Focusing on portrayals of Mussolini's Italy, Hitler's Germany, and Stalin's Russia in U.S. films, magazine and newspaper articles, books, plays, speeches, and other texts, Benjamin Alpers traces changing American understandings of dictatorship from the la
Could it possibly happen?After a polarizing and scandal-plagued presidency, a new American president is swept into office by a large majority. M. Spencer Howell, a popular governor of impeccable character and credentials, assumes the presidency with party majorities in Congress, and proceeds to transform America back to his vision of the founders' ideal.Howell's vision drives his administration to dramatic changes in law and policy, addressing crime, immigration, education, and other issues in a forthright assault on his predecessor's record. With enormous popularity among the American people, supermajorities in both houses of Congress, and new appointees to the Supreme Court, President Howell has a free hand to repair a broken American culture and society.Voices inside and outside the government have vague misgivings about the speed and direction of Howell's policies, and the creation of a new Militia answerable to the President's team. This large, well-trained force appears benign and quickly wins over the American public with courtesy and aplomb.But who can argue with a president who is so obviously sincere? Howell is a military veteran, a married man about whom his election opponents could not find the slightest flaw in judgment or character. If anyone can be trusted with the near absolute power created by his presidency, it's M. Spencer Howell.About his administration, however, some questions arise and, stubbornly, refuse to go away, at least in the minds of some of Howell's most loyal staffers. His vice president appears to head a cadre of ex-military men and spies, and there are whispers that not everything he does is being communicated to the President. And then there is the new and terrifying weapon, perfected at the beginning of Howell's term. The new president sees it as the ultimate deterrent, a force for good, but others see the potential for the most devastating first strike weapon the world has ever seen. This story chronicles the rise to power of a man beyond reproach, and serves as a cautionary tale to all who believe power cannot corrupt.
A multi-billionaire Senator has believed for years that the United States is slowly disintegrating, due to politicians caring more about getting re-elected than about their country. Wisconsin Senator Stevens feels that political correctness has run amok and that people have swallowed the lie that government can solve all problems. American stature worldwide has shrunk to the extent that the country is no longer considered a military threat or a reliable partner. The very existence of the once mighty and respected country is being threatened. The senator uses his vast wealth and powerful friends to get others sympathetic to his ideals elected into office. Due to the tremendous upheaval caused by the threat of Muslim extremism, Senator Stevens uses the threat to become president. When the Muslims actually do start a reign of terror, he cancels all elections and becomes The First American Dictator.
Joseph Hartman focuses on the public works campaign of Cuban president, and later dictator, Gerardo Machado. Political histories often condemn Machado as a US-puppet dictator, overthrown in a labor revolt and popular revolution in 1933. Architectural histories tend to catalogue his regime’s public works as derivatives of US and European models. Dictator’s Dreamscape reassesses the regime’s public works program as a highly nuanced visual project embedded in centuries-old representations of Cuba alongside wider debates on the nature of art and architecture in general, especially in regards to globalization and the spread of US-style consumerism. The cultural production overseen by Machado gives a fresh and greatly broadened perspective on his regime’s accomplishments, failures, and crimes. The book addresses the regime’s architectural program as a visual and architectonic response to debates over Cuban national identity, US imperialism, and Machado’s own cult of personality.
In this major revision of the Borzoi Book Dictatorship in Spanish America, editor Hugh Hamill has presented conflicting interpretations of caudillismo in twenty-seven essays written by an international group of historians, anthropologists, sociologists, political scientists, journalists, and caudillos themselves. The selections represent revisionists, apologists, enemies, and even a victim of caudillos. The personalities discussed include the Mexican priest Miguel Hidalgo, the Argentinian gaucho Facundo Quiroga, the Guatemalan Rafael Carrera, the Colombian Rafael Núñez, Mexico’s Porfirio Díaz, the Somoza family of Nicaragua, the Dominican "Benefactor" Rafael Trujillo, the Argentinians Juan Perón and his wife Evita, Paraguay’s Alfredo Stroessner - called "The Tyrannosaur," Chile’s Augusto Pinochet, and Cuba’s Fidel Castro.
Explains the theory of political survival, particularly in cases of dictators and despotic governments, arguing that political leaders seek to stay in power using any means necessary, most commonly by attending to the interests of certain coalitions.
Reveals how the U.S. Supreme Court's presidentialism threatens our democracy and what to do about it. Donald Trump's presidency made many Americans wonder whether our system of checks and balances would prove robust enough to withstand an onslaught from a despotic chief executive. In The Specter of Dictatorship, David Driesen analyzes the chief executive's role in the democratic decline of Hungary, Poland, and Turkey and argues that an insufficiently constrained presidency is one of the most important systemic threats to democracy. Driesen urges the U.S. to learn from the mistakes of these failing democracies. Their experiences suggest, Driesen shows, that the Court must eschew its reliance on and expansion of the "unitary executive theory" recently endorsed by the Court and apply a less deferential approach to presidential authority, invoked to protect national security and combat emergencies, than it has in recent years. Ultimately, Driesen argues that concern about loss of democracy should play a major role in the Court's jurisprudence, because loss of democracy can prove irreversible. As autocracy spreads throughout the world, maintaining our democracy has become an urgent matter.
The study of dictatorship in the West has acquired an almost exotic dimension. But authoritarian regimes remain a painful reality for billions of people worldwide who still live under them, their freedoms violated and their rights abused. They are subject to arbitrary arrest, torture, corruption, ignorance, and injustice. What is the nature of dictatorship? How does it take hold? In what conditions and circumstances is it permitted to thrive? And how do dictators retain power, even when reviled and mocked by those they govern? In this deeply considered and at times provocative short work, Alaa Al Aswany tells us that, as with any disease, to understand the syndrome of dictatorship we must first consider the circumstances of its emergence, along with the symptoms and complications it causes in both the people and the dictator.
The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.