publisher: University of Illinois Press

Published: 1990

Total Pages: 216

ISBN-13: 9780252016950

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The tracer's goals are to identify the source of a quotation, to find or to produce detailed citation based on a reliable edition of the work, to find an authoritative text of the passage being traced, and to do all this in the shortest time possible and with the least possible amount of effort.


America's God and Country

America's God and Country

Author: William J. Federer

Publisher: Amerisearch, Inc.

Published: 1994

Total Pages: 868

ISBN-13: 9781880563052

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An Invaluable resource highlighting america's noble heritage, profound quotes from founding fathers, presidents, statesmen, scientists, constitutions, court decisions ... for use in speeches, papers, debates, essays ...


The Macmillan Dictionary of Quotations

The Macmillan Dictionary of Quotations

Author: Macmillan Publishing Company

Publisher: New York : Macmillan

Published: 1989

Total Pages: 808

ISBN-13:

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Informative and fascinating, this is an innovative reference work that sets anew standard for usefulness in quotation books.


The Musician's Way

The Musician's Way

Author: Gerald Klickstein

Publisher: Oxford University Press

Published: 2009-09-03

Total Pages: 356

ISBN-13: 0199841004

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In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.


Music in the Words: Musical Form and Counterpoint in the Twentieth-Century Novel

Music in the Words: Musical Form and Counterpoint in the Twentieth-Century Novel

Author: Alan Shockley

Publisher: Routledge

Published: 2017-07-05

Total Pages: 201

ISBN-13: 1351557289

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There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agap?gape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.