Moving to a new city means Alina has to make new friends, and nothing is worse than lunch at a new school. When her grandmother visits, Alina is inspired to help her cook the delicious Afro-Indian meals she’s always loved, but a cruel note from a mysterious lunchtime bully leaves a bitter taste that even Nani’s excellent cooking can’t erase. With an audition for Junior Chef fast approaching and Nani’s wise lessons helping her, can Alina embrace her heritage and convince her classmates that being different is a good thing?
“You should be grateful, my girl. You have no dowry, and I am doing everything I can to get you settled. You are hardly any man’s dream.” Alina’s brother, Milos, pulled his face into a perfect copy of Aunt Marci’s sour expression, primly pursing his mouth. He had got her querulous tone just right. I pinched my lips together, trying not to laugh. But it was true; Aunt Marci had already introduced me to several suitors. So far I had managed to decline their suits politely. Maybe Alina’s aunt was right. How could she possibly hope to become a musician, a trobairitz, as impoverished as she was and without the status of a good marriage? But fourteen-year-old Alina refuses to accept the oppressing life her strict aunt wants to impose upon her. When the perfect opportunity comes along for her to escape, she and her brother embark on a journey through the Byzantine Empire all the way to Jerusalem. Alina soon finds herself embroiled in the political intrigue of noble courts as she fights to realize her dream of becoming a female troubadour.
A witty, keenly observant look at our Internet-obsessed culture Anna Krestler is adrift. The Internet has draped itself, kudzu-like, over her brain, which makes it even more difficult to confront the question of what to do when she is dismissed from her job as a cubicle serf at a midtown law firm. Despite the exhortations of Leslie, her friend and volunteer life coach, Anna seeks refuge in the back alleys of craigslist, where she connects with Taj, an adherent of a nebulous movement known as Nowism that occupies the most self-absorbed fringes of the art world. Art, Anna decides, is what will provide the meaningful life she's been searching for and knows she deserves. She joins Taj's "crew" and is drawn into his grand experimental film project. But making art is hard and microwaving pouch foods is easy. Soon enough Anna finds herself distracted by myriad other quests: remembering to ask Leslie "How are you?," reducing her intake of caloric drinks, and parrying her mother's insistence that she attend hairdressing school. But when Anna's twenty-seven-year-old roommate—a perpetual intern named Brie—announces her pregnancy, it forces Anna to confront reality, setting off a chain of events that lead to a horrifying climax of betrayal. Alina Simone's Note to Self is a shrewdly perceptive, hilarious, moving tale about friendship, art, and the search for a meaningful life in an era of rampant narcissism.
In the wickedly bittersweet and hilarious You Must Go and Win, the Ukrainian-born musician Alina Simone traces her bizarre journey through the indie rock world, from disastrous Craigslist auditions with sketchy producers to catching fleas in a Williamsburg sublet. But Simone offers more than down-and-out tales of her time as a struggling musician: she has a rapier wit, slashing and burning her way through the absurdities of life, while offering surprising and poignant insights into the burdens of family expectations and the nature of ambition, the temptations of religion and the lure of a mythical Russian home. Wavering between embracing and fleeing her outsized and nebulous dreams of stardom, Simone confronts her Russian past when she falls in love with the music of Yanka Dyagileva, a Soviet singer who tragically died young; hits the road with her childhood friend who is dead set on becoming an "icon"; and battles male strippers in Siberia. Hailed as "the perfect storm of creative talent" (USA Today, Pop Candy), Simone is poised to win over readers of David Rakoff and Sarah Vowell with her irresistibly funny and charming literary debut.
Protecting her identity means life or death in this immersive epic fantasy inspired by the Mughal Empire. In a different life, under a different name, Razia Khan was raised to be the Crown Prince of Nizam, the most powerful kingdom in Daryastan. Born with the soul of a woman, she ran away at a young age to escape her father’s hatred and live life true to herself. Amongst the hijras of Bikampur, Razia finds sisterhood and discovers a new purpose in life. By day she’s one of her dera’s finest dancers, and by night its most profitable thief. But when her latest target leads her to cross paths with Arjun Agnivansha, Prince of Bikampur, it is she who has something stolen. An immediate connection with the prince changes Razia’s life forever, and she finds herself embroiled in a dangerous political war. The stakes are greater than any heist she’s ever performed. When the battle brings her face to face with her father, Razia has the chance to reclaim everything she lost…and save her prince.
It is 1972, and fifteen-year-old Sabine enjoys a comfortable life as the daughter of Indian parents living in Uganda. But her world is turned upside down when the country's military President, General Idi Amin, declares Indians must be "weeded out" of the country in ninety days. At first, Sabine does not believe that as Indians born in Uganda they will be forced to leave their beloved home. It all seems so unfair. But as the countdown continues, Sabine's eyes are opened to the poverty and hostility around her. She begins to realize that she has lived a life of privilege compared to most Ugandans. Even her best friend, Zena, turns away from her. Sabine must use all her strength and resilience to find a way to escape the Uganda that used to be her home.
The fine line between professional…and personal! Standing outside legendary playboy Demyan Zukov's penthouse suite, shy personal assistant Alina Ritchi is shaking with nerves—she should never have agreed to this job. She's out of her depth, and that's before she's met her delicious new boss. Demyan's wicked reputation doesn't disappoint—she might be a virgin, but surely one hot glance from Demyan shouldn't make her feel so…naked? Exposed, she finds that his gaze ignites her defiance, and soon she's challenging him every step of the way! But when every shared touch sizzles, how long can Alina keep saying no when her body wants to scream yes…?
Tallulah just knew she could be a great ballerina, if only she had a tutu. So she starts ballet class. When she does not receive a tutu, she quits. But everywhere she goes, things keep reminding her of ballet. Her neighbor’s basset hound always stands in second position. The kitchen clock performs perfect ronds de jambe. And Tallulah can’t seem to stop doing ballet, either. A park bench makes a perfect barre, and what better way to pet the dog than with a graceful plié? This well-told, funny story with a smart new character will satisfy girls’ cravings for pretty and pink, but also shows that ballet is about more than just the tutu.
A revised new edition of the bestselling toolkit for creating, building, and maintaining a strong brand From research and analysis through brand strategy, design development through application design, and identity standards through launch and governance, Designing Brand Identity, Fourth Edition offers brand managers, marketers, and designers a proven, universal five-phase process for creating and implementing effective brand identity. Enriched by new case studies showcasing successful world-class brands, this Fourth Edition brings readers up to date with a detailed look at the latest trends in branding, including social networks, mobile devices, global markets, apps, video, and virtual brands. Features more than 30 all-new case studies showing best practices and world-class Updated to include more than 35 percent new material Offers a proven, universal five-phase process and methodology for creating and implementing effective brand identity
