This is a thorough investigation of Israelis who live in the United States tracing their social and economic mobility, their integration into the local Jewish community, as well as their attachment to their home country.
In America in JeruSALEm, the authors examine the effects of globalization and Americanization on the national identity of small nations. Using Israel as a case study, First and Avraham analyzed the changes in Israeli advertising over the past two decades. They found that since the '90s, Israeli advertisers began using American symbols, values, sights, and heroes to promote diverse products without any consideration of the place they were actually made. The perspective offered in this book_a consideration of advertising as a locus of the tension between national identity and globalization/Americanization_is an innovative one, generating a model that can be used to analyze national identity through advertising in the age of globalization/Americanization. Although many books have focused on numerous aspects of Israeli society, America in JeruSALEm offers a new and accessible perspective on the changes in Israeli identity.
One of 2019's most anticipated novels in THE TIMES, IRISH TIMES and GUARDIAN. 'Where fiction's master of enchantments stares down a real horror, and without blinking or flinching, produces a work of beauty, grace and uncommon power' MARLON JAMES, winner of the Man Booker Prize 2015. An impassioned plea for freedom and justice, set in a world uncomfortably like our own, by the Man Booker-winner Ben Okri. In a world uncomfortably like our own, a young woman called Amalantis is arrested for asking a question. Her question is this: Who is the Prisoner? When Amalantis disappears, her lover Karnak goes looking for her. He searches desperately at first, then with a growing realization. To find Amalantis, he must first understand the meaning of her question. Karnak's search leads him into a terrifying world of lies, oppression and fear at the heart of which lies the Prison. Then Karnak discovers that he is not the only one looking for the truth. The Freedom Artist is an impassioned plea for justice and a penetrating examination of how freedom is threatened in a post-truth society. In Ben Okri's most significant novel since the Booker Prize-winning The Famished Road, he delivers a powerful and haunting call to arms. 'Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three – literature, culture and vision – are profoundly interwoven' ALI SMITH.
Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations. Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.
WINNER OF THE JANET HEIGINGER KAFKA PRIZE FOR FICTION “The novel showcases the humanity, tragedy, and complexity of life in the West Bank. . . . The characters’ interwoven lives will stay with you long after the book's denouement.” —Entertainment Weekly “Sacks is an extraordinarily gifted writer whose intelligence, compassion and skill on both the sentence and tension level rise to meet her ambition. She keeps us constantly on edge. . . . City of a Thousand Gates makes a convincing case for a literature of multiplicity, polyphonic and clamorous, abuzz with challenges and contradictions, with no clear answers but a promise to stay alert to the world, in all its peril and vitality.” —Washington Post Brave and bold, this gorgeously written novel introduces a large cast of characters from various backgrounds in a setting where violence is routine and where survival is defined by boundaries, walls, and checkpoints that force people to live and love within and across them. Hamid, a college student, has entered Israeli territory illegally for work. Rushing past soldiers, he bumps into Vera, a German journalist headed to Jerusalem to cover the story of Salem, a Palestinian boy beaten into a coma by a group of revenge-seeking Israeli teenagers. On her way to the hospital, Vera runs in front of a car that barely avoids hitting her. The driver is Ido, a new father traveling with his American wife and their baby. Ido is distracted by thoughts of a young Jewish girl murdered by a terrorist who infiltrated her settlement. Ori, a nineteen-year-old soldier from a nearby settlement, is guarding the checkpoint between Bethlehem and Jerusalem through which Samar—Hamid’s professor—must pass. These multiple strands open this magnificent and haunting novel of present-day Israel and Palestine, following each of these diverse characters as they try to protect what they love. Their interwoven stories reveal complicated, painful truths about life in this conflicted land steeped in hope, love, hatred, terror, and blood on both sides. City of a Thousand Gates brilliantly evokes the universal drives that motivate these individuals to think and act as they do—desires for security, for freedom, for dignity, for the future of one’s children, for land that each of us, no matter who or where we are, recognize and share.
"An ethnographic study of the emergence of a pan-ethnic style of music in Israel between the mid-1970s and mid-1990s. This two-decade period encompasses the coming of age of the Middle Eastern and North African creators of the grassroots music network in the 1970s and the sea change in the music's reception by mainstream Israeli society in the 1990s.
Look at me. Do you see me? Do you see me in my olive-green uniform, beret, and shiny black boots? Do you see the assault rifle slung across my chest? Finally! I am the badass Israeli soldier at the side of the road, in sunglasses, forearms like bricks. And honestly -- have you ever seen anything quite like me? Joel Chasnoff is twenty-four years old, an American, and the graduate of an Ivy League university. But when his career as a stand-up comic fails to get off the ground, Chasnoff decides it's time for a serious change of pace. Leaving behind his amenity-laden Brooklyn apartment for a plane ticket to Israel, Joel trades in the comforts of being a stereotypical American Jewish male for an Uzi, dog tags (with his name misspelled), and serious mental and physical abuse at the hands of the Israeli Army. The 188th Crybaby Brigade is a hilarious and poignant account of Chasnoff's year in the Israel Defense Forces -- a year that he volunteered for, and that he'll never get back. As a member of the 188th Armored Brigade, a unit trained on the Merkava tanks that make up the backbone of Israeli ground forces, Chasnoff finds himself caught in a twilight zone-like world of mandatory snack breaks, battalion sing-alongs, and eighteen-year-old Israeli mama's boys who feign injuries to get out of guard duty and claim diarrhea to avoid kitchen work. More time is spent arguing over how to roll a sleeve cuff than studying the mechanics of the Merkava tanks. The platoon sergeants are barely older than the soldiers and are younger than Chasnoff himself. By the time he's sent to Lebanon for a tour of duty against Hezbollah, Chasnoff knows everything about why snot dries out in the desert, yet has never been trained in firing the MAG. And all this while his relationship with his tough-as-nails Israeli girlfriend (herself a former drill sergeant) crumbles before his very eyes. The lone American in a platoon of eighteen-year-old Israelis, Chasnoff takes readers into the barracks; over, under, and through political fences; and face-to-face with the absurd reality of life in the Israeli Army. It is a brash and gritty depiction of combat, rife with ego clashes, breakdowns in morale, training mishaps that almost cost lives, and the barely containable sexual urges of a group of teenagers. What's more, it's an on-the-ground account of life in one of the most em-battled armies on earth -- an occupying force in a hostile land, surrounded by enemy governments and terrorists, reviled by much of the world. With equal parts irreverence and vulnerability, irony and intimacy, Chasnoff narrates a new kind of coming-of-age story -- one that teaches us, moves us, and makes us laugh.
Russia's forceful re-entry into the Middle Eastern arena, and the accentuated continuity of Soviet policy and methods of the 1960s and '70s, highlight the topicality of this groundbreaking study, which confirms the USSR's role in shaping Middle Eastern and global history. This book covers the peak of the USSR's direct military involvement in the Egyptian-Israeli conflict. The head-on clash between US-armed Israeli forces and some 20,000 Soviet servicemen with state-of-the-art weaponry turned the Middle East into the hottest front of the Cold War. The Soviets' success in this war of attrition paved the way for their planning and support of Egypt's cross-canal offensive in the 1973 Yom Kippur War. Ginor and Remez challenge a series of long-accepted notions as to the scope, timeline and character of the Soviet intervention and overturn the conventional view that détente with the US induced Moscow to restrainthat a US-Moscow détente led to a curtailment of Egyptian ambitions to recapture of the land it lost to Israel in 1967. Between this analytical rethink and the introduction of an entirely new genre of sources-- -memoirs and other publications by Soviet veterans themselves---The Soviet-Israeli War paves the way for scholars to revisit this pivotal moment in world history.
Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage.