John Duvale, a recent widower, got on a stagecoach in St. Louis to return to his home in Green River, Wyoming. The people he met on the stage were talking of a trip to California. The more they talked, the more he was persuaded to go along. It became a snowball effect. Two brothers, who were on the same stage, also decided to go along. As the story begins, they were making camp in the woods. They had exchanged their stagecoach for two covered wagons. They were going out on their own to California. With little knowledge of the lay of the land, and the added responsibility of two women along, the journey was not going to be a walk in the park. Along with some unexpected friends, a few complications arose. Would everything work out for the best? Maybe, maybe not. 1
This classic text addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. With the original 1987 publication of Ain't No Makin' It, Jay MacLeod brought us to the Clarendon Heights housing project where we met the 'Brothers' and the 'Hallway Hangers'. Their story of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. The third edition of this classic ethnography of social reproduction brings the story of inequality and social mobility into today's dialogue. Now fully updated with thirteen new interviews from the original Hallway Hangers and Brothers, as well as new theoretical analysis and comparison to the original conclusions, Ain't No Makin' It remains an admired and invaluable text.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Jim Bowie, the descendant of Highland Scots, grew up riding alligators and working the field on the Texas frontier. Taught three languages and a sense of honor, he went on to live a life filled with brawls and battles, loves and loses. This is his story, as told by those who, whether they loved or hated him, were united by their awe of this amazing frontiersman. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Ain't No Grave: The Life and Legacy of Brother Claude Ely is written as an oral, biographical history taken from the recorded interviews of over 1,000 people in the Appalachian Mountains who personally knew Brother Claude Ely in various phases of his life. Brother Claude Ely, coined as the King Recording Label's "Gospel Ranger" of the Appalachian Mountains, was well-known and loved by many in the earlier part of the twentieth century as both a religious singer/songwriter and a Pentecostal-Holiness preacher. Few people, however, knew the personal details of his childhood, military service, and years of hard work in the coal fields of Southwestern Virginia. Now, decades after his legendary death, many fans still seem mesmerized and touched by this humble man's quick wit and sincere desire to share the Gospel's "Good News" with everyone who would listen to his message of hope and love. - Jacket flap.
A book of poetry filled with life events, experiences, messages, and beauty. I have written this book because I love to write, I am inspired by life and hope to touch yours....this is for the love of poetry
This definitive assessment of Cormac McCarthy’s novels captures the interactions among the literary and mythic elements, the social dynamics of violence, and the natural world in The Orchard Keeper, Child of God, Outer Dark, Blood Meridian, and The Road. Elegantly written and deeply engaged with previous scholarship as well as interviews with the novelist, this study provides a comprehensive introduction to McCarthy’s work while offering an insightful new analysis. Drawing on René Girard’s mimetic theory, mythography, thermodynamics, and information science, Markus Wierschem identifies a literary apocalypse at the center of McCarthy’s work, one that unveils another buried deep within the history, religion, and myths of American and Western culture.
(Piano/Vocal/Guitar Songbook). A dozen timeless hits sung by Aretha Franklin as presented in the 2021 hit movie Respect starring Jennifer Hudson, in arrangements for piano, voice and guitar. Includes: Ain't No Way * Chain of Fools * Do Right Woman Do Right Man * Dr. Feelgood (Love Is a Serious Business) * Here I Am (Singing My Way Home) * I Never Loved a Man (The Way I Love You) * I Say a Little Prayer * (You Make Me Feel Like) a Natural Woman * Respect * Since You've Been Gone (Sweet, Sweet Baby) * Spanish Harlem * Think.
