The British 'B' Film

The British 'B' Film

Author: Steve Chibnall

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 521

ISBN-13: 183871863X

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This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.


The Cinema of Britain and Ireland

The Cinema of Britain and Ireland

Author: Brian McFarlane

Publisher: Wallflower Press

Published: 2005

Total Pages: 310

ISBN-13: 9781904764380

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A fresh, concise but wide-ranging introduction to and overview of British and Irish cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films under discussion include 'Pink String and Sealing Wax', 'Room at the Top', 'The Italian Job', 'Orlando', and 'Sweet Sixteen'.


Robert Paul and the Origins of British Cinema

Robert Paul and the Origins of British Cinema

Author: Ian Christie

Publisher: University of Chicago Press

Published: 2019-12-09

Total Pages: 355

ISBN-13: 022661011X

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.


The Routledge Companion to British Cinema History

The Routledge Companion to British Cinema History

Author: I.Q. Hunter

Publisher: Taylor & Francis

Published: 2017-01-12

Total Pages: 473

ISBN-13: 1315392178

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This book offers a comprehensive and revisionist overview of British cinema as, on the one hand, a commercial entertainment industry and, on the other, a series of institutions centred on economics, funding and relations to government.


A Critical History of the British Cinema

A Critical History of the British Cinema

Author: Roy Armes

Publisher: New York : Oxford University Press

Published: 1978

Total Pages: 392

ISBN-13:

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This comprehensive survey probes the strengths and shortcomings of a national output conditioned by a love-hate relationship with Hollywood.


The Unknown 1930s

The Unknown 1930s

Author: Jeffrey Richards

Publisher: I.B. Tauris

Published: 2001-01-12

Total Pages: 288

ISBN-13: 9781860646287

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A group of film historians chart a map of 1930s British cinema. They reassess the films, stars, genres, and directors omitted from accounts of the decade, and they evaluate its forgotten and recently discovered films. The book includes assessments of the British shocker and the British musical, popular 1930s genres, and views of cinema and national identity.


Hitchcock's British Films

Hitchcock's British Films

Author: Maurice Yacowar

Publisher: Wayne State University Press

Published: 2010

Total Pages: 284

ISBN-13: 9780814334942

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Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's "mature" period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects. Yacowar's readings remain compelling more than thirty years after they were written, and some-on Downhill, Champagne, and Waltzes from Vienna-are among the few extended interpretations of these films that exist. Alongside important works such as Murder , the first The Man Who Knew Too Much, Secret Agent, The Lady Vanishes, and Blackmail, readers will appreciate Yacowar's equal attention to lesser-known films like The Pleasure Garden, The Ring, and The Manxman. Yacowar dissects Hitchcock's precise staging and technical production to draw out ethical themes and metaphysical meanings of each film, while keeping a close eye on the source material, such as novels and plays, that Hitchcock used as the inspiration for many of his screenplays. Yacowar concludes with an overview of Hitchcock as auteur and an appendix identifying the director's appearances in these films. A foreword by Barry Keith Grant and a preface to the second edition from Yacowar complete this comprehensive volume. Anyone interested in Hitchcock, classic British cinema, or the history of film will appreciate Yacowar's accessible and often witty exploration of the director's early work.


British Cinema

British Cinema

Author: Amy Sargeant

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 687

ISBN-13: 1838714758

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Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.


Hollywood and the Americanization of Britain

Hollywood and the Americanization of Britain

Author: H. Mark Glancy

Publisher:

Published: 2019

Total Pages: 340

ISBN-13: 9780755698080

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For nearly 100 years, Hollywood has provided not only the majority, but also the most popular of films shown on British Screens. For many Britons, Hollywood films are not considered to be foreign films. Whether seen in the cinema or on television, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon and to explore the impact of American films on their audiences and the reception of them by these audiences from early days to the present. Mark Glancy investigates Hollywoo.