Alesha finds herself in a world where her internal instincts are contrary to what she is often taught. In some instances, what she has been taught as a negative is now being promoted as a positive. It is a world of confusion and misdirection, so her choice had become to seek refuge where other individuals thinking as she does might reside. However, the allegorical trip there is not so easy, nor is the path always clear. This is the first part of her journey through the villages, lands, and cultures where many of the locations she passes through are hauntingly atrocious, others magical, while many are ridiculous. Nonetheless, they are all along the route she has taken in order to reach her final destination.
The Russian Revolution and its grim aftermath transformed the world into which Anna Akhmatova (1889-1966) had been born, radically altering the poet's life and art. At the time of the Revolution, Akhmatova's exquisite love lyrics had made her one of Russia's leading poets, but the mass social forces unleashed by the Revolution were inimical to her lyric genius. In the 1920's her work was subjected to vicious ideological attacks in the press and was officially barred from. publication. Akhmatova fell silent. When she began writing again in the late 1930s, her poetry was much changed—formally, thematically, and technically. In contrast to the relative simplicity of the early erotic miniatures, the later poetry speaks in riddles, flaunting its own opacity. The author places the later work in its socio-cultural context through close readings of the major texts. The dominant metapoetic themes of the later poetry are taken as a point of. departure: they speak both to the poet's plight in society (repression, silencing) and to the array of means employed to transcend that plight (indirection, concealment, obfuscation). The theme of concealment highlights one of the most salient aspects of the later poetry—its saturation with allusions and quotations drawn from Russian and Western European literature. These allusions are interpreted through analyses of the complex relations between the source text and. Akhmatova's poems. In contrast to the relatively unified image of the lyrical persona in the early verse, the poet's self-representation in the later poetry features a multiplicity of masks and guises. Throughout, the author traces the genesis and transfigurations of these images of self. Quoted texts are given in Russian and in English translation.
How the last years of Stalin’s rule led to the formation ofan imperial Soviet consciousness In this nuanced historical analysis of late Stalinism organized chronologically around the main events of the period—beginning with Victory in May 1945 and concluding with the death of Stalin in March 1953—Evgeny Dobrenko analyzes key cultural texts to trace the emergence of an imperial Soviet consciousness that, he argues, still defines the political and cultural profile of modern Russia.
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Bestselling author John Boyne's A History of Loneliness tells the riveting narrative of an honorable Irish priest who finds the church collapsing around him at a pivotal moment in its history. Propelled into the priesthood by a family tragedy, Odran Yates is full of hope and ambition. When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good." Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother. But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family. A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.
