Archaeologist Keyser and Klassen share with readers the origins, diversity, and beauty of Plains rock art, with the hope of encouraging greater awareness and respect for this cultural tradition by society as a whole. Their guide covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology and dating; and suggests interpretations of images and compositions. The text is illustrated throughout with black-and-white photos, maps and drawings. The writing is serious, but accessible to the general reader. c. Book News Inc.
The National Museum of the American Indian is one of the world's great conservators of cultural heritage, and its collections hold more than 800,000 objects spanning 13,000 years of history of the Native peoples of the Western Hemisphere, from Tierra del Fuego in the south to the Arctic in the north. Drawing on new insights from archaeology, history, and art history, Infinity of Nations uses culturally, historically, and aesthetically significant objects as a point of entry to understanding the people who created them. Following an introduction on the power of objects to engage our imagination, each chapter presents an overview of a region of the Americas and its cultural complexities, written by a noted specialist on that region. Community knowledge-keepers and an impressive new generation of Native scholars contribute highlights on objects that represent important ideas or that capture moments of social change. Together these writers create an extraordinary mosaic. What emerges is a portrait of a complex and dynamic world shaped from its earliest history by contact and exchange among peoples. Illustrated with more than 200 strikingly beautiful photographs published here for the first time, Infinity of Nations opens new avenues that extend well beyond those of conventional cultural studies. Authoritative and accessible, here is an important resource for anyone interested in learning about Native cultures of the Americas.
The use of horses has perhaps most dramatically shaped the way of life for Native American tribes in the Plateau and Plains regions of North America, but the practices and traditions of both culture areas date back to a time long before Europeans ever touched American shores, introducing their animals and customs to the continents indigenous peoples. This captivating volume examines the history and cross-cultural interactions that came to be associated with the peoples of the Plateau and the changing settlement patterns of the Plains peoples, as well as the cultural, social, and spiritual practices that have defined the major tribes of each region.
From the prehistoric peoples who inhabited the Americas at the end of the last Ice Age to the American Indian of the 20th century, this book encompasses the whole historical and cultural range of Indian life in Corth, Central, and South America. 32 pages of black-and-white photographs.
Discusses the traditional adornment of North American Indians, covering the furs of the subarctic, the shells of the woodland tribes, the plateau area beadwork, the Northwest Coast jewelers, and the turquoise of the Southwest.
Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study. This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance. An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.
The first systematic comparative study of the defensive armor and fortifications of aboriginal Native Americans. From the Chickasaw fighting the Choctaw in the Southeast to the Sioux battling the Cheyenne on the Great Plains, warfare was endemic among the North American Indians when Europeans first arrived on this continent. An impressive array of offensive weaponry and battle tactics gave rise to an equally impressive range of defensive technology. Native Americans constructed very effective armor and shields using wood, bone, and leather. Their fortifications ranged from simple refuges to walled and moated stockades to multiple stockades linked in strategic defensive networks. In this book, David E. Jones offers the first systematic comparative study of the defensive armor and fortifications of aboriginal Native Americans. Drawing data from ethnohistorical accounts and archaeological evidence, he surveys the use of armor, shields, and fortifications both before European contact and during the historic period by American Indians from the Southeast to the Northwest Coast, from the Northeast Woodlands to the desert Southwest, and from the Sub-Arctic to the Great Plains. Jones also demonstrates the sociocultural factors that affected warfare and shaped the development of different types of armor and fortifications. Extensive eyewitness descriptions of warfare, armor, and fortifications, as well as photos and sketches of Indian armor from museum collections, add a visual dimension to the text. “This succinct book is well written and systematically organized and it will serve as the starting point for any future studies on the subject.” —Military History of the West “This book provides the first and only comprehensive survey of armor, shields, and fortifications [of American Indians]. . . . It has left me with a new appreciation for the sheer diversity of warfare, armor, and fortifications used by Native Americans, and it shatters stereotypes about the nature of aboriginal warfare.” —Wayne Van Horne, associate professor of Anthropology, Kennesaw State University