American Terminator

American Terminator

Author: Ziauddin Sardar

Publisher: Red Wheel Weiser

Published: 2004-10-01

Total Pages: 409

ISBN-13: 1609259335

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A hard-hitting sequel and companion piece to the international bestseller Why Do People Hate America?. The book begins its examination of the state of American society with the California Gubernatorial Election of 2003. The victory of Hollywood superstar Arnold Schwarzenegger in that election is more than the triumph of a populist candidate—it is a telling indicator of how an uninformed people has been misled by a political illusion. This is fantasy politics, and it is set to unfold across the US in the future. It is, therefore, a vital concern for people everywhere. How American democracy is understood and enacted in the United States is an essential guide to how its nation-building efforts abroad operate. The authors argue that the failures of American democracy at home—its increasing reliance on fantasy versions of reality—are blueprints for its failures overseas. What America cannot resolve at home, as much as how it constructs and operates its foreign policy, makes the world a more unstable and dangerous place for everyone. The authors diagnose these failures as “Schwar-zenegger’s Laws.” These laws allow us to understand how Hollywood’s global superstar was elected to office, not as a reaction against political failure but as the pure expression of an enduring and disturbing thread of fantasy within American politics, culture and society. As a political candidate, Schwarzenegger did not need to create a conventional political platform—he had only to present himself, for he was already an oven-ready candidate, an established persona with a set of values defined by his films which provided him with a definable policy stance in the public imagination. With America now the lone hyperpower, “Schwarzenegger’s Laws” affect every citizen of every country.


American Icons [3 volumes]

American Icons [3 volumes]

Author: Dennis R. Hall

Publisher: Bloomsbury Publishing USA

Published: 2006-06-30

Total Pages: 937

ISBN-13: 0313027676

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What do Madonna, Ray Charles, Mount Rushmore, suburbia, the banjo, and the Ford Mustang have in common? Whether we adore, ignore, or deplore them, they all influence our culture, and color the way America is perceived by the world. In this A-to-Z collection of essays scholars explore more than one hundred people, places, and phenomena as they seek to discover what it means to be labeled icon. From the Alamo to Muhammad Ali, from John Wayne to the zipper, the American icons covered in this unique three-volume set include subjects from culture, law, art, food, religion, and science. By providing numerous ways for the reader to engage in the process of interpreting these images and artifacts, the work serves as a unique resource for students of American history and culture. Features 100 illustrations. What do Madonna, Ray Charles, Mount Rushmore, suburbia, the banjo, and the Ford Mustang have in common? Whether we adore, ignore, or deplore them, they all influence our culture, and color the way America is perceived by the world. This A-to-Z collection of essays explores more than one hundred people, places, and phenomena that have taken on iconic status in American culture. The scholars and writers whose thoughts are gathered in this unique three-volume set examine these icons through a diverse array of perspectives and fields of expertise. Ranging from the Alamo to Muhammad Ali, from John Wayne to the zipper, this selection of American icons represents essential elements of our culture, including law, art, food, religion, and science. Featuring more than 100 illustrations, this work will serve as a unique resource for students of American history and culture. The interdisciplinary scholars in this work examine what it means when something is labeled as an icon. What common features do the people, places, and things we deem to be iconic share? To begin with, an icon generates strong responses in people, it often stands for a group of values (John Wayne), it reflects forces of its time, it can be reshaped or extended by imitation, and it often breaks down barriers between various segments of American culture, such as those that exist between white and black America, or between high and low art. The essays contained in this set examine all these aspects of American icons from a variety of perspectives and through a lively range of rhetoric styles.


The American Blockbuster

The American Blockbuster

Author: Benjamin Crace

Publisher: Bloomsbury Publishing USA

Published: 2022-10-18

Total Pages: 296

ISBN-13:

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Providing an indispensable resource for students and general readers, this book serves as an entry point for a conversation on America's favorite pastime, focusing in on generational differences and the evolution of American identity. In an age marked by tension and division, Americans of all ages and backgrounds have turned to film to escape the pressures of everyday life. Yet, beyond escapism, popular cinema is both a mirror and microscope for our collective psyche. Examining the films that have made billions of dollars through a new lens reveals that popular culture is a vital source for understanding what it means to be an American. This book is divided into four sections, each associated with a different generation. Featuring such era-defining hits as Jaws, Back to the Future, Avatar, and The Avengers, each section presents detailed film analyses that showcase the consistency of certain American values throughout generations as well as the constant renegotiation of others. Ideal for any cinephile, The American Blockbuster demonstrates how complex and meaningful even the summer blockbuster can be.


American Cultural Studies

American Cultural Studies

Author: Neil C. Campbell

Publisher: Routledge

Published: 2005-08-12

Total Pages: 314

ISBN-13: 1134796927

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Drawing on literature, art, film theatre, music and much more, American Cultural Studies is an interdisciplinary introduction to American culture for those taking American Studies. This textbook: * introduces the full range and variety of American culture including issues of race, gender and youth * provides a truly interdisciplinary methodology * suggests and discusses a variety of approaches to study * highlights American distinctiveness * draws on literature, art, film, theatre, architecture, music and more * challenges orthodox paradigms of American Studies. This is a fast-expanding subject area, and Campbell and Kean's book will certainly be a staple part of any cultural studies student's reading diet.


Terminator - Collection (2008-2015)

Terminator - Collection (2008-2015)

Author:

Publisher:

Published:

Total Pages: 1320

ISBN-13:

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The Terminator series is an American science fiction franchise created by James Cameron and Gale Anne Hurd. It encompasses a series of films, comics, novels, and additional media concerning battles between Skynet’s synthetic intelligent machine network, and John Connor’s Resistance forces and the rest of the human race. Skynet’s most well-known products in its genocidal goals are the various terminator models, such as the T-800, who was portrayed by Arnold Schwarzenegger from the first film, and similar units he also portrayed in the later films. Terminator – The Burning Earth (2013) Terminator Salvation – The Final Battle Vol. 1 (2014) Terminator Salvation – The Final Battle Vol. 2 (2015) The Terminator – 2029-1984 (2011) The Terminator Omnibus Vol. 1 The Terminator Omnibus Vol. 2 (2008)


The American Robot

The American Robot

Author: Dustin A. Abnet

Publisher:

Published: 2020

Total Pages: 385

ISBN-13: 022669271X

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"As Dustin Abnet shows, the robot-whether automaton, Mechanical Turk, cyborg, or iPhone, whether humanized machine or mechanized human being-has long been a fraught embodiment of human fears. Abnet investigates, moreover, how the discourse of the robot has reinforced social and economic inequalities as well as fantasies of social control. "Robots" as a trope are not necessarily mechanical but are rather embodiments of quasi humanity, exhibiting a mix of human and nonhuman characteristics. Such figures are troubling to dominant discourses, which cannot easily assimilate them or identify salient boundaries. The robot lurks beneath the fears that fracture society"--


The Terminator: The Original Comics Series-Tempest and One Shot

The Terminator: The Original Comics Series-Tempest and One Shot

Author: John Arcudi

Publisher: Dark Horse Comics

Published: 2017-10-24

Total Pages: 162

ISBN-13: 1506705502

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Heartless, mechanical cruelty meets dogged human courage and perseverance! In the aftermath of the events in James Cameron’s The Terminator (1984), John Connor sends a strike team into the past to destroy Cyberdyne, the company that will eventually create the world-controlling computer Skynet. But the machines counter by sending a team of Terminators to block the attempt—turning Los Angeles into a war zone! Before Terminator 2: Judgment Day or any of the other film sequels, Dark Horse Comics carried the torch for the Terminator saga, creating a continuity that carried the action across the world and across time. The story in this volume, by John Arcudi and Chris Warner, paved the way for a rich parade of sequel tales. Also included in this volume: The Terminator: One Shot, by writer James Robinson and artist Matt Wagner! Introduction by John Arcudi.


American Cinema of the 1990s

American Cinema of the 1990s

Author: Chris Holmlund

Publisher: Rutgers University Press

Published: 2008

Total Pages: 306

ISBN-13: 0813543665

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Films discussed include Terminator 2, The matrix, Home alone, Jurassic Park, Pulp fiction, Boys don't cry, Toy story and Clueless.


Colossus

Colossus

Author: Niall Ferguson

Publisher: Penguin

Published: 2005-03-29

Total Pages: 418

ISBN-13: 110166679X

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Is America an empire? Certainly not, according to our government. Despite the conquest of two sovereign states in as many years, despite the presence of more than 750 military installations in two thirds of the world’s countries and despite his stated intention "to extend the benefits of freedom...to every corner of the world," George W. Bush maintains that "America has never been an empire." "We don’t seek empires," insists Defense Secretary Rumsfeld. "We’re not imperialistic." Nonsense, says Niall Ferguson. In Colossus he argues that in both military and economic terms America is nothing less than the most powerful empire the world has ever seen. Just like the British Empire a century ago, the United States aspires to globalize free markets, the rule of law, and representative government. In theory it’s a good project, says Ferguson. Yet Americans shy away from the long-term commitments of manpower and money that are indispensable if rogue regimes and failed states really are to be changed for the better. Ours, he argues, is an empire with an attention deficit disorder, imposing ever more unrealistic timescales on its overseas interventions. Worse, it’s an empire in denial—a hyperpower that simply refuses to admit the scale of its global responsibilities. And the negative consequences will be felt at home as well as abroad. In an alarmingly persuasive final chapter Ferguson warns that this chronic myopia also applies to our domestic responsibilities. When overstretch comes, he warns, it will come from within—and it will reveal that more than just the feet of the American colossus is made of clay.