Alfred Maurer

Alfred Maurer

Author: Stacey Epstein

Publisher: Addison

Published: 2015

Total Pages: 0

ISBN-13: 9780300207804

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"Exhibition Dates: Addison Gallery of Americon Art, Phillips Academy, Andover, Massachusetts, April 25-July 31, 2015. Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 10, 2015-January 4, 2016."


Alfred H. Maurer, 1868-1932

Alfred H. Maurer, 1868-1932

Author: National Collection of Fine Arts (U.S.)

Publisher:

Published: 1973

Total Pages: 174

ISBN-13:

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Major retrospective catalog of American modernist painter Alfred Maurer includes many illustrations and a biographical essay by scholar Sheldon Reich.


Inventing the Modern Artist

Inventing the Modern Artist

Author: Sarah Burns

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 396

ISBN-13: 9780300078596

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Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.


Intelligence

Intelligence

Author: Alfred C Maurer

Publisher: Westview Press

Published: 1985-10-08

Total Pages: 424

ISBN-13:

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En bog om efterretningstjenesten, dens betydning for samfundet og udformning af den nationale og internationale sikkerhedspolitik, om efterretningstjenestens natur, etik og psykologi samt dens anvendelse ved udformning af strategi, våbenudvikling og -kontrol.


The Flow of Art

The Flow of Art

Author: Henry McBride

Publisher: Yale University Press

Published: 1997-01-01

Total Pages: 510

ISBN-13: 9780300069976

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This volume presents a collection of writing by the foremost art critic of the modern movement as it emerged in the United States after the 1913 Armory Show. McBride wrote for The New York Sun and the literary journal The Dial.


Alfred Maurer

Alfred Maurer

Author: Alfred Henry Maurer

Publisher: University of Minnesota Press

Published: 2003

Total Pages: 92

ISBN-13: 9780816643820

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"Alfred Maurer (1868-1932) was a prolific artist who explored numerous early twentieth century styles. Among the first American artists who went to Paris in the early 1900s to experience the new artistic movements arising there, he was particularly influenced by Henri Matisse's bold, dramatic use of color and was one of the first Americans to embrace fauvism in his art." "From his early traditional portraits to his fauvist still lifes and landscapes to his striking, eccentric nude figures. Maurer's diversity of style and subject is remarkable. Featuring a lucid, probing essay by Daphne Anderson Deeds, this lavishly illustrated book draws from the single largest public collection of Maurer's paintings and works on paper to reveal the impressive range of this significant artist's work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


The Collected Essays and Criticism, Volume 3

The Collected Essays and Criticism, Volume 3

Author: Clement Greenberg

Publisher: University of Chicago Press

Published: 1986

Total Pages: 339

ISBN-13: 0226306232

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Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.