Here, Birnbaum traces the decline and fall of social reform in Europe and America. He shows, for example, that William Howard Taft railed against socialism, by which he meant anything restricting the market.
An important, bold challenge to our attitude toward progress. As we stand on the brink of the third millennium, we are very much in thrall to the idea that civilization is moving forward in a progressive direction, and that overall in the world things are getting better. In After Progress, philosopher Anthony O'Hear argues that we need to temper our optimism and self-assurance, that progress has not been attained without some loss. The gains of the past two or three centuries, particularly in the fields of science and democratic politics, have resulted in losses in areas once thought of as allied to religion, such as art, education, morality and philosophy. O'Hear asks the basic question: why does it seem there are more unhappy people today in the US and in Britain when we are living in a time of unprecedented individual affluence, health and human rights? O'Hear sets out to find out how we might re-examine our lives of progress by looking back on what we have learned from the great philosophers, scientists, and thinkers of the past. After Progress serves as an introduction to the ideas of major thinkers from Plato to Wittgenstein, as well as providing a new way to think about the present, by not ignoring the lessons from the past.
A holistic and cross-disciplinary approach to understanding why a regional democratic transition did not occur after the Arab Spring protests, this accessible study highlights the salience of regime type, civil society, women's mobilizations, and external intervention across seven countries for undergraduate and postgraduate students and scholars.
The acclaimed climate futurist examines our unquestioning faith in progress, and its limits in the face of peak oil and climate change. Since the Industrial Age began, scientific and technological progress has been nothing short of miraculous. As a result, progress itself has become the new religion of the West. Our faith in it is so complete that many of us ignore the perils of peak oil and climate change, believing that our lab-coated high priests will surely bring forth yet another miracle to save us all. Unfortunately, progress as we've known it has been entirely dependent on the breakneck exploitation of half a billion years of stored sunlight in the form of fossil fuels. As the age of this cheap, abundant energy draws to a close, progress is grinding to a halt. Unforgiving planetary limits are teaching us that our blind faith in endless exponential growth is a dangerous myth. After Progress addresses this looming paradigm shift, exploring the shape of history from a perspective on the far side of the coming crisis. With a startling examination of the role our belief systems play in our collective fate, John Michael Greer makes a persuasive argument for seeking new sources of meaning, value, and hope for the era ahead.
As founding editor of Creative Nonfiction and architect of the genre, Lee Gutkind played a crucial role in establishing literary, narrative nonfiction in the marketplace and in the academy. A longstanding advocate of New Journalism, he has reported on a wide range of issues—robots and artificial intelligence, mental illness, organ transplants, veterinarians and animals, baseball, motorcycle enthusiasts—and explored them all with his unique voice and approach. In My Last Eight Thousand Days, Gutkind turns his notepad and tape recorder inward, using his skills as an immersion journalist to perform a deep dive on himself. Here, he offers a memoir of his life as a journalist, editor, husband, father, and Pittsburgh native, not only recounting his many triumphs, but also exposing his missteps and challenges. The overarching concern that frames these brave, often confessional stories, is his obsession and fascination with aging: how aging provoked anxieties and unearthed long-rooted tensions, and how he came to accept, even enjoy, his mental and physical decline. Gutkind documents the realities of aging with the characteristically blunt, melancholic wit and authenticity that drive the quiet force of all his work.
From the editor-in-chief and managing editor of the Babylon Bee! A millenial seeker travels through a twenty-first century take on The Pilgrims's Progress with allegorical versions of all our modern vices tempting him along the way—as well as a few timeless personified virtues that just might see him through. Biting satire and uncommon wisdom from the creators of the internet's most influential comedy site, and an author of national bestsellerThe Babylon Bee Guide to Wokeness! Ryan Fleming is a young agnostic reeling from his brother’s death. Though he is deeply angry with God, he makes good on a promise he made to his brother in the final moments of his life: to visit a church at least once. But shortly after his arrival, the slick megachurch’s shoddily installed video projector falls on his head—sending Ryan through a wormhole into another world. After a narrow escape from the City of Destruction, where the comfortably numb townspeople are oblivious to the fire and brimstone falling like bombs in their midst and destroying their homes, Ryan finds himself on a quest: To make it back to his own universe, he must partner with a woman named Faith to awaken a long-sleeping King—the World-Maker who can make all things new. Replete with characters ripped straight from the twenty-first century American church—including Radical, Mr. Satan, the Smiling Preacher, and others—this sometimes-humorous, always-insightful trek parallels Christian’s fictional journey in Pilgrim’s Progress. Prepare to laugh, cry, cringe, feel convicted, and ultimately be changed by the time the story ends. The Postmodern Pilgrim’s Progress is brought to you by Kyle Mann and Joel Berry, the two comedic minds behind The Babylon Bee—which, with 250,000 newsletter subscribers and more than fifteen million page views per month, is the most popular satirical news site on the planet.
While post- and decolonial theorists have thoroughly debunked the idea of historical progress as a Eurocentric, imperialist, and neocolonialist fallacy, many of the most prominent contemporary thinkers associated with the Frankfurt School—Jürgen Habermas, Axel Honneth, and Rainer Forst—have defended ideas of progress, development, and modernity and have even made such ideas central to their normative claims. Can the Frankfurt School's goal of radical social change survive this critique? And what would a decolonized critical theory look like? Amy Allen fractures critical theory from within by dispensing with its progressive reading of history while retaining its notion of progress as a political imperative, so eloquently defended by Adorno. Critical theory, according to Allen, is the best resource we have for achieving emancipatory social goals. In reimagining a decolonized critical theory after the end of progress, she rescues it from oblivion and gives it a future.
Flint, Michigan, is widely seen as Detroit s Detroit: the perfect embodiment of a ruined industrial economy and a shattered American dream. In this deeply researched book, Andrew Highsmith gives us the first full-scale history of Flint, showing that the Vehicle City has always seen demolition as a tool of progress. During the 1930s, officials hoped to renew the city by remaking its public schools into racially segregated community centers. After the war, federal officials and developers sought to strengthen the region by building subdivisions in Flint s segregated suburbs, while GM executives and municipal officials demolished urban factories and rebuilt them outside the city. City leaders later launched a plan to replace black neighborhoods with a freeway and new factories. Each of these campaigns, Highsmith argues, yielded an ever more impoverished city and a more racially divided metropolis. By intertwining histories of racial segregation, mass suburbanization, and industrial decline, Highsmith gives us a deeply unsettling look at urban-industrial America."
Without a thorough knowledge of the appearance of normal anatomy, you may have a tough time recognizing abnormalities in ultrasound images. Get a firm grounding in normal anatomy and physiology from an ultrasound perspective with Sonography: Introduction to Normal Structure and Function, 4th Edition. The new edition of this highly visual introductory text presents a wealth of ultrasound images, accompanied by labeled drawings with detailed legends, to increase your comfort with normal anatomy as it appears during scanning. Its consistent chapter format makes the content easy to navigate and reinforces the discipline of following a standard protocol to scan each area of the body. Detailed line drawings accompany most sonograms to explain what you should notice on each scan. If you do not see the structure, or are uncertain of it on the image, you can look at the diagram for confirmation. Over 1,500 images provide a thorough, visual understanding of sonography. Consistent organization with a standardized heading scheme helps you when searching for information. Content on quality control protocols in the clinical setting shows you how to recreate the most optimal scanning settings and techniques. Evolve resources provide you with additional learning tools. NEW! Full 4-color design incorporates color images within the appropriate chapter to help you understand the concepts without having to flip to the front of the book - and highlights the important points within each chapter. NEW! Three all-new chapters bring you the most up-to-date information on fetal echocardiography, laboratory values, and ergonomics. NEW! Updated sonograms demonstrate the latest and best images from the newest equipment, including 3D and 4D images. NEW! Expanded Test Bank, with new questions for each chapter, provides 1,000 questions on the material.