Handel and Maurice Greene's Circle at the Apollo Academy

Handel and Maurice Greene's Circle at the Apollo Academy

Author: Matthew Gardner

Publisher: V&R Unipress

Published: 2008-12-10

Total Pages: 363

ISBN-13: 3862346617

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The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.


Music in the London Theatre from Purcell to Handel

Music in the London Theatre from Purcell to Handel

Author: Colin Timms

Publisher: Cambridge University Press

Published: 2017-06-29

Total Pages: 285

ISBN-13: 1108124569

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This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.


Ode for St. Cecilia's Day

Ode for St. Cecilia's Day

Author: George Frideric Handel

Publisher:

Published: 2009

Total Pages: 92

ISBN-13:

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Edited by Donald Burrows. In twelve movements. With a preface and instrumentation list. Handel composed this work in 1739, and it was premiered in November of that year along with Alexander's Feast as part of celebrations for St. Cecilia's Day. Duration ca. 27 minutes.


Kosegarten's Cultural Legacy: Aesthetics, Religion, Literature, Art, and Music

Kosegarten's Cultural Legacy: Aesthetics, Religion, Literature, Art, and Music

Author: Lewis Holmes

Publisher: Peter Lang

Published: 2005

Total Pages: 234

ISBN-13: 9780820479248

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Ludwig Gotthard (Theobul) Kosegarten (1758-1818), whose books were burned by German nationalists in 1817, has for many years been seen as a pariah figure by German literary scholars. Only recently has his influence on cultural icons such as the composer Franz Schubert and the painter Caspar David Friedrich become more clearly defined. This companion volume to Lewis M. Holmes's Kosegarten: The Turbulent Life and Times of a Northern German Poet (Peter Lang, 2004) explores Kosegarten's contributions to aesthetics, theology, and literature, as well as the broad reception of his works by other writers, artists, and musicians. Extensive historical and cultural contextualization make Kosegarten's Cultural Legacy a valuable resource for university-level courses, especially in the areas of music, art, religion, and literature.


The Standard Cantatas

The Standard Cantatas

Author: George Putnam Upton

Publisher: BoD – Books on Demand

Published: 2018-01-02

Total Pages: 206

ISBN-13: 3732621278

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Reproduction of the original.