A revival of the 1929-55 pulp magazine as a quarterly series of trade-paperback anthologies, this volume brings solid entertainment and traditional storytelling back to short science fiction.
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.
The Fantastic Other is a carefully assembled collection of essays on the increasingly significant question of alterity in modern fantasy, the ways in which the understanding and construction of the Other shapes both our art and our imagination. The collection takes a unique perspective, seeing alterity not merely as a social issue but as a biological one. Our fifteen essays cover the problems posed by the Other, which, after all, go well beyond the bounds of any single critical perspective. With this in mind, we have selected studies to show how insights from deconstruction, Marxism, feminism, and Freudian, Jungian and evolutionary psychology help us understand an issue so central to the act of reading.
This fourth issue of Phenomenal Stories features the beginning of the six-part young adult fantasy novel, 'The Book of Power, ' by Richard H. Nilsen with illustrations by Linda Naske and a frontispiece by Richard's daughter, Cara Nilsen. The science fiction end of the world novel, 'After, ' continues and we start two new columns in this issue. The first is a travel log by put-upon reporter/columnist J.D. Hayes-Canell titled Dunces & Dragons. The second column is all about writer by Richard H. Nilsen titled The Write Stuff. The first installment is a general guide to writing, but future parts will go into specifics to help the budding writer write. The editor takes a look at Isaac Asimov's three laws of robotics, and 'Gosh! Wow! A Personal History of the Pulps' continues with part 4. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940
This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh! Wow! A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
By examining important aspects of science fiction in the twentieth century, this book explains how the genre evolved to its current state. Close critical attention is given to topics including the art that has accompanied science fiction, the subgenres of space opera and hard science fiction, the rise of SF anthologies, and the burgeoning impact of the marketplace on authors. Included are in-depth studies of key texts that contributed to science fiction's growth, including Philip Francis Nowlan's first Buck Rogers story, the first published stories of A. E. van Vogt, and the early juveniles of Isaac Asimov, Arthur C. Clarke and Robert Heinlein.
How women and feminism helped to shape science fiction in America. Runner-up for the Hugo Best Related Book Award (2003) The Battle of the Sexes in Science Fiction is a lively account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. Beginning in 1926, with the publication of the first issue of Amazing Stories, Justine Larbalestier examines science fiction's engagement with questions of femininity, masculinity, sex and sexuality. She traces the debates over the place of women and feminism in science fiction as it emerged in stories, letters and articles in science fiction magazines and fanzines. The book culminates in the story of James Tiptree, Jr. and the eponymous Award. Tiptree was a successful science fiction writer of the 1970s who was later discovered to be a woman. Tiptree's easy acceptance by the male-dominated publishing arena of the time proved that there was no necessary difference in the way men and women wrote, but that there was a real difference in the way they were read.
James Gunn has had a long and distinguished career in science fiction. In addition to his stories and novels, he has written extensively about the reading, writing, and criticism of science fiction. Many of these essays were published in The Science of Science-Fiction Writing (Scarecrow, 2002). A second collection of essays, Inside Science Fiction, was originally published in 1992, and is now available in this revised, updated, and expanded edition. With the addition of five new articles written since 1992, Inside Science Fiction represents Gunn's latest thoughts about the genre. The book is divided into four major sections that tackle various aspects of the genre: - "Getting Inside Science Fiction," in which Gunn discusses his relationship with the genre - "Science Fiction and the Teacher" illustrates various approaches to teaching science fiction - "Science Fiction on Film and Television" deals with the film industry's approaches to science fiction, in particular, Gunn's experiences of seeing his novel The Immortals turned into a made-for-television movie and subsequent series - "Science Fiction and the Real World" examines the impact of science fiction on the world and what the future holds for the genre Inside Science Fiction offers a complete overview of science fiction for readers and viewers from an author, reader, and teacher who has seen it from all sides for more than seventy years.