Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
"My name is Milan because my mother adored books by Milan Kundera. But since her brother, named Misha, had been killed in a concentration camp, my mother always called me Misha and that is how I became Misha for everyone. My name can be written in many different ways, depending on the language. I prefer to write it as Misha." So begins Alain Elkann's tale of love and loss, but above all about loss.
Alain Elkann's The French Father is an imagined confrontation between haughty Bourgeoisie and passionate Art - the former represented by Jean-Paul Elkann (once the director of Dior) the latter by the Surrealist Roland Topor The French Father centres on a dialogue between two men buried alongside each other in the Parisian cemetery of Montparnasse now companions in the afterlife. One man, the author's father, is strict, upper middle class, and a firm believer in the values and principles of the grande bourgeoisie. The other is the artist Roland Topor, screenwriter of Polanski's The Tenant unconventional, exuberant and creative. Elkann finds harmony in the clashing proximity of his stern father and the unruly artist. What might have been a story of grief becomes one of peaceful vitality united through a shared inheritance and faith. Alain Elkann's The French Father is translated from the Italian by Alastair McEwen and published by Pushkin Press
A dynamic and far-reaching dialogue with one of Europe’s most influential contemporary artists about his vision of unifying art and everyday life. In 2013, at the age of eighty, Michelangelo Pistoletto was the subject of a six-month exhibition at the Louvre in Paris. Here, in an insightful, passionate, and humorous dialogue with his interviewer, Alain Elkann, he reflects on his legacy. Illustrated with more than two hundred photographs of his life and work, The Voice of Pistoletto demystifies the story of the growth of an artist, candidly discussing his inspirations; his relationships with gallerists, critics, and curators of great renown; and the comparisons and critiques of his fellow contemporary masters, from Magritte to Picasso, Koons to Cattelan, Giacometti to Bacon. The result is a conversational collage that illuminates Pistoletto’s own creative life and gives readers a privileged view of the history of contemporary art in general.
Moravia, the prolific writer and translator, whose long career spanned periods of radical change in his native Rome, as in Italy, was a great observer of daily life. Italian newspapers frequently asked him for articles on every subject, making him a public voice. This volume takes the form of a year of interviews conducted with the author Elkann during 1989-1990, the last year of Moravia's life. Of interest to students of Italian literature and history and anyone who enjoys reading about writers, this volume provides a personal view of politics in Italy (as a boy, Moravia watched Mussolini's troops enter Rome), the writers from many countries whom he knew, his life, and his writing. Annotation copyrighted by Book News Inc., Portland, OR
“Wise and witty.”―Publishers Weekly “A charming story well told.”―Kirkus Reviews “Smart, funny, charming . . . full of astute insights into the way Italy works.”―Alexander Stille “A wonderfully fun read.”―Dr. Robert Sapolsky "As funny as it is poignant. A must read for anyone who thinks they understand medicine, Italy, or humanity.”―Barbie Latza Nadeau After completing her medical training in New York, Susan Levenstein set off for a one year adventure in Rome. Forty years later, she is still practicing medicine in the Eternal City. In Dottoressa: An American Doctor in Rome Levenstein writes, with love and exasperation, about navigating her career through the renowned Italian tangle of brilliance and ineptitude, sexism and tolerance, rigidity and chaos. Part memoir―starting with her epic quest for an Italian medical license―and part portrait of Italy from a unique point of view, Dottoressa is packed with vignettes that illuminate the national differences in character, lifestyle, health, and health care between her two countries. Levenstein, who has been called “the wittiest internist on earth,” covers everything from hookup culture to neighborhood madmen, Italian hands-off medical training, bidets, the ironies of expatriation, and why Italians always pay their doctor’s bills.
This extended autobiographical essay explains in clear, engaging terms how the role of economics and finance in the Western world has shifted in the twenty-first century, from cultivating wellbeing in society to eroding the wealth of the middle class. Just a handful of years into the new millennium, globalization has had a profound impact on economies and societies throughout Europe and America. In this accessible yet literary work, Edoardo Nesi and Guido Maria Brera illustrate its effects in Italy through the changes that occurred in their own lives: while the former was forced to sell the textile company his grandfather founded before World War II, the latter became one of the key figures in European asset management. Between Bill Clinton's remarks at the Lincoln Memorial on December 31, 1999 that closed the American Century, and Donald Trump's inauguration speech, economics and finance stopped functioning as instruments constructing a healthy society and became weapons to destroy the middle class. As demagogues seduce citizens of nations across the globe, Everything Is Broken Up and Dances tells the critical story of how we corrupted what we might in retrospect call "the best of all possible worlds"--a world without banking crises, unemployment, terrorism, and populism, in which it was impossible to think that a state might default on its debt.
The acclaimed writer shares an intimate portrait of his former mentor V.S. Naipaul in this memoir of their thirty-year friendship and sudden falling out. Paul Theroux was a young aspiring writer when he met the legendary V.S. Naipaul in Uganda in 1966. There began a friendship that would span continents as both men ascended the ranks of literary stardom. Naipaul’s early encouragement of Theroux’s talent had a profound impact on him—yet the apprenticeship was not always easy. This heartfelt and revealing account of Theroux's thirty-year friendship with Naipaul explores the unique effect each writer had on the other. Built around exotic landscapes, anecdotes that are revealing, humorous, and melancholy, and three decades of mutual history, this is a personal account of how one develops as a writer and how a friendship waxes and wanes between two men who have set themselves on the perilous journey of a writing life. A New York Times Notable Book
The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."
