They said she was a tyrant, a murderer and the most wicked woman in history. She kicked her way into the male spaces of politics and demanded to be recognised as an equal and a leader. For her audacity, she was murdered by her son and reviled by history. She was the sister, niece, wife and mother of emperors. She was an empress in her own right. And she was a nuanced, fearless trailblazer in the Roman world. The story of Agrippina – the first empress of Rome – is the story of an empire at its bloody, extravagant, chaotic, ruthless height.
Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith. In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself and her son, Nero. This book follows Agrippina as a daughter, born in Cologne, to the expected heir to Augustus’s throne; as a sister to Caligula who raped his sisters and showered them with honors until they attempted rebellion against him and were exiled; as a seductive niece and then wife to Claudius who gave her access to near unlimited power; and then as a mother to Nero—who adored her until he had her assassinated. Through senatorial political intrigue, assassination attempts, and exile to a small island, to the heights of imperial power, thrones, and golden cloaks and games and adoration, Agrippina scaled the absolute limits of female power in Rome. Her biography is also the story of the first Roman imperial family—the Julio-Claudians—and of the glory and corruption of the empire itself.
In this dynamic new biography - the first on Agrippina in English - Professor Barrett uses the latest archaeological, numismatic and historical evidence to provide a close and detailed study of her life and career. He shows how Agrippina's political contribution to her time seems in fact to have been positive, and that when she is judged by her achievements she demands admiration. Revealing the true figure behind the propaganda and the political machinations of which she was capable, he assesses the impact of her marriage to the emperor Claudius, on the country and her family. Finally, he exposed her one real failing - her relationship with her son, the monster of her own making to whom, in horrific and violent circumstances, she would eventually fall victim.
Agrippina the Younger ranks as one of the most powerful women in the history of the Roman Empire. Judith Ginsburg's book provides a fresh look at both the literary and material representations of Agrippina. Her incisive study exposes both the contrivances of the commissioned artists whose idealized portraits served to buttress the image of the regime and the contrasting designs of the historians whose rhetorical stereotypes and negative depictions aimed to undermine it.
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.
A captivating popular history that shines a light on the notorious Julio-Claudian women who forged an empire Augustus, Tiberius, Caligula, Claudius, and Nero--these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bédoyère, author of Praetorian, asserts that the women behind the scenes--including Livia, Octavia, and the elder and younger Agrippina--were the true backbone of the dynasty. De la Bédoyère draws on the accounts of ancient Roman historians to revisit a familiar time from a completely fresh vantage point. Anyone who enjoys I, Claudius will be fascinated by this study of dynastic power and gender interplay in ancient Rome.
Agrippina's grandmother goes awol for a few days, only to be discovered in her own home, hiding away from the world while she recovers from a facelift. And all because she's found out that her own mother has gone into a retirement home. The latter, having made herself a fortune in her savvy investments in stocks and shares, decides to buy herself a computer... but not just any old computer...! Meanwhile, Agrippina is, as usual, busy seeking out any opportunity to get easy money and easy boys. This is a side-splitting snapshot of the complex relationships between four generations of women.
From the end of the Roman Republic to the death of the last Julio-Claudian emperor, portraits of women - on coins, public monuments, and private luxury objects - became an increasingly familiar sight throughout the empire. These women usually represented the distinguished bloodlines of the head of the state, or his hopes for succession, but in every case, their images were freighted with political significance. These objects also communicated social messages about the appropriate roles, behavior, and self-presentation of women. This volume traces the emergence and development of the public female portrait, from Octavia, the first Roman woman to be represented in propria persona on coinage, to the formidable and ambitious Agrippina the Younger, whose assassination demonstrated to later women the limits of official power they could demand.
The New York Times bestselling and legendary author of Helen of Troy and Elizabeth I now turns her gaze on Emperor Nero, one of the most notorious and misunderstood figures in history. Built on the backs of those who fell before it, Julius Caesar’s imperial dynasty is only as strong as the next person who seeks to control it. In the Roman Empire no one is safe from the sting of betrayal: man, woman—or child. As a boy, Nero’s royal heritage becomes a threat to his very life, first when the mad emperor Caligula tries to drown him, then when his great aunt attempts to secure her own son’s inheritance. Faced with shocking acts of treachery, young Nero is dealt a harsh lesson: it is better to be cruel than dead. While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire. With cunning and poison, the obstacles fall one by one. But as Agrippina’s machinations earn her son a title he is both tempted and terrified to assume, Nero’s determination to escape her thrall will shape him into the man he was fated to become—an Emperor who became legendary. With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy’s ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.
An entertaining and informative look at the unique culture of crime, punishment, and killing in Ancient Rome In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.
