Reproduction of the original: Algic Researches, Comprising Inquiries Respecting the Mental Characteristics of the North American Indians, Vol. 2 of 2 by Henry Rowe Schoolcraft
Reproduction of the original: Algic Researches, Comprising Inquiries Respecting the Mental Characteristics of the North American Indians, Vol. 1 of 2 by Henry Rowe Schoolcraft
This book offers a comprehensive look at musical representations of native America from the pre colonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this “Indian music,” which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.
First published in 1839, this landmark study offers scholars and general readers alike an enchanting compilation of authentic myths and legends from the native peoples of northeastern and central North America. Tales include "Manabozho: or The Great Incarnation of the North" (Algic legend), "The Summer-Maker" (Ojibwa), "The Celestial Sisters" (Shawnee), many more.
Myth is oral, collective, sacred, and timeless. Fantasy is a modern literary mode and a popular entertainment. Yet the two have always been inextricably intertwined. Stories about Stories examines fantasy as an arena in which different ways of understanding myth compete and new relationships with myth are worked out. The book offers a comprehensive history of the modern fantastic as well as an argument about its nature and importance. Specific chapters cover the origins of fantasy in the Romantic search for localized myths, fantasy versions of the Modernist turn toward the primitive, the post-Tolkienian exploration of world mythologies, post-colonial reactions to the exploitation of indigenous sacred narratives by Western writers, fantasies based in Christian belief alongside fundamentalist attempts to stamp out the form, and the emergence of ever-more sophisticated structures such as metafiction through which to explore mythic constructions of reality.