At the heart of our ongoing interest in Walker, says Harrison, is the need to understand the ever-shifting ambitions and arguments that have driven American economic, military, and paramilitary ventures around the globe for the past 150 years.".
This volume contains a selection of papers which go back to a conference on new employment actors, held at the University of Sydney in November 2006. The book contends that employment relations must be broadened to examine the new actors and processes and the role these play in the regulation and experience of work. It demonstrates this in the context of recent developments in Australia. In addition, the contributions evaluate the extent to which new employment actors either reinforce or replace the activities of the more established trade union, management, and state-based actors. It is argued that an inclusion of these new actors and processes is a more comprehensive way of understanding and explaining industrial society in the 21st century.
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
"Essays on Aristotle's "hylomorphism" - i.e., his conception of an organism's body as standing to its soul as matter (hulê) to form (morphê). Common readings - that there is only one form per species and that matter is what distinguishes individuals within a species from one another - are rejected in favor of the view that each member of a biological species has its own numerically distinct form. Original grounds are given for Aristotle's conception of soul as "the form and essence" of an organic body: he thinks it needed to account for the distinction between generation and destruction simpliciter and the mere alteration of existing stuff. The compatibility of this with Aristotle's conception of matter as the substratum of coming-to-be and passing-away is defended by appeal to a distinction between functionally defined organic parts (such as eyes) and the elements that constitute them. An original reading of the perceiving part of soul as one with the desiring part is given and asymmetries afforded by Aristotle's teleology explored. "Normative" cases (where formal explanations dominate) are contrasted with "defective" ones (where matter is incompletely "mastered" by form), with special attention to akratic subjects: their desires are not fully mastered by practical reason, which stands in normative cases as form to matter. The role played by Aristotle's conception of soul in his account of rational agency is employed against the dogma that he lacked the allegedly "modern" conception of "self" found in Locke and an original reading of Locke's account of personal identity is developed"--
In 1653 Cromwell sent Luke Tremayne and his deputy Harry Lloyd to Paris to negotiate secretly with the exiled King Charles II. After a serious mishap to Luke, Harry is forced to complete the mission alone. Luke is nevertheless gainfully employed by a wealthy French aristocrat the Marquis des Anges to investigate the murder of his first wife and the attempted murder of his second. Harry assists the English courtiers to solve the murder of two young ladies-in-waiting to the Queen Mother Henriette Marie, and together with a Royalist peer is falsely imprisoned and tortured. He escapes and after many life threatening adventures is rescued on the orders of Frances chief minister, Cardinal Mazarin. Meanwhile Lukes investigations are complicated by a feisty abbess, hysterical nuns, a Canadian adventurer, a rampaging bear and a mysterious treasure of English Catholic gold and silverinvestigations that provoke a series of fatal bombings. Harrys determination to find and exact revenge on a renegade French aristocrat responsible for his torture leads him eventually to the French chateau where Luke is pursuing his villains.
The result of an extensive poll asking heavy metal fans to list their favourite high-octane albums, this compendium combines those survey results with Popoff's original interviews with world famous rockers who reveal recording session secrets in addition to their own heavy classics and ear-splitting faves. When all of this is melded with Popoff's unique and celebrated insights into the metal of yesterday and today, an essential resource becomes a rock-writing standard. From AC/DC to ZZ Top and from Black Sabbath to Pantera, both headbanging chart-toppers and lesser-known gems are catalogued and critically appraised. With reviews of early metal albums of the 1960s, as well as the latest hits, The Top 500 Heavy Metal Albums of All Time blends praise with criticism to produce an honest assessment of the most influential and important heavy metal recordings. Also featured are photos and appendices that revel in mountains of metal minutiae. "Martin Popoff has no doubt supplied the raw material for all manner of intense debates among the former denizens of basement bedrooms everywhere." 'The Toronto Sun.
This enthralling new translation of Dante’s Inferno “immediately joins ranks with the very best” (Richard Lansing). One of the world’s transcendent literary masterpieces, the Inferno tells the timeless story of Dante’s journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects. The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.