Set in the early 1870s, this re-imagining of Louisa May Alcott¿s Little Women is for all who have ever wondered how things might have worked out differently for the beloved March sisters - the life Beth might have led, the books Jo might have written, the friends they might have made, and the courtship that might have been...Authoress Jo March has lost her elder sister Meg to matrimony. When the aristocratic Vaughns ¿ elegant Kate, boisterous Fred, thoughtful Frank, and feisty Grace ¿ re-enter their lives, it seems her younger sisters Beth and Amy, and even her closest friend Laurie, might soon follow suit.Yet despite the efforts of her great-aunt March, Jo is determined not to give up her liberty for any mortal man. What else is a writer to do but secure music lessons for her dearest sister, and befriend aspirant journalist Tommy Chamberlain?The Marches' neighbor Theodore ¿Laurie¿ Laurence was born with looks, talent, and wealth ¿ and Jo is convinced he has a promising future in which she has no part. He is as stubborn as Jo, and has loved her for as long as anyone can remember. But what will win a woman who won¿t marry for love or money?
Bestselling authors Margaret Stohl and Melissa de la Cruz bring us a romantic retelling of Little Women starring Jo March and her best friend, the boy next door, Theodore "Laurie" Laurence. 1869, Concord, Massachusetts: After the publication of her first novel, Jo March is shocked to discover her book of scribbles has become a bestseller, and her publisher and fans demand a sequel. While pressured into coming up with a story, she goes to New York with her dear friend Laurie for a week of inspiration--museums, operas, and even a once-in-a-lifetime reading by Charles Dickens himself! But Laurie has romance on his mind, and despite her growing feelings, Jo's desire to remain independent leads her to turn down his heartfelt marriage proposal and sends the poor boy off to college heartbroken. When Laurie returns to Concord with a sophisticated new girlfriend, will Jo finally communicate her true heart's desire or lose the love of her life forever?
Join me on a journey to study Amy March and her real-life inspiration May Alcott Nieriker. The misconceptions about Jo´s insecurities and especially about her looks. Society likes to put two characters against one another but is this true to reality? Find out that and more in the Little Women podcast. People often praise Jo for being a tomboy and how she rejects femininity, but Jo´s idealization of the masculine has very toxic elements. Amy is a character who is more governed by her brain, whereas Jo is in fact governed by her emotions, which is considered a feminine trait. In the novel, Jo struggles to show her feelings because she considers that weak and "feminine". When their father is wounded in the war she shouts to her sisters not to cry. A couple of years later Laurie says that she doesn't show emotions and calls her out about it. Because Jo tries to shut down an important human part of herself, simply because she considers it feminine, is actually something that slowly eats her inside and contributes to her loneliness. This is why the umbrella chapter is so important because Friedrich says to Jo that it is okay to be vulnerable. Amy does the opposite. She considers rational marriage with Fred Vaughn because it allows her to secure her family´s financial future. When Laurie reminds Amy that she is her mother´s daughter, and she simultaneously inspires Laurie to become a productive member of society, Amy allows herself to listen to her heart and her own feelings and allowing herself to become more open and it is this inner work that the couples do in Little Women, that makes these relationships work. Unfortunately, the adaptations rarely pay any attention to this. There are people who have not read the novel, have only seen the films, and don´t understand why the couples end up together. This is because the adaptations, never bother to show what actually happens between these people in the novel. Maybe Louisa was more of a romantic than people sometimes give her credit for. After reading about Louisa´s relationships with the real-life Friedrich and Laurie I´d say she definitely was. Louisa was a transcendentalist and one of the methods that the transcendentalists used was so-called self-scanning, which basically means trying to understand and analyze the feelings and the experiences that you are going through. Louisa practised this throughout her life, and she put lots of consideration into the true meaning of love. When Louisa grew most marriages that she saw were unhappy marriages because they were arranged marriages. Louisa herself answers this question about equality within marriage rather beautifully and her own wishes for marriage seem to have remained the same throughout her life. “You have given your idol a heart, but no head. … I would have her humble, though self-reliant, gentle, though strong; man’s companion, not his plaything; able and willing to face storms, as well as sun, shines, and share life’s burdens, as they come. Let me advise you to take head as a pilot, for you may find, as I have done, that the voyage of life is not quite a pleasant trip” “I would not be above you as I now am, nor yet below, like poor Amelia in the garden. But here is where every woman should be, at her husband’s side, walking together through life’s light and shadow". Here she is actually echoing both Amy and Jo, in matters of the heart one should combine both head and the feelings.
Four sisters face new beginnings in this heartfelt modern take on Little Women by New York Times bestselling author Virginia Kantra. Amy March is more like her older sister Jo than she’d like to admit. An up-and-coming designer in New York’s competitive fashion industry, ambitious Amy is determined to get out of her sisters’ shadows and keep her distance from their North Carolina hometown. But when Jo’s wedding forces Amy home, she must face what she really wants…and confront the One Big Mistake that could upend her life and forever change her relationship with Jo. Gentle, unassuming Beth grew up as the good girl of the family. A talented singer-songwriter, she’s overcome her painful anxiety to tour with country superstar Colt Henderson. But life on the road has taken its toll on her health and their relationship. Maybe a break to attend her sister’s wedding will get her out of her funk. But Beth realizes that what she’s looking for and what she needs are two very different things.… With the March women reunited, this time with growing careers and families, they must once again learn to lean on one another as they juggle the changes coming their way.
This introductory guide to the canon of Victorian literature covers 61 novels by authors from Jane Austen to Emile Zola. Brief critical essays describe what each book is about and argue for its cultural, historical and literary importance. Literary canons remain a subject of debate but critics, readers and students continue to find them useful as overviews--and examinations--of the great works within a given period or culture. The Victorian canon is particularly rich with splendid novels that educate, enlighten and entertain. Instructors considering this book for use in a course may request an examination copy here.
“[An] affectionate and perceptive tribute.”—Wendy Smith, Boston Globe In Meg, Jo, Beth, Amy, Anne Boyd Rioux brings a fresh and engaging look at the circumstances leading Louisa May Alcott to write Little Women and why this beloved story of family and community ties set in the Civil War has resonated with audiences across time.
The timeless classic Little Women inspired this heartwarming modern tale of four sisters from New York Times bestselling author Virginia Kantra. The March sisters—reliable Meg, independent Jo, stylish Amy, and shy Beth—have grown up to pursue their separate dreams. When Jo followed her ambitions to New York City, she never thought her career in journalism would come crashing down, leaving her struggling to stay afloat in a gig economy as a prep cook and secret food blogger. Meg appears to have the life she always planned—the handsome husband, the adorable toddlers, the house in a charming subdivision. But sometimes getting everything you’ve ever wanted isn’t all it’s cracked up to be. When their mother’s illness forces the sisters home to North Carolina for the holidays, they’ll rediscover what really matters. One thing’s for sure—they’ll need the strength of family and the power of sisterhood to remake their lives and reimagine their dreams.
The heart of Friday Night Lights meets the emotional resonance and nostalgia of My So-Called Life in this moving debut novel about tradition, family, love, and football. As the high school football coach in his small, rural Maryland town, Dean is a hero who reorganized the athletic program and brought the state championship to the community. When he married Nicole, the beloved town sweetheart, he seemed to have it all—until his troubled wife committed suicide. Now, everything Dean thought he knew is thrown off kilter as Nicole’s death forces him to re-evaluate all of his relationships, including those with his team and his three children. Dean’s eleven-year old son, Robbie, is withdrawing at home and running away from school. Bry, who is only eight, is struggling to understand his mother’s untimely death and his place in the family. Eighteen-year-old Stephanie, a freshman at Swarthmore, is torn between her new identity as a rebellious and sophisticated college student, her responsibility towards her brothers, and reeling from missing her mother. As Dean struggles to continue to lead his team to victory in light of his overwhelming personal loss, he must fix his fractured family—and himself. When a new family emergency arises, Dean discovers that he’ll never view the world in the same way again. Transporting readers to the heart of small town America, Home Field is an unforgettable, poignant story about the pull of the past and the power of forgiveness.
