'At the turn from our bedroom into the hallway, there is an old full-length mirror in a wooden frame ... This reflected version of myself, shaking, rumpled, pinched and slightly stooped, would be alarming were it not for the self-satisfied expression pasted across my face. I would ask the obvious question, "What are you smiling about?" but I already know the answer: "It just gets better from here."' Struck with Parkinson's - a debilitating, degenerative disease - at the height of his fame, Michael J. Fox has taken what some might consider cause for depression and turned it into a beacon of hope for millions. In Always Looking Up, Michael's Sunday Times bestselling memoir, he writes with warmth, humour and incredible honesty about the journey he has undertaken since he came to terms with his condition.
A dazzling collection of “remarkably elegant essays” (Newsday) on art—and the companion volume to the celebrated Just Looking and Still Looking—from one of the most gifted American writers of the twentieth century. In this book, readers are treated to a collection in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.
A Mighty Girl's 2019 Books of the Year An inspiring look at the scientist who became "The Mother of Hubble." This empowering picture book biography tells the story of Nancy Grace Roman, the astronomer who overcame obstacles like weak eyesight and teachers who discouraged women from pursuing astronomy to lead the NASA team that built the Hubble Space Telescope. A testament to women in scientific careers and a record of an important NASA milestone.
In this posthumous collection of John Updike’s art writings, a companion volume to the acclaimed Just Looking (1989) and Still Looking (2005), readers are again treated to “remarkably elegant essays” (Newsday) in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.
Young Ken is on a journey out west; he wants to find a ranch to call his home. With the help of many people, including a young red-headed girl who captures his heart, Ken grows into a man, and learns "home" is created by family.
At the turn from our bedroom into the hallway, there is an old, full-length mirror in a wooden frame. I can't help but catch a glimpse of myself as I pass. Turning fully toward the glass, I consider what I see. This reflected version of myself, wet, shaking, rumpled, pinched, and slightly stooped, would be alarming were it not for the self-satisfied expression pasted across my face. I would ask the obvious question, "What are you smiling about?" but I already know the answer: "It just gets better from here." There are many words to describe Michael J. Fox: Actor. Husband. Father. Activist. But readers of Always Looking Up will soon add another to the list: Optimist. Michael writes about the hard-won perspective that helped him see challenges as opportunities. Instead of building walls around himself, he developed a personal policy of engagement and discovery: an emotional, psychological, intellectual, and spiritual outlook that has served him throughout his struggle with Parkinson's disease. Michael's exit from a very demanding, very public arena offered him the time--and the inspiration--to open up new doors leading to unexpected places. One door even led him to the center of his own family, the greatest destination of all. The last ten years, which is really the stuff of this book, began with such a loss: my retirement from Spin City. I found myself struggling with a strange new dynamic: the shifting of public and private personas. I had been Mike the actor, then Mike the actor with PD. Now was I just Mike with PD Parkinson's had consumed my career and, in a sense, had become my career. But where did all of this leave Me? I had to build a new life when I was already pretty happy with the old one. Always Looking Up shares the critical themes of Michael's life: work, politics, faith, and family. The book is a journey of self-discovery and reinvention, and a testament to the consolations that protect him from the ravages of Parkinson's. With humor and wit Michael describes how he became a happier, more satisfied person by recognizing the gifts of everyday life.
Always Looking Up is more than a story about growth hormone deficiency; it's a celebration of diversity, resilience, and the power of perspective. Sharing experiences that are both relatable and inspiring for children who may feel different than their peers. This book is a tender reminder for children and adults alike that the world is full of different views, and each one is special in its own way.
In 2010 fires broke out in the name of Animal Liberation bringing businesses of animal exploitation to their knees in Utah and Colorado. What was left when the smoke cleared were communiques from the self-proclaimed A.L.F Lone Wolf. After his capture the world wanted to know more behind the pseudonym. Walter Bond is the A.L.F Lone Wolf. In this collaboration of his original work, Walter captivates his audience and answers their questions with the raw truth. With stories and articles from behind bars, this book outlines what motivates true animal liberation and what inspired Walter to take action as the Animal Liberation Front.
After getting arrested, Katey had a wake-up call. With the past still controlling her life, she didn't have the life skills to handle what would come next. Being optimistic wasn't enough. In Always looking for Rainbows, she shares the life story that ended her up in the back of a squad car and almost losing her entire family. Katey shares the intimate details of what led to this moment. Starting with being born into a cult. After finding the help that she actually needed, Katey goes on to share tools from her mandated programs. She shares how it transformed her life. And how it can help others who are struggling with some of the mentioned issues. Katey tells her story in her truth not to expose anyone but to make closure so she can move on and live a life she can be proud of. She is putting together a program for children in hopes that life skills, feeling, needs, and non-violent communication can be a resource for the kids. They need it now more than ever. "I never planned to get arrested. Sure, I'd never had it easy. I'd been through a lot-I'd grown up in a cult, overcome drug addiction, lost loved ones, and had a baby at the ripe old age of 18-but at 34 years old, I thought I'd figured things out. It was only once I was in the back of a squad car that I realized I'd been balanced on the edge of disaster for years. I knew how to survive, but not how to thrive. I loved my family, but dysfunction has taken over. Essentially, I was a mess. This is the true story of how, through the 52-week anger management course, I examined the life events that had tangled me up into such a knot. How I picked the threads apart, gave each one a long look, and then wove myself back into something beautiful. This is the story of how I-for the sake of myself and my family, and against all odds-learned to truly thrive."
In the tradition of Sloane Crosley, Mindy Kaling, and Katie Heaney, a hilarious and insightful memoir about one New York City millennial’s journey to find herself, her dream career, and true love, all while juggling a truly unique job as the world’s only professional bridesmaid. After moving to New York City in her mid-twenties to pursue her dream of writing—and not living on the “Upper East Side” of her parents’ house anymore—Jen Glantz looked forward to a future of happy hours and Sunday brunches with her besties. What she got instead were a string of phone calls that began with, “Jen, I have something exciting to tell you!” and ended with, “I’d be honored if you would be my bridesmaid.” At first she was delighted, but it wasn’t long before she realized two things: all of her assets were tied up in bridesmaid dresses, and she herself was no closer to finding The One. She couldn't do much about the second thing (though her mother would beg to differ), but she could about the first. One (slightly tipsy) night, Jen posted an ad on Craigslist advertising her services as a professional bridesmaid. When she woke up the next morning, it had gone viral. What began as a half-joke suddenly turned into a lifetime of adventure for Jen–and more insight into the meaning of love than she was getting from OKCupid—as she walked down the aisle at stranger after stranger’s wedding. Fresh, funny, and surprisingly sweet, Always a Bridesmaid (For Hire) is an entertaining reminder that even if you don’t have everything together, you can still be a total boss—or, at the very least, a BFF to another girl in need.
