Aftermaths offers compelling new ideas on exile, migration, and diaspora. Ten contributors-well-established scholars and promising new voices-working in different disciplines and drawing from diverse backgrounds present rich case studies from around the world. Seeking fresh perspectives on the movement of people and ideas, the essays take on a wide range of subjects such as the influence of religion upon diasporic consciousness, the conflict between the local and the transnational, the fate of historical tragedy in globalization, the reinvention of social bonds across migrations, and the agoni.
This volume of essays provides the first major comparative study of the role played by women’s movements and individual female activists in enabling or thwarting the transition from war to peace in Europe in the crucial years 1918 to 1923.
From the first vistas provided by flight in balloons in the eighteenth century to the most recent sensing operations performed by military drones, the history of aerial imagery has marked the transformation of how people perceived their world, better understood their past, and imagined their future. In Aerial Aftermaths Caren Kaplan traces this cultural history, showing how aerial views operate as a form of world-making tied to the times and places of war. Kaplan’s investigation of the aerial arts of war—painting, photography, and digital imaging—range from England's surveys of Scotland following the defeat of the 1746 Jacobite rebellion and early twentieth-century photographic mapping of Iraq to images taken in the immediate aftermath of 9/11. Throughout, Kaplan foregrounds aerial imagery's importance to modern visual culture and its ability to enforce colonial power, demonstrating both the destructive force and the potential for political connection that come with viewing from above.
"This book is about things that shouldn't happen, but do. In spite of lesons learned, defects corrected and rules imposed, plans continue to crash. Sometimes the causes are technical and arcane, but often they are woven from familiar threads of weather, terrain, and pilot psychology. This selection of 32 articles from Flying Magazine's long running Aftermath series examines some of the many ways pilots get into trouble. It emphasizes the perspective of the pilots themselves: the pressure they feel, the risks they choose to take, how they make decisions, and how they sometimes deceive themselves aobut the likely consequences of their actions. Few accidents are inevitable. These accounts are presented in the hope that pilots will learn from them to recognize both the situations and the mental states that put them and their passengers in jeopardy, and that some accidents might thereby be prevented. If any non-pilots happen to read them, they may gain a deeper understanding of what flying is all about."--back cover.
Austin Huntley and Cameron Nash are like night and day. One is a family man, works in a nice office, drives an expensive car, and is content to be content. The other one is an antisocial car mechanic with a short fuse. Some things don't change. Others definitely do. After surviving a five-month long kidnapping together, they struggle to return to normalcy, all while realizing that they're more drawn to each other than they ever could've imagined. "I know I'm not normal, but I'm not fucking stupid." "Define normal," Austin countered quietly, meeting Cam in the doorway. "And for not being normal, you're the only person in the world who makes sense right now. What does that say about me?" Warning: This story contains violence and scenes of an explicit, erotic nature between two men and is intended for adults, 18+.
Focusing on three of the defining moments of the twentieth century - the end of the two World Wars and the collapse of the Iron Curtain - this volume presents a rich collection of authoritative essays, covering a wide range of thematic, regional, temporal and methodological perspectives. By re-examining the traumatic legacies of the century’s three major conflicts, the volume illuminates a number of recurrent yet differentiated ideas concerning memorialisation, mythologisation, mobilisation, commemoration and confrontation, reconstruction and representation in the aftermath of conflict. The post-conflict relationship between the living and the dead, the contestation of memories and legacies of war in cultural and political discourses, and the significance of generations are key threads binding the collection together. While not claiming to be the definitive study of so vast a subject, the collection nevertheless presents a series of enlightening historical and cultural perspectives from leading scholars in the field, and it pushes back the boundaries of the burgeoning field of the study of legacies and memories of war. Bringing together historians, literary scholars, political scientists and cultural studies experts to discuss the legacies and memories of war in Europe (1918-1945-1989), the collection makes an important contribution to the ongoing interdisciplinary conversation regarding the interwoven legacies of twentieth-century Europe’s three major conflicts.
Focusing on three of the defining moments of the twentieth century - the end of the two World Wars and the collapse of the Iron Curtain - this volume presents a rich, interdisciplinary collection of authoritative essays, covering a wide range of thematic, regional and methodological perspectives. By re-examining these traumatic years it illuminates ideas concerning mythologisation, mobilisation, commemoration, confrontation and representation in the aftermath of conflict. The relationship between the living and the dead, the contestation of memories and legacies of war in cultural and political discourses, and the significance of generations are all key threads binding the collection together.
