Black males are disproportionately "in trouble" and suspended from the nation’s school systems. This is as true now as it was when Ann Arnett Ferguson’s now classic Bad Boys was first published. Bad Boys offers a richly textured account of daily interactions between teachers and students in order to demonstrate how a group of eleven- and twelve-year-old males construct a sense of self under adverse circumstances. This new edition includes a foreword by Pedro A. Noguera, and an afterword and bibliographic essay by the author, all of which reflect on the continuing relevance of this work nearly two decades after its initial publication.
A classic memoir that's gripping, funny, and ultimately unforgettable from the bestselling former National Ambassador of Books for Young People. A strong choice for summer reading—an engaging and powerful autobiographical exploration of growing up a so-called "bad boy" in Harlem in the 1940s. As a boy, Myers was quick-tempered and physically strong, always ready for a fight. He also read voraciously—he would check out books from the library and carry them home, hidden in brown paper bags in order to avoid other boys' teasing. He aspired to be a writer (and he eventually succeeded). But as his hope for a successful future diminished, the values he had been taught at home, in school, and in his community seemed worthless, and he turned to the streets and to his books for comfort. Don’t miss this memoir by New York Times bestselling author Walter Dean Myers, one of the most important voices of our time.
In tracing the evolution of federal imprisonment, Paul W. Keve emphasizes the ways in which corrections history has been affected by and is reflective of other trends in the political and cultural life of the United States. The federal penal system has undergone substantial evolution over two hundred years. Keve divides this evolutionary process into three phases. During the first phase, from 1776 through the end of the nineteenth century, no federal prisons existed in the United States. Federal prisoners were simply boarded in state or local facilities. It was in the second phase, starting with the passage of the Three Prison Act by Congress in 1891, that federal facilities were constructed at Leavenworth and Atlanta, while the old territorial prison at McNeil Island in Washington eventually became, in effect, the third prison. In this second phase, the federal government began the enormous task of providing its own prison cells. Still, there was no effective supervisory force to make a prison system. In 1930, the Federal Bureau of Prisons was created, marking the third phase of the prison system’s evolution. The Bureau, in its first sixty years of existence, introduced numerous correctional innovations, thereby building an effective, centrally controlled prison system with progressive standards. Keve details the essential characteristics of this now mature system, guiding the reader through the historical process to the present day.
“In his most ambitious work to date, [Edney] questions the very concept of ‘cartography’ to argue that this flawed ideal has hobbled the study of maps.” —Susan Schulten, author of A History of America in 100 Maps Over the past four decades, the volumes published in the landmark History of Cartography series have both chronicled and encouraged scholarship about maps and mapping practices across time and space. As the current director of the project that has produced these volumes, Matthew H. Edney has a unique vantage point for understanding what “cartography” has come to mean and include. In this book Edney disavows the term cartography, rejecting the notion that maps represent an undifferentiated category of objects for study. Rather than treating maps as a single, unified group, he argues, scholars need to take a processual approach that examines specific types of maps—sea charts versus thematic maps, for example—in the context of the unique circumstances of their production, circulation, and consumption. To illuminate this bold argument, Edney chronicles precisely how the ideal of cartography that has developed in the West since 1800 has gone astray. By exposing the flaws in this ideal, his book challenges everyone who studies maps and mapping practices to reexamine their approach to the topic. The study of cartography will never be the same. “[An] intellectually bracing and marvellously provocative account of how the mythical ideal of cartography developed over time and, in the process, distorted our understanding of maps.” —Times Higher Education “Cartography: The Ideal and Its History offers both a sharp critique of current practice and a call to reorient the field of map studies. A landmark contribution.” —Kären Wigen, coeditor of Time in Maps
The day to day diary of an eighth-grade boy. Of all of Fr. Brennan's great and popular books, this is the one we have had the most requests to reprint. Grade school and Jr. High boys will love, treasure, guard and re-read this favorite many times. Of course, all young Catholics will enjoy this very special book. Any parent who ever attended the old-style Catholic grade school will have moist-happy eyes throughout the entire book. Everyone will find this edition not only good entertainment but a great teacher of Catholicity. Durable sewn signatures, 60 lb. cream paper, 128 pages, hardcover.
The lively romp details some of the Wild West's most engaging stories, specifically in the Black Hills and Deadwood, home to prostitutes and poets, desperados and dancehall girls, fortune tellers and fugitives. Readers will meet a host of rowdies ranging from madams to stagecoach robbers, from tall-tale tellers to killers.
This is a tale of friendship, greed, and betrayal in the music industry—and a definitive history of America's biggest rap mogul. No one knows more about creating hits than Sean “Puffy” Combs. For years he virtually ran hip-hop. It seemed the perfect arrangement: “Puffy” provided the sounds and obsessive attention to detail while the Notorious B.I.G. promoted an image that kept rap fans happy. It should have lasted forever, but “Biggie” was murdered at the height of his career—and “Puffy”'s ascension to superstardom ushered in an age of disloyalty and deception that exploded into one of the greatest debacles in the history of the music industry. Through interviews with label insiders, grand jury testimony, and other sources, America's preeminent rap journalist Ronin Ro -reveals the true story of “Puffy” -addresses the larger issues that shaped the man and the industry -explains how Bad Boy both helped and destroyed hip-hop and R&B music -details why some artists “Puffy” created ultimately left his Bad Boy family in disgust. At once an intimate history and a portrait of an era, Bad Boy shows readers exactly how Combs lost his strangle-hold over the multibillion-dollar rap music industry. The story of Bad Boy Entertainment is the story of the American Dream, an up-close and personal account of the people, the money, the creative process that made it all come true, and the young mogul who caused the dream to fall apart. In this hip-hop tragedy of Shakespearean dimensions, readers finally learn the story that Sean “Puffy” Combs does not want them to know.
