In September 1985, emissaries of the world's five leading industrial nations—the United States, Britain, France, Germany, and Japan—secretly gathered at the Plaza Hotel in New York City and unveiled an unprecedented effort to correct the largest set of current account and exchange rate imbalances that had ever threatened the world economy. The Plaza Accord is credited with sharply realigning exchange rates, significantly reducing current account imbalances, and countering protectionist pressures in the United States. But did the Accord provide a foundation for ongoing international financial stability and policy coordination? Or was it simply a unique one-time coincidence of national interests? The Plaza experience continues to inform today's debates about the limits and possibilities of international monetary cooperation. In late 2015, leading policymakers and economists—including those who were involved in the Accord's design, negotiation, and implementation—held a Plaza Retrospective conference at the Baker Institute for Public Policy to evaluate the Accord's legacy and how its collaborative spirit can be applied today. This volume presents their views and analyses to provide guidance for a time when the world again faces the prospect of currency disequilibria, growing imbalances, trade policy reactions, and thus uncertainty for both the global economy and world politics.
The 1998 Belfast Agreement promised to release citizens of Northern Ireland from the grip of paramilitarism. However, almost a decade later, Loyalist paramilitaries were still on the battlefield. After the Peace examines the delayed business of Loyalist demilitarization and explains why it included more fits than starts in the decade since formal peace and how Loyalist paramilitary recalcitrance has affected everyday Loyalists. Drawing on interviews with current and former Loyalist paramilitary men, community workers, and government officials, Carolyn Gallaher charts the trenchant divisions that emerged during the run-up to peace and thwart demilitarization today. After the Peace demonstrates that some Loyalist paramilitary men want to rebuild their communities and join the political process. They pledge a break with violence and the criminality that sustained their struggle. Others vow not to surrender and refuse to set aside their guns. These units operate under a Loyalist banner but increasingly resemble criminal fiefdoms. In the wake of this internecine power struggle, demilitarization has all but stalled. Gallaher documents the battle for the heart of Loyalism in varied settings, from the attempt to define Ulster Scots as a language to deadly feuds between UVF, UDA, and LVF contingents. After the Peace brings the story of Loyalist paramilitaries up to date and sheds light on the residual violence that persists in the post-accord era.
One of the longest and seemingly most intractable civil wars in Latin America was brought to an end by the signing of the Peace Accords between the Guatemalan government and the Unidad Revolucionaria Nacional Guatemalteca (URNG) in December 1996. The essays in this volume evaluate progress made in the implementation of the peace agreements and signal some of the key challenges for future political and institutional reform. The volume opens with a chapter by Gustavo Porras, the government's main negotiator in the peace process. The first section then examines the issue of demilitarization. This is followed by aspects of indigenous rights in the peace process, including conceptual frameworks for rights advancement, the harmonization of state law and customary law, and the challenges of nation-state and citizenship construction. The next section examines issues of truth, justice, and reconciliation, and assesses prospects for the Truth Commission. The volume closes with an analysis of different aspects of political reform in Guatemala and includes comments made on the chapters and developed in the debate which took place at the conference on which it is based. The contributors are Marta Altolaguirre*, Marta Elena Casaús*, Demetrio Cojtí*, Edgar Gutiérrez*, Frank La Rue, Roger Plant, Gustavo Porras*, Alfonso Portillo*, Jennifer Schirmer, Rachel Sieder, David Stoll, Rosalina Tuyuc*, Anna Vinegrad, Richard Wilson (* chapters in Spanish).
Based on real incidents, this is a Vietnam war novel about the role Army Ranger units played conducting raids by small teams on the ground and directed by their officers in the air. This book tracks the experiences of a young West Point graduate who volunteers for a Ranger unit in-country, learns his trade, and accomplishes his missions.
Managing the Dollar, published four years after the Plaza Agreement took place, was the initial analysis of lessons learned and takeaways from the finance ministers' policy efforts in 1985. Based largely on interviews, immediate analysis illuminates the forces at play and the differences of opinions among the policymakers and how collaborative economic integration can be improved. The piece is being republished to celebrate the 30-year anniversary of the accord and as a companion to a new long-term retrospective.
Peace accords are often plagued by problems, including economic hardship, burgeoning crime, postwar trauma, and persistent fear and suspicion. Too often, negotiated settlements merely open another difficult chapter in the peace process, or worse, lead to new phases of conflict. The University of Notre Dame's Research Initiative on the Resolution of Ethnic Conflict (RIREC) explored three significant challenges of the postwar landscape: the effects of violence in internal conflicts after peace agreements have been signed; the contributions of truth-telling mechanisms; and the multidimensional roles played by youth as activists, soldiers, criminals, and community-builders. The project led to the 2006 publication of three edited volumes by the University of Notre Dame Press: John Darby's Violence and Reconstruction; Tristan Anne Borer's Telling the Truths: Truth Telling and Peace Building in Post-Conflict Societies; and Siobhan McEvoy-Levy's Troublemakers or Peacemakers Youth and Post-Accord Peace Building. In Peacebuilding After Peace Accords, the three editors revisit the topics presented in their books. reconstruction and the difficulties in building a sustainable peace in societies recently destabilized by deadly violence. The authors argue that researchers and practitioners should pay greater attention to these challenges, especially how they relate to each other and to different post-accord problems. A foreword by Archbishop Emeritus Desmond Tutu sets the context for this volume, and an afterword by Eileen Babbitt reflects on its findings.
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
"One of the finest novels of virtual reality yet written" (SF Site) The Accord, a virtual utopia where the soul lives on after death and your perceptions are bound only by your imagination. This is the setting for a tale of love, murder and revenge that crosses the boundaries between the real world and this virtual reality. When Noah and Priscilla escape into the Accord to flee Priscilla's murderous husband, he plots to destroy the whole Accord and them with it. How can they hope to escape their stalker when he can become anything or anyone he desires and where does the pursuit of revenge stop for immortals in an eternal world? "The emotion-driven love triangle neatly complements the tech- and philosophy-heavy nature of the Accord, making this rumination on posthumous, posthuman love a rare treat." Publishers Weekly 5* review "Brooke's fifth science-fiction novel is an intelligent examination of the technological possibilities of VR and a brilliant dissection of how individuals and society will change when freed from material bounds. The Accord is not only Brooke's best novel to date, but one of the finest to broach the subject of virtual reality." The Guardian "A truly major sf work that should be considered for all eligible awards." SFF World "Keith Brooke's take on posthumanism is one of the best approaches of the subject I've ever seen." SF Signal "As well as being a masterful story, The Accord is a feat of daring and accomplished composition... Romantic, edgy, moving, tight and fast, The Accord is Keith Brooke on incandescent form and in an angry, sweary mood. The Accord offers a sense of obscene wonder the likes of which this reviewer might not have felt since Geoff Ryman's The Child Garden. This is Keith Brooke at his absolute best." Interzone "One of my favourite headfuck metaphysical sci-fi novels." James Everington, author of Falling Over
Between 1994 and 1997, 18 former executives of American Honda Motor Company were convicted on federal fraud and racketeering charges. This true-crime story reveals the underbelly of one of the world's most respected companies, detailing the key characters in this 15-year scandal and their shady deals, along with internal and FBI investigations. Examines how the corruption adversely affected Honda's sales efforts, and analyzes the corporate culture that allowed it to flourish for so long. c. Book News Inc.