The distinctive rounded daisy head acts as a useful foil to plants with more upright forms, making it a useful member of the herbaceous border. This book details the variations on the daisy flowerhead from genus to genus, providing growing and buying information.
National bestselling author: Florist Fiona Knox left behind her gloomy life for a magical garden in Scotland, but a murder on her shop’s opening day spells doom Fiona Knox thought she was pulling her life back together when she inherited her godfather’s cottage in Duncreigan, Scotland—complete with a magical walled garden. But the erstwhile Tennessee flower shop owner promptly found herself puddle boot-deep in danger when she found a dead body among the glimmering blossoms. One police investigation and a handsome Chief Inspector names Neil Craig later and Fiona’s life is getting back on a steady—though bewitched—track. Her sister Isla has just moved in with her, and the grand opening of her new spellbound venture, the Climbing Rose Flower Shop in Aberdeenshire, is imminent. But dark, ensorcelled clouds are gathering to douse Fiona’s newly sunny outlook. First, imperious parish minister Quaid MacCullen makes it undeniably clear that he would be happy to send Fiona back to Tennessee. Then, a horrific lightning storm, rife with terrible omen, threatens to tear apart the elderly cottage and sends Fi and Isla cowering under their beds. The storm passes, but then, Fi is called away from the Climbing Rose’s opening soiree when Kipling, the tiny village’s weak-kneed volunteer police chief, finds a dead body on the beach. The body proves difficult to identify, but Kipling is certain it’s that of the parish minister. Which makes Fiona, MacCullen’s new nemesis, a suspect. And what’s worse, Isla has seemed bewitched as of late...did she do something unspeakable to protect her sister? The last thing Fiona wanted to do was play detective again. But now, the rosy future she’d envisioned is going to seed, and if she and Craig can’t clear her name, her idyllic life will wilt away. Perfect for readers of Paige Shelton and Sheila Connolly, Death and Daises is the second floral Magic Garden Mystery by national bestselling author Amanda Flower.
When a wealthy land developer who had been planning to turn a community garden into a housing estate winds up dead, Agatha Raisin is hired by the victim's accused son to clear him of suspicion and identify the real killer among numerous suspects.
The “refreshing . . . laugh-out-loud” #1 New York Times bestseller about life in the suburbs that was adapted into a classic film comedy (Kirkus Reviews). One day, Tony Award–winning playwright Jean Kerr packed up her four kids (and husband, Walter, one of Broadway’s sharpest critics), and left New York City. They moved to a faraway part of the world that promised a grassy utopia where daisies grew wild and homes were described as neo-gingerbread. In this collection of “wryly observant” essays, Kerr chronicles her new life in this strange land called Larchmont (TheWashington Post). It sounds like bliss—no more cramped apartments and nightmarish after-theater cocktail parties where the martinis were never dry enough. Now she has her very own washer/dryer, a garden, choice seats at the hottest new third-grade school plays (low overhead but they’ll never recoup their losses), and a fresh new kind of lunacy. In Please Don’t Eat the Daisies “Jean Kerr cooks with laughing gas” as she explores the everyday absurdities, anxieties, and joys of marriage, family, friends, home decorating, and maintaining a career—but this time with a garage! (Time).
In the Spring of 1926, the corpses of three men are found in shallow graves off the beaten path in Epping Forest outside of London—each shot through the heart and bearing no identification. DCI Alec Fletcher of Scotland Yard, the lead detective, is immediately given two urgent orders by his supervisor at the Yard: solve the murders quickly and keep his wife, the Honourable Daisy Dalrymple Fletcher, away from the case! Thankfully, Daisy's off visiting their daughter at school. But when a teacher is found dead, Daisy is once again in the thick of it. As Daisy tries to solve one murder, Alec discovers that the three victims in his case were in the same Army company during World War I, that their murders are likely related to specific events that unfolded during that tragic conflict, and that, unless the killer is revealed and stopped, those three might only be the beginning.
Sir Charles Sheridan is many things—an amateur scientist, a renowned photographer, and a skilled detective. And due to Victorian customs, he will soon become a baron—rendering him unable to marry American writer Kate Ardleigh. But even as customs keep them apart, a good muder case always seems to bring them together... The Countess of Warwick, known affectionately as "Daisy," is the subject of endless rumors about her "unladylike" ways and temperament. But what happens during a weekend party at her Easton estate is uglier that any rumor. First, a stableboy is killed. Then a nobleman is murdered outide Daisy's well-known trysting spot. A murderer is on the grounds—and on the loose. Seeking to avoid scandal, the Prince of Wales orders Sir Charles to solve the case. Together, he and Miss Ardleigh find that even the highest levels of society are no refuge from the lowest of deeds...
Henry James’s Daisy Miller was an immediate sensation when it was first published in 1878 and has remained popular ever since. In this novella, the charming but inscrutable young American of the title shocks European society with her casual indifference to its social mores. The novella was popular in part because of the debates it sparked about foreign travel, the behaviour of women, and cultural clashes between people of different nationalities and social classes. This Broadview edition presents an early version of James’s best-known novella within the cultural contexts of its day. In addition to primary materials about nineteenth-century womanhood, foreign travel, medicine, philosophy, theatre, and art—some of the topics that interested James as he was writing the story—this volume includes James’s ruminations on fiction, theatre, and writing, and presents excerpts of Daisy Miller as he rewrote it for the theatre and for a much later and heavily revised edition.