After One Hundred Years

After One Hundred Years

Author: Andrea Lermer

Publisher: BRILL

Published: 2010-08-23

Total Pages: 453

ISBN-13: 9004190015

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This book is the first comprehensive study of the path-breaking exhibition "Meisterwerke muhammedanischer Kunst" held in Munich in 1910. It offers new ideas and unpublished material on the exhibition's historical context, organization, display, reception in the West and its later influence on the study of Islamic art.


Advertising Empire

Advertising Empire

Author: David Ciarlo

Publisher: Harvard University Press

Published: 2011-01-03

Total Pages: 438

ISBN-13: 0674059239

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At the end of the nineteenth century, Germany turned toward colonialism, establishing protectorates in Africa, and toward a mass consumer society, mapping the meaning of commodities through advertising. These developments, distinct in the world of political economy, were intertwined in the world of visual culture. David Ciarlo offers an innovative visual history of each of these transformations. Tracing commercial imagery across different products and media, Ciarlo shows how and why the “African native” had emerged by 1900 to become a familiar figure in the German landscape, selling everything from soap to shirts to coffee. The racialization of black figures, first associated with the American minstrel shows that toured Germany, found ever greater purchase in German advertising up to and after 1905, when Germany waged war against the Herero in Southwest Africa. The new reach of advertising not only expanded the domestic audience for German colonialism, but transformed colonialism’s political and cultural meaning as well, by infusing it with a simplified racial cast. The visual realm shaped the worldview of the colonial rulers, illuminated the importance of commodities, and in the process, drew a path to German modernity. The powerful vision of racial difference at the core of this modernity would have profound consequences for the future.


Artists Under Hitler

Artists Under Hitler

Author: Jonathan Petropoulos

Publisher: Yale University Press

Published: 2014-11-28

Total Pages: 432

ISBN-13: 0300210612

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“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.


Seeing Hitler's Germany

Seeing Hitler's Germany

Author: K. Semmens

Publisher: Springer

Published: 2005-03-23

Total Pages: 278

ISBN-13: 0230505309

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Seeing Hitler's Germany is the first fully researched, wide-ranging study of commercial tourism under the swastika. The book demonstrates how effectively the Nazi regime coordinated all German tourism organizations. At the same time, it emphasizes the apparent 'normality' of many everyday tourist experiences after 1933. These certainly helped some Germans and many foreign visitors to overlook the regime's brutality. However, tourism also celebrated the most racist, chauvinist aspects of the 'new Germany', which in turn became a normal part of being a tourist under Hitler. While violence and terror have continued to dominate many recent studies of the Third Reich, this book takes a different view. By investigating a range of 'normal' experiences - such as taking a tour, visiting a popular sightseeing attraction, reading a guidebook or sending a postcard - Seeing Hitler's Germany deepens our understanding of the popular legitimization of Nazi rule.


Bavarian Tourism and the Modern World, 1800–1950

Bavarian Tourism and the Modern World, 1800–1950

Author: Adam T. Rosenbaum

Publisher: Cambridge University Press

Published: 2016-02-15

Total Pages: 477

ISBN-13: 1108685609

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During the nineteenth and early twentieth centuries, the tourism industry of Bavaria consistently promoted an image of 'grounded modernity'. This romanticized version of the present reconciled continuity with change, tradition with progress, and nature with science. In an era of rapid and unprecedented change, simultaneously nostalgic and progressive grounded modernity produced an illusion of continuity. It helped make the experience of modernity more tangible by linking impersonal and abstract ideas, like national identity, with familiar experiences and concrete sights. Bavarian Tourism and the Modern World, 1800–1950 examines the connections between Bavarian tourism and the turbulent experience of German modernity during this period. It gauges Germany's long and often unsettling journey to modernity using Bavarian tourism and travel as a lens. Closely examining guidebooks, brochures, postcards and other tourist propaganda, Adam Rosenbaum argues that by pointing visitors to the past, tourism illuminated the present, and produced signposts to the future.


The Court Art of Friedrich Sustris

The Court Art of Friedrich Sustris

Author: Susan Maxwell

Publisher: Routledge

Published: 2017-07-05

Total Pages: 251

ISBN-13: 1351545442

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Shedding new light on the relatively unknown art of the Wittelsbach dukes's sixteenth-century court, The Court Art of Friedrich Sustris represents the first monograph to focus on this Italian-trained Netherlandish artist. The volume incorporates original archival material, including letters and payment records into the analysis of Sustris's many projects that ranged from large fresco cycles to intimate luxury and devotional objects. Duke Wilhelm V of Bavaria transformed Munich into a vital cultural crossroads between northern Europe and Italy. As Wilhelm's court artist and artistic director, Friedrich Sustris created a unified vision that broadcast Bavarian magnificence to princely courts across Europe. Although much of Sustris's work is lost, the remaining body of his drawings provides a unique window onto the reception of drawings by early modern elites within the context of their collecting practices.


Herbert Bayer, Graphic Designer

Herbert Bayer, Graphic Designer

Author: Patrick Rössler

Publisher: Bloomsbury Publishing

Published: 2023-05-18

Total Pages: 369

ISBN-13: 1350229695

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Herbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States. This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and László Moholy-Nagy, follows Bayer through the Weimar Republic, Nazi Germany and finally to his exile in the United States. Specifically, Patrick Rössler reveals for the first time Bayer's unique experience of 1930s Germany, where, with his commercial and artistic life shattered by terror and censorship, he distracted himself with leading a hedonistic life. Shining a light on Bayer's time in Berlin during the Weimar Republic, and his route out of the Nazi state, Rössler provides rich new insights into how Bauhaus artists navigated a protracted period of social upheaval and dictatorship, where commercial success was fraught with a deep hostility towards the regime and the temptations of emigration. Revealing the tensions of an avant-garde artist struggling to practice during a period of repression, Herbert Bayer, Graphic Designer speaks to both the memory of those who left Nazi Germany, but also the perseverance of artists and intellectuals throughout history who have worked under authoritarian regimes. Drawing on never before interpreted documents, letters and archival material, Rössler tells Bayer's compelling story – documenting the life of a unique artist and offering a valuable contribution to research in émigré experiences.


Physical Anthropology, Race and Eugenics in Greece (1880s–1970s)

Physical Anthropology, Race and Eugenics in Greece (1880s–1970s)

Author: Sevasti Trubeta

Publisher: BRILL

Published: 2013-10-09

Total Pages: 353

ISBN-13: 9004257675

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Before it became established as an academic discipline, physical anthropology emerged as a contested notion of reference to the cosmological views associated with the Darwinian theory of evolution and its implementation by the natural sciences. However, its subsequent development points to a science which made holistic claims regarding its ability to explore humankind in its entirety and to influence society, with its involvement in politics, as well as racial and eugenic concepts serving as the vehicle for doing so. This book explores the emergence of physical anthropology in the modern Greek state and its development over a period of one century from the viewpoint of the proclaimed intention of its representatives to influence societal developments. The book is the first to subject Greek racial and eugenic discourse to detailed research.


Die wahrhaft königliche Stadt

Die wahrhaft königliche Stadt

Author: Daniela Kah

Publisher: BRILL

Published: 2017-11-13

Total Pages: 465

ISBN-13: 9004355049

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English In Eine wahrhaft königliche Stadt, Daniela Kah describes how contemporary residents and visitors were able to experience and perceive the presence of the Holy Roman Empire (or its representatives, e.g., the king) in three late medieval cities -- Augsburg, Nürnberg and Lübeck. After receiving privileges from the king, these cities initiated large construction projects designed to assert their imperial status. These projects had a major impact on everyday life and made the Empire visible and graspable within the city. However, in the 13th century the cities increasingly deployed symbols and signs to represent their self-understanding as 'imperial'. ‘Being immediate to the Empire’ or ‘being privileged’ provided important political, economic, and social benefits. Therefore it became very important to the cities to represent their status in visible form. For this reason, the Empire achieved a permanent and lasting presence in free imperial cities. Deutsch In Eine wahrhaft königliche Stadt beschreibt Daniela Kah, wie das mittelalterliche Reich oder seine Repräsentanten, wie zum Beispiel der König, in den Reichsstädten Augsburg, Nürnberg und Lübeck für die zeitgenössischen Bewohner und Besucher erfahrbar war und wahrgenommen wurde. Zunächst führte die Vergabe von königlichen Privilegien zu großangelegten repräsentativen Bauprojekten in den Städten, die das Reich so im städtischen Alltag erkennbar werden ließen. Ab dem 13. Jahrhundert kam es dazu, dass die Stäte vermehrt Symbole und Zeichen im Stadtraum anbrachten, die ihr Selbstverständnis visualieren. Der Status ‚unmittelbar dem Reich zugehörig“ beziehungsweise ‚vom Reich privilegiert’ zu sein, wurde aufgrund seiner politischen, wirtschaftlichen und prestigesteigernden Bedeutung ein wichtiger Bezugspunkt, der zur dauerhaften Präsenz des Reichs in den Reichsstädten führte.