The author explores the relationship between contemplative and apostolic aspects of religious life in accounts by and about religious women in the Spanish Indies during the seventeenth and eighteenth centuries.
Using New Testament "gematria, " symbolic number values encoded in the Greek phrases, the author reveals that the sacred couple was one of the essential pillars of early Christian teachings, before being denied by the architects of institutional Christianity and obscured by later Church doctrine.
Until recently, Spanish literary historiography has virtually ignored hundreds of women who wrote between 1500 and 1700. Most of them wrote to record, defend, and disseminate their spiritual visions, for despite the general disempowerment of Spanish women, female visionaries enjoyed considerable authority. This book recovers and examines the visionary experiences of Mother Juana de la Cruz, the most famous of these women during her lifetime and for two centuries afterwards. Born of peasant stock, she became abbess of a Franciscan convent and a mystic who was visited not only by Cardinal Cisneros, but by Emperor Charles V himself. Ronald E. Surtz places Mother Juana's visions in the religious and social context of the age and discusses such pertinent biographical elements as the nun's own androgyny. His focus is on the questions of gender, power, and authority, so pertinent to our own age. The Guitar of God will be of particular interest to scholars and students of late medieval Spanish culture, religion, and history, and women's studies.
"Stay very close to Our Lady. If you do this, you can do great things for God and the good of people." -- Mother Teresa of Calcutta As it was for Mother Teresa, so it can be for the rest of us. By standing close to Our Lady we can find the grace and courage to overcome our own personal trials and crosses. Summon the same powerful presence and aid of Our Lady by following the example of Mother Teresa. "Sitting with Mother Teresa, watching her tend to the sick and the dying, feeling the aura of holiness around her person, seeing her bent in prayer, lost in God -- how often I asked myself if I was not seeing something of Our Lady, experiencing a glimpse of the Virgin of Nazareth." -- Joseph Langford, MC, author and co-founder of the Missionaries of Charity Fathers
First comprehensive survey of Isabel de Villena (Sor Isabel), the fifteenth-century Spanish nun and writer. Isabel de Villena (1430-1490) is one of the most fascinating women of the Spanish middle ages. Related to the royal family, she became abbess of the Poor Clare convent, the Santa Trinitat, in Valencia in 1462, a position she heldfor almost thirty years until her death. Her treatise on the religious life, Vita Christi, was the first book by a woman to be printed in the kingdom of Aragon. This is the first full-length survey in English of Isabel's life and literary works. The author pays particular attention to the way in which devotion to the Virgin Mary is manifested and described through material culture, on her rich fabrics, brocades, silks, shoes, and crown. The book thus highlights not only Isabel's distinctive contribution to the genre of the Vita Christi, but also reflects the status of Valencia as a centre for trade and producer of silks and velvets at the time, as well as its flourishing shoe-making industry. Lesley K. Twomey is Principal Lecturer, Hispanic Studies, Northumbria University.
There are references to clothing throughout Paul's letters, and the metaphor constitutes a significant aspect of his theology. The imagery appears several times in his letters: clothing with Christ (Gal 3:27; Rom 13:14), clothing with the new man (Col 3:9-10; Eph 4:22-24), and clothing with the resurrection body (1 Cor 15:49, 50-54; 2Cor 5:1-4). In order to understand the background to this use of the clothing metaphor, Jung Hoon Kim examines similar imagery in the Old Testament, 1 and 2 Enoch, the Apocalypse of Moses, Philo, rabbinic literature, Joseph and Aseneth, the Hymn of the Pearl, and Apuleius's Metamorphoses. He also discusses the Roman custom of clothing and the baptismal praxis of the ancient church. Kim concludes that Paul's metaphor suggests the life and glory of the image of God, which were lost by Adam, have been restored by baptism in Christ, and will go on to be consummated at the parousia.
The Serpent and the Rose examines the theological and liturgical context for the doctrine of the Immaculate Conception in the Middle Ages, from primary sources in Iberian archives. Its main focus is a study of Marian poetry from Alfonso the Wise and Gonzalo de Berceo through to the poetry collections of the late fifteenth century, showing how poets took themes from the Bible and apocryphal literature, combining them to defend and praise Mary’s conception without sin. Individual chapters assess how they depicted Mary’s prefiguration in the Old Testament by the Woman who defeated the serpent, the young bride of the Song of Songs, or the semi-deity, Wisdom, how they portray her as the mystic rose and as the new Eve.